Jousou dystopia: Difference between revisions

From RemyWiki
Jump to navigation Jump to search
No edit summary
 
(33 intermediate revisions by 8 users not shown)
Line 14: Line 14:
pop'n music Genre: AYAKASHI ROCK (あやかしロック)<br>
pop'n music Genre: AYAKASHI ROCK (あやかしロック)<br>
pop'n music Character: Tenko [20]<br>
pop'n music Character: Tenko [20]<br>
pop'n CG design: [[Tomoko Shiono|shio]]<br>
pop'n CG designer: [[Tomoko Shiono|shio]]<br>
Movie: ?<br>
Movie: ?<br>
First Music Game Appearance: [[AC pnm 20|pop'n music 20 fantasia]]<br>
First Music Game Appearance: [[AC pnm 20|pop'n music 20 fantasia]]<br>
Line 21: Line 21:
* [[AC RB groovin'!!|REFLEC BEAT groovin'!!]]
* [[AC RB groovin'!!|REFLEC BEAT groovin'!!]]
* [[CS RB plus|REFLEC BEAT plus]] 発見！よみがえったBEMANI遺跡 PACK 2
* [[CS RB plus|REFLEC BEAT plus]] 発見！よみがえったBEMANI遺跡 PACK 2
* [[CS NST Konasute|コナステ ノスタルジア]]
* [[AC NST Op.3|ノスタルジア Op.3]]
* [[CS pnm rhythmin|ポップンリズミン]] ポップン和風パック1
* [[CS pnm rhythmin|ポップンリズミン]] ポップン和風パック1


Line 106: Line 108:


== Song Connections / Remixes ==
== Song Connections / Remixes ==
* The very first phrase of 情操ディストピア shouted by mami is different on every difficulty.
* The shout at the beginning of 情操ディストピア is different on the NORMAL ("gakukatsu", 学活), HYPER ("koutei", 校庭), and EX ("chuusan", 中三) versions.
** A different, fourth phrase can be heard on the ''pop'n music Sunny Park original soundtrack vol.1'' album version of 情操ディストピア.
** The EX version of 情操ディストピア is used in the [[pop'n music Sunny Park original soundtrack vol.1]] album, and in the GuitarFreaks & DrumMania and REFLEC BEAT series.
*** This version is used in the GuitarFreaks & DrumMania and REFLEC BEAT series.


