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2002 (year): Difference between revisions
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The first of the two new home releases was [[CS pnm 6|pop'n music 6 CS]], the last Japanese game on the original PlayStation. It had the biggest songlist in PlayStation BEMANI history with 104 songs and included all the new originals from [[AC pnm 6|pop'n music 6]], and most of the course songs. Near the entire [[AC pns|pop'n stage]] songlist was included for play as well as a bonus. But this came with some sacrifices: all but two licenses were gone, BATTLE MODE and [[RGB]] MODE were removed, and course songs only had the chart in that course and no others. Despite this, the game ran at a smooth 60 FPS and boasted an impressive high number of new songs as well. It also introduced [[Kanashiine|悲しいね]], at the time considered the hardest song ever in a CS pop'n music title, going at a frantic 200 BPM and putting in 820 notes into a song barely over 90 seconds long. The second game released this year, [[CS pnm 7|pop'n music 7 CS]], saw the series switch over to the PlayStation 2. Space restrictions were a thing of the past: BATTLE MODE made its CS debut, course songs now had their full charts and were playable in arcade mode as well, and the loading times got overall shorter. 7 CS sold well and was even re-released as part of KONAMI's KONAMI the BEST line several years later at less than half its price. | The first of the two new home releases was [[CS pnm 6|pop'n music 6 CS]], the last Japanese game on the original PlayStation. It had the biggest songlist in PlayStation BEMANI history with 104 songs and included all the new originals from [[AC pnm 6|pop'n music 6]], and most of the course songs. Near the entire [[AC pns|pop'n stage]] songlist was included for play as well as a bonus. But this came with some sacrifices: all but two licenses were gone, BATTLE MODE and [[RGB]] MODE were removed, and course songs only had the chart in that course and no others. Despite this, the game ran at a smooth 60 FPS and boasted an impressive high number of new songs as well. It also introduced [[Kanashiine|悲しいね]], at the time considered the hardest song ever in a CS pop'n music title, going at a frantic 200 BPM and putting in 820 notes into a song barely over 90 seconds long. The second game released this year, [[CS pnm 7|pop'n music 7 CS]], saw the series switch over to the PlayStation 2. Space restrictions were a thing of the past: BATTLE MODE made its CS debut, course songs now had their full charts and were playable in arcade mode as well, and the loading times got overall shorter. 7 CS sold well and was even re-released as part of KONAMI's KONAMI the BEST line several years later at less than half its price. | ||
GUITARFREAKS & drummania still struggled with the space restrictions with the PlayStation-based KONAMI BEMANI SYSTEM 573 DIGITAL hardware. [[AC GF7DM6|GUITARFREAKS 7thMIX & drummania 6thMIX]] only had 98 songs versus the [[AC GF6DM5|previous game]]'s 138, though the new songlist spawned quite a few popular BEMANI crossovers choices for the future, including [[Concertino in Blue]], considered one of the better songs from the classic era of the franchise and was even popular enough to be transplanted into beatmania IIDX, DanceDanceRevolution, jubeat, and pop'n music many years later. [[AC GF8DM7|GUITARFREAKS 8thMIX & drummania 7thMIX]] was the first game to revive older songs, and | GUITARFREAKS & drummania still struggled with the space restrictions with the PlayStation-based KONAMI BEMANI SYSTEM 573 DIGITAL hardware. [[AC GF7DM6|GUITARFREAKS 7thMIX & drummania 6thMIX]] only had 98 songs versus the [[AC GF6DM5|previous game]]'s 138, though the new songlist spawned quite a few popular BEMANI crossovers choices for the future, including [[Concertino in Blue]], considered one of the better songs from the classic era of the franchise and was even popular enough to be transplanted into beatmania IIDX, DanceDanceRevolution, jubeat, and pop'n music many years later. [[AC GF8DM7|GUITARFREAKS 8thMIX & drummania 7thMIX]] was the first game to revive older songs, and months later came an upgrade in [[AC GF8DM7 power-up|power-up ver.]], which added six new songs and saw re-ratings for near every chart in the game. | ||
beatmania IIDX saw two new arcade releases in 2002 as well. [[AC 7th style|beatmania IIDX 7th style]] came out this year, introducing the new EXTRA STAGE and ONE MORE EXTRA STAGE model for exclusive songs rewarded to those who managed to complete the requirements for them. [[AC 8th style|beatmania IIDX 8th style]] was noticeable in that it was the first game in the series to be released after beatmania's end, released two months after THE FINAL. Many beatmania regulars at the time migrated over to beatmania IIDX; sound director [[Takehiko Fujii|SLAKE]] even joined the beatmania IIDX staff as a member of the following two arcade games. Unfortunately, similar to GUITARFREAKS & drummania, beatmania IIDX found itself struggling with the limitations of the Twinkle arcade hardware. New songs in 8th style didn't even have overlays, and a lot of originals in both 8th and the preceding 7th were removed due to space. KONAMI seemed to be aware of this, though, as the following year saw a big change in store for the series, one that would turn it into the future cornerstone of BEMANI altogether. | beatmania IIDX saw two new arcade releases in 2002 as well. [[AC 7th style|beatmania IIDX 7th style]] came out this year, introducing the new EXTRA STAGE and ONE MORE EXTRA STAGE model for exclusive songs rewarded to those who managed to complete the requirements for them. [[AC 8th style|beatmania IIDX 8th style]] was noticeable in that it was the first game in the series to be released after beatmania's end, released two months after THE FINAL. Many beatmania regulars at the time migrated over to beatmania IIDX; sound director [[Takehiko Fujii|SLAKE]] even joined the beatmania IIDX staff as a member of the following two arcade games. Unfortunately, similar to GUITARFREAKS & drummania, beatmania IIDX found itself struggling with the limitations of the Twinkle arcade hardware. New songs in 8th style didn't even have overlays, and a lot of originals in both 8th and the preceding 7th were removed due to space. KONAMI seemed to be aware of this, though, as the following year saw a big change in store for the series, one that would turn it into the future cornerstone of BEMANI altogether. | ||