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== Song Information ==
== Song Information ==
Artist: NAPAKICK<br>
Artist: NAPAKICK<br>
Composition/Arrangement: [[Masayuki Takahashi|NAPAKICK]]<br>
BPM: 130<br>
BPM: 130<br>
Genre: Rocket Beats<br>
VJ: [[kakki]]<br>
First Appeared On: [[AC 8th style]]<br>
Length: 1:55<br>
Length: 1:55<br>
Genre: ROCKET BEATS<br>
Movie: [[Asami Kakihara|KAKKI]]<br>
First Music Game Appearance: [[AC 8th style|beatmania IIDX 8th style]]<br>
Other Music Game Appearances: None.


== Lyrics ==
== Lyrics ==
None.
None.


== Song Connections / Remixes ==
== Song Connections / Remixes ==
None.
None.


== Trivia ==
== Trivia ==
* TRIBAL MASTER marks NAPAKICK's final song for BEMANI.
** It also marks his only arcade beatmania IIDX song, as well as his only song in beatmania IIDX without [[Yuji Kano]].


None.
== Song Production Information ==
 
=== NAPAKICK ===
== Music Production Info ==
To everyone reading my comments! Hemeowmeowllo!<br>
 
We're an active guerrilla team protecting cosmic peace, Nanananapanapakiii---ck!<br>
To you who are reading the comments! Heyahowyadoin!
And this is our message, (three spins in the air) peace.
We're the guerrilla squad charged with defending the peace of the universe, Naaaaaaaaaaaaapanapakiiiiiiiiiiiiiiiiick!
And this is our message, peace (three times in the sky).


"It's been quite a while since we've done a real club-style breakbeats piece. Four-on-the-floor beats are pretty mainstream nowadays, but since making rock style music into dance music is our mission, we seasoned it with good bass riffs and guitar choking for the sake of universal peace. Even though it was for universal peace, it was kind of hard, and reality is all about cycles of destruction and rebirth, so music that can recreate that kind of balance is an exceedingly valuable thing, I think. To borrow the words of Yoda, 'Anger leads to hatred. Hatred leads to fear. Fear leads to the dark side.' That's the sort of sentiment this song was born out of."
"Breakbeats club-styled tracks have become quite mature, and four-beat is mainstream in the world, but it's our mission to turn rock into dance music, so I seasoned it with cosmic peace from the bass riffs and guitar chords.<br>
It's difficult to maintain cosmic peace in my opinion, and the repeated destruction and regeneration is realistic, so I feel music is a very precious light particle which can restore peace with this balance.<br>
To borrow the words from Yoda, 'anger leads to hatred, hatred leads to fear, fear leads to the dark side', this song was born from that."


What do you think, everyone? Were you moved? Well, until we meet again, adios! Chuwats ... puchu.
So, were you all moved? Until we meet again, adios! Chuwats,,,, puchu.


== Video Production Info ==
== Video Production Information ==
=== KAKKI ===
The 21st century seems like a long time ago, and before I knew it, we entered a new century. This song feels like it has a contemporary, futuristic rock spirit.


Even though the 21st century seemed like it would be more of the same, somehow we've broken into the new century. This song has that sort of contemporary, near-future rock spirit to it.
Even in near future, it's not a clean feeling like high-tech cars flying through the sky, but an image of a rather unrefined, spiritual future, where human abilities completely hidden in modern society, such as the sixth sense and telepathy, are reawakened and accomplish a new evolution.


Even though it's near future, it's not a clean future of high-tech automatic cars flying through the sky, but an image of a dirty, spiritual future, where the sixth sense of man, dulled by the day-to-day ventures of modern society, awakens and evolves into something new.
That's why I tried to aim for the visuals to be flashy and digital, with an organic and cool feeling. If you can see something like the Force contained in the Earth and humans, I wonder if a light is shining like this. It's already shining.


That's why I was aiming for something showy, something digital yet organic. If you ever see a force like that, locked up in the earth, or maybe within people, I think you'd see a shining light that looked kind of like this. It's already shining.
The person kicking during the shining part, the alter ego during the warp part, aren't they cool!? And impactful!? I'd be happy if you enjoy the subtle balance between both.


The kicking in the shining part, the warp during the delivery, isn't it really cool!? Isn't it shiny!? If you can enjoy that sort of delicate balance in this video, it'd make me really happy.
== Difficulty & Notecounts ==
beatmania IIDX difficulty rated from 1 to 7+ in 8th and 9th style.


{{IIDX-stub}}
{{IIDX Chart Header|
{{IIDX Chart Notecounts|-|464|643|794|-|478|642|770|-}}
{{IIDX Chart|beatmania IIDX 8th style&rarr;9th style|-|4|6|N/A|-|5|6|N/A|-}}
{{IIDX Chart|beatmania IIDX 8th style CS|-|4|6|6|-|5|6|6|-}}
}}


[[Category:Songs]]
[[Category:Songs]]
[[Category:IIDX Songs]]
[[Category:beatmania IIDX Songs]]
[[Category:IIDX Songs with Unique Videos]]
[[Category:beatmania IIDX Songs with Unique Videos]]
[[Category:Beatmania IIDX Cut Songs]]
[[Category:Beatmania IIDX Cut Songs]]