== Trivia ==
== Trivia ==
* mami is one of the winner vocalists of the ''Anata mo★pop'n vocalist!'' (アナタも★ポップンボーカリスト!) contest.
{{Gallery}}
** According to [[Seiya Murai]], mami applied to said contest singing [[Pop music ron|ポップミュージック論]].
* mami is one of the winner vocalists of the ''Anata mo★ pop'n vocalist!'' (アナタも★ポップンボーカリスト!) contest.
** According to [[Kiyoshi Murai|Seiya Murai]], mami first auditioned by singing an acapella of [[Pop music ron|ポップミュージック論]].
* 情操ディストピア was added to pop'n music 20 fantasia on October 1st, 2012.
* 情操ディストピア was added to pop'n music 20 fantasia on October 1st, 2012.
* According to wac, staff member PON provided vocals to a preliminary version of 情操ディストピア. He kept PON's vocals and used them for the chorus on the final version.
* According to wac, PON provided vocals to an early version of 情操ディストピア. These vocals were used in the chorus on the final version.
* 情操ディストピア was one of the preliminary round songs in the [[KONAMI Arcade Championship|KONAMI Arcade Championship 2012]] for pop'n music 20 fantasia.
* 情操ディストピア was one of the preliminary round songs in the [[KONAMI Arcade Championship|KONAMI Arcade Championship 2012]] for pop'n music 20 fantasia.
* Despite debuting in pop'n music 20 fantasia, 情操ディストピア didn't appear on a pop'n music soundtrack until the ''pop'n music Sunny Park original soundtrack vol.1'' album.
* Despite debuting in pop'n music 20 fantasia, 情操ディストピア did not appear in a pop'n music soundtrack until the pop'n music Sunny Park original soundtrack vol.1 album.
* 情操ディストピア is one of the very few post-[[AC pnm 16|pop'n music 16 PARTY♪]] songs whose song page features comments by [[Seiya Murai]] in the Staff Comments.
* 情操ディストピア is one of the very few post-[[AC pnm 16|pop'n music 16 PARTY♪]] songs whose song page features comments by Seiya Murai in the Staff Comments.
* Ayakashi is the collective name of yokai (supernatural monsters) that appear above water.
* Ayakashi is the collective name of yokai (supernatural monsters) that appear above water.
* 情操ディストピア was added to GITADORA on February 3rd, 2014, as part of the [[Nettou! BEMANI Stadium]] (熱闘！BEMANIスタジアム) event.
* 情操ディストピア was added to GITADORA on February 3rd, 2014, as part of the [[Nettou! BEMANI Stadium]] (熱闘！BEMANIスタジアム) event.
* 情操ディストピア is one of the unlockable crossover songs for REFLEC BEAT groovin'!! on the [[Hakken! Yomigaetta BEMANI iseki|発見！よみがえったBEMANI遺跡]] event.
* 情操ディストピア is one of the unlockable crossover songs for REFLEC BEAT groovin'!! on the [[Hakken! Yomigaetta BEMANI iseki|発見！よみがえったBEMANI遺跡]] event.
** In [[AC RB VOLZZA|REFLEC BEAT VOLZZA]] and [[AC RB VOLZZA 2|REFLEC BEAT VOLZZA 2]], 情操ディストピア was playable by default.
** In [[AC RB VOLZZA|REFLEC BEAT VOLZZA]] and [[AC RB VOLZZA 2|REFLEC BEAT VOLZZA 2]], 情操ディストピア was playable by default.
* 情操ディストピア was performed at the ''BEMANI ROCK FES'16'' concert in 2016.
* 情操ディストピア also appears in KONAMI's VR rhythm game ''BEAT ARENA''.
* 情操ディストピア is available in [[CS pnm Lively|pop'n music Lively]] as part of the '''pop'n music Lively Music Pack vol.4''' (pop'n music Lively 楽曲パック vol.4).
* 情操ディストピア is available in コナステ ノスタルジア as part of '''Konasute NOSTALGIA pop'n music Selection Music Pack vol.1''' (コナステ ノスタルジア pop'n music セレクション楽曲パック vol.1).
* 情操ディストピア is one of the unlocks of ノスタルジア Op.3's ''Goudou ongaku-sai pop'n music selection'' (合同音楽祭 pop'n music セレクション) event. It could be unlocked from September 29th to November 17th, 2022.
** It can be unlocked again from March 16th to April 26th, 2023, from November 2nd to December 21st, 2023, and from September 26th, 2024 onwards.


== Music Comment ==
== Music Comment ==
Untranslated.
Relax time is over! Middle school student specters rampage around Japan in the future! Let's strum and rock'n'roll!


== Song Production Information ==
== Song Production Information ==
Untranslated.
=== Anata mo★ pop'n vocalist! Official Website ===
==== wac ====
It's taken a very long time, but I can finally reveal it.<br>
Once again, thank you to the many applicants who participated in the Minna de tsukutte 20 vocalist contest.<br>
I was so surprised, yet so happy to receive applications until the final day, that I cried.<br>
PON, Murai, and everyone worked together to make the selection, and during the second screening, everyone was quite great and charming, with really minor differences.<br>
But now, when I listened to the 3 songs written for each of them, I realize we didn't make mistakes in choosing them.


== Character Information ==
Well, from mami we only received one song, which was a simple acapella track without being combined with an orchestra.<br>
Untranslated.
During the second screening, she sang that song in 1 take.<br>
But, that was enough for her, right?
 
I hope you'll understand how good mami is by actually listening to this song.<br>
During the second screening, there was a gap between her mature expression, as if she knew everything in this world, and an innocent character which suited her age, that we all said "huh".<br>
The master thought saying "yes" was a very great response.
 
I wonder what kinds of songs this girl will sing in the future. I'm really looking forward to it.
 
To those who applied but were unfortunately not selected, and to those who waited to play without applying, please support the 3 new vocalists who joined pop'n!
 
