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Talk:DIAVOLO: Difference between revisions
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DIAVOLO, to me, indeed borrows more from Paganini's Caprice No. 24 than Liszt's Grandes etudes de Paganini No. 6. DIAVOLO borrows variations 3 (@ 0:30), 4 (@ 0:33), and 1 (@ 0:42) from Paganini's Caprice 24. | DIAVOLO, to me, indeed borrows more from Paganini's Caprice No. 24 than Liszt's Grandes etudes de Paganini No. 6. DIAVOLO borrows variations 3 (@ 0:30), 4 (@ 0:33), and 1 (@ 0:42) from Paganini's Caprice 24. | ||
There is also a unique variation @ 0:54 but I cannot tell for sure if it's Paganini's or Liszt's or it's a variation from another person who arranged Paganini's or an original variation. | There is also a unique variation @ 0:54 but I cannot tell for sure if it's Paganini's or Liszt's or it's a variation from another person who arranged Paganini's or an original variation. | ||
I don't know who inspired the finale (1:17). My gut feeling says it's inspired more by Liszt than Paganini but I'll leave it for others to confirm. | |||
--[[User:F5XS.0000a|F5XS.0000a]] ([[User talk:F5XS.0000a|talk]]) 00:27, 25 May 2020 (UTC) | --[[User:F5XS.0000a|F5XS.0000a]] ([[User talk:F5XS.0000a|talk]]) 00:27, 25 May 2020 (UTC) | ||