=== pop'n music 20 fantasia ===
==== mami ====
Nice to meet you, I'm mami.<br>
At this time, the song I sang will be included in pop'n, so......!<br>
Among the public contestants, I had the shortest history with pop'n, and I felt unusually out-of-place. It's difficult. I'm very nervous about whether everyone will like it from now....<br>
Anyways, this song is energetic! It's strong! I sang this motto while feeling nervous and my legs were trembling.<br>
Although it was quick, difficult, and I thought my throat was going to tear, various things went well, and it resulted in a very cool song. KYO☆KU☆HA! It's cool!<br>
In the opening, I'm shouting(?) "chuusan" and "koutei", but they weren't included in the early version.... after I finished recording the song, I was fully confused by the sudden "shouts". I also shouted "naishin!" with a half smile.<br>
I sang and blew away various obligations such as having no free time and exams! I enjoyed it!<br>
Isn't it great if everyone plays and blows away their various obligations?!<br>
Boing boing!
 
==== wac ====
What's boing boing?
 
My impression of mami during the first screening was that her application comment was too gracious, and she had a clear voice with a unique singing style.<br>
My impression of mami during the second screening was that she's a child. A child. I was surprised that a child really came here.<br>
She was dazed and shy like a baby fox who was suddenly brought to the studio.<br>
When I often think about it, she's almost about a year apart from [[AC pnm|pop'n]].<br>
I'm around the age where I could probably have a child around her age if my life somehow ended up differently. It's difficult. And dazzling.
 
mami's best highlight is her fresh voice.<br>
And she expressed that voice using her own style.<br>
Perhaps that's a stretch, but it's also nicer to stretch.<br>
She was very interesting as a vocalist, including an innocent swaying unique to those around her age.<br>
Before the applications started, I imagined many things like "it'd be interesting if this kind of vocalist came", and that one example came.<br>
Her preferences in bands and interests were somehow quite similar to mine, so when I decided to select her, I only wanted to create this child's song.
 
"Jousou dystopia" considers current middle school situations as conveyed by mami, and as expected from my age, I made this song with the perspective that middle school students look like specters.<br>
But when I often think about this, it matched my mental age, which I had a normal middle school mind when I wrote these lyrics, and we eventually formed a combination with a real middle school girl and an old man with a middle school student's mental age.<br>
This song is dedicated to all middle school students, and I made it easy to understand with the thought that everyone can hum along with it, so I hope mami's classmates like it.<br>
Though, the real middle school lifestyle is very valued, well, when I thought it was time to record it, I was busy with club activities, cram school, cultural festivals, and even holidays.<br>
Middle school students are busy in a different way to adults.<br>
Furthermore, how many miles was it to Tokyo from her hometown? Oh, well, I'll go from here.<br>
In the end, it's quite difficult to just think about the composition, lyrics, and title, but this was the most difficult slot until I was able to record it.
 
Also, while I said I wanted this song to be easier to understand than usual and something everyone can hum along with, the finished result has no short break, a complicated melody, very fast to sing in the first place, and is more difficult than usual if you're unskilled at it.<br>
Even PON, who sung the early version, said it was difficult.<br>
As expected, I went to record it while thinking that a middle school student wouldn't be able to sing this song very well, but this girl somehow nonchalantly sang it.<br>
Actually, she sang it so nonchalantly that I didn't notice she was nervous at all.<br>
Furthermore, try to sing it in this style! When I requested this, she easily expressed it.<br>
From the moment I listened to the "karakara to naru" part, it immediately surpassed my expectations, and I was confident that this project was a success.<br>
After all, this child was an Ayakashi.<br>
Also, I had her shout "naishin", but it wasn't used as expected. I'm sorry.
 
And I said this in the KAC Ust, but even though I made this song together with mami, it's also for everyone who applied this time.<br>
I definitely can't create a half-hearted song.<br>
I created a song that everyone who unfortunately weren't selected will think "that's what I wanted to sing!".<br>
Of course, I put effort into every song, but this song unexpectedly pressured me more than usual.<br>
If it becomes a good song, I don't need to worry about making it myself, so I was able to use PON's early version as the chorus, which is rare for me, and I had two people separately perform the guitar.<br>
For the main guitar, I wanted a solid texture and sharpness, so I asked 96.<br>
For the solo, I wanted having a strange Ayakashi feeling, so I asked Asaki, who is currently making an impossible [[Tentei (album)|album]].<br>
The schedule was tight, but I think I created this song without compromises.
 
mami is also taking entrance exams, so even though I think she'll be able to sing by [[Uta|next year]] at the earliest, I'm looking forward to seeing what kinds of songs she'll sing in the future.


== Video Production Information ==
== Video Production Information ==
None.
None.
== Character Information ==
=== Anata mo★ pop'n vocalist! Official Website ===
==== shio ====
mami, congratulations!<br>
Even though it's a difficult song, mami sang it at full force, and despite being young, she coolly and magnificently sang it!<br>
When I first listened to the vocal version, it's not a metaphor that I suddenly got goosebumps. I hope everyone listens to it soon~.
The character is a fox-masked middle school student girl, as requested by wac. Fox masks are cool right?<br>
Although the specter illustration appears strong and scary at a glance, I aimed for cute animations with emphasis on sharpness. Girls at this period are somewhat complicated. Perhaps.<br>
I'll be happy if you enjoy hopping together with the singing voice.
=== pop'n music 20 fantasia ===
I passed by a fox girl in the school hallway. When I turned around, she was already gone.<br>
That child is an after school Ayakashi girl.
==== shio ====
Huh? Before I knew it, I was lost in a different world than the other 2 songs filled with love. It's brutal!
For this design, I received a clear image of a middle school fox girl from wac, so I progressed smoothly.<br>
However, after that, there was a situation where I created the animations in conjunction with the critically acclaimed lyrics, so its image wasn't very solidified and was rather fluffy, when I heard the version with mami's lyrics included in it, its worldview immediately came to my mind, and I became settled and moved. Her singing is amazing!
When people sing, they slightly breathe, sigh, and begin singing.<br>
I once again found out that the world somehow~ includes all of them. Thank you for your lovely voice!<br>
This masterpiece brings out mami's full individuality.<br>
I'm glad everyone made it together! Welcome to pop'n ～+＋*
So, it feels like there's a child that everyone vaguely remembers, like in a school incinerator or after school arts room, but I can't remember... it was a clear Ayakashi girl. Is it a 1000 year old celestial fox (天狐), or 15 year old Tenko (点子)? Those vague things also fully disappeared and taunted me.<br>
It tickled the mid-2nd grade minds!
And we received a comment from mami a few days ago, and I was surprised that her favorite character was KENJI (thanks!), but I didn't notice he had those eyes until she told me. It's unconsciously mysterious. This is probably the fox's mischief. Boing boing!
== Staff Comments ==
=== [[Ryuta Tamura|TAMA]] ===
mami is the youngest of the 3 vocalists.
In the story I heard from her interview, she doesn't have a career.....<br>
But her singing voice, natural character, and fearless personality left a very strong impact.
The master is also looking forward to the outstanding talent's future.
=== [[Masaru Nakamura|masaru]] ===
As expected from a wac-styled song. This fully pitched swing is really nice.<br>
mami's innocent singing voice is hard to imagine. It's must-listen!!
=== [[Yuki Shibata|Mameshiba]] ===
There's an amazing gap between mami and her singing voice.<br>
For example, it's like a Shiba Inu puppy fighting and winning against a Tosa Inu. That's wrong.
This song always plays in my mind.<br>
And I can't clear it.
=== [[Ryo Sugawara|Ga~su~]] ===
She has a cool voice despite her appearance, so I'm surprised!<br>
I'm impressed that wac couldn't decide on a song title.
=== [[tokky]] ===
It's cool! I was even more surprised when I heard that she's the youngest winner vocalist.<br>
Also, there's an impression that wac is always obsessed with lyrics.
=== [[eimy]] ===
This song received big praise from senior Chihi. I'm also looking forward to the completed song after listening to mami's recorded version and how amazing it was.<br>
Anyways, it has a cool impression! I was overwhelmed by the flowing sense and power. When everyone listened to it once, they listened carefully and quietly.
=== [[Chihiro Inoue|Chihi]] ===
From the moment I first listened... I fell in love with it///<br>
Even though her voice has a young feeling, the way she sings!!! Even though this kind of song is short, there are key points in various places ,guo~ ＞o＜!! And I wanted to howl.<br>
The lyrics are very good, and PON and I talked about how only wac can write these lyrics! School lunch leftovers... such words don't appear when you become an adult! I mean.<br>
wac, who hasn't grown up totally (how rude!) and mami, who's young but strangely mature, perfectly mesh with their differences, and form a smooth circle... this interesting feeling doesn't make sense! He found a really great child (*^人^*） I'm pleased with myself.<br>
PON's chorus heard in the background is also nice, and the throwing feeling (how rude!) is perfect for this song! I wonder if you can hear it in the game cabinet~<br>
Even though I wasn't in charge of the animations, I can't stop writing what I want~! Afterwards, I'll murmur at home. Since I don't have Twitter, I'll softly whisper and murmur.
=== Seiya Murai ===
wac's slot is in full force! This song is like that. But as mentioned above, he formed a pair with mami, who just applied for the audition with an acapella of "MEGANE ROCK", and since he said "I like this kind of song", I didn't think this combination would fit like this.<br>
This song somewhat has an impact that perhaps it could be summarized as 90% wac and 10% vocals, but I didn't really think mami is a middle school student, so she made it her own song, right? She fits well at such a young age....<br>
When I met her during the interview, I thought "huh? Is she the same person singing?", she's a cheerful girl who appears to be the center of the class in any school, and when she sings such songs, I can't feel any sad atmosphere at all.<br>
I still don't know what kind of adult she'll become in the future, and she doesn't need to decide yet, but she had a very cute feeling(?) like while wearing her pure white T-shirt.<br>
Nevertheless, this is a difficult song... (I'm jealous).
=== PON ===
The wac and mami pair was quite unpredictable.<br>
The tag between "the masked composer of the BEMANI world" and "the bouncing diva of the middle school student world" just gives it a fully unusual feeling.<br>
However, I think this unpredictability makes this song interesting.<br>
There were many difficulties during the production, but since I was part of this group, the sense of achievement when we completed it was tremendous!<br>
Yes, like me!
Come to think of it, there's an earlier version of this song where I sang in it.<br>
Was this the first time I sang in a wac early version song? It was, but it was a difficult song after all.<br>
The song is fast and the notecharts are detailed, and furthermore, there are too many semitone movements that it's difficult to match the pitch.<br>
You can sing it if you persevere and get used to the key points, but you need to pay attention to this melody from beginning to end.<br>
mami sang this song 2~3 times, so she has true abilities after all.


== Difficulty & Notecounts ==
== Difficulty & Notecounts ==
GF/DM XG and GITADORA difficulty rated from 0.00 to 9.99.<br>
GuitarFreaks & DrumMania XG and GITADORA difficulty rated from 0.00 to 9.99.<br>
pop'n music difficulty rated from 1 to 43 through pop'n music 20 fantasia, and 1 to 50 from Sunny Park onwards.<br>
pop'n music difficulty rated from 1 to 43 through pop'n music 20 fantasia, and 1 to 50 from Sunny Park onwards.<br>
REFLEC BEAT to groovin'!! Upper difficulty rated from 1 to 10+, and from 1 to 13 in VOLZZA/VOLZZA 2.<br>
REFLEC BEAT to groovin'!! Upper difficulty rated from 1 to 10+, and from 1 to 13 in VOLZZA/VOLZZA 2.<br>
ポップンリズミン difficulty rated from 1 to 10. (Ratings and notecounts obtained from [http://bemaniwiki.com BEMANIWiki 2nd].)
ノスタルジア difficulty rated from 1 to 12 for Normal to Expert charts. Real charts rated from 1 to 3 diamonds (◆).<br>
ポップンリズミン difficulty rated from 1 to 10. (Ratings and notecounts obtained from [http://bemaniwiki.com BEMANIWiki 2nd] and [[GITADORA Rating Sources]].)


=== GuitarFreaks & DrumMania ===
=== GuitarFreaks & DrumMania ===
Line 148: Line 319:
{{GFDM XG Chart|GITADORA OverDrive&rarr;Tri-Boost|2.25|5.00|6.40|-|2.90|5.80|&uarr;7.20|-|3.80|5.00|&uarr;6.80|-}}
{{GFDM XG Chart|GITADORA OverDrive&rarr;Tri-Boost|2.25|5.00|6.40|-|2.90|5.80|&uarr;7.20|-|3.80|5.00|&uarr;6.80|-}}
{{GFDM XG Chart|GITADORA Tri-Boost Re:EVOLVE|&darr;1.80|&darr;4.35|6.40|-|&darr;2.30|&darr;5.35|&darr;6.80|-|&darr;3.60|&darr;4.80|&darr;6.35|-}}
{{GFDM XG Chart|GITADORA Tri-Boost Re:EVOLVE|&darr;1.80|&darr;4.35|6.40|-|&darr;2.30|&darr;5.35|&darr;6.80|-|&darr;3.60|&darr;4.80|&darr;6.35|-}}
{{GFDM XG Chart|GITADORA Matixx&rarr;Present|&uarr;2.55|&uarr;4.55|&uarr;6.65|-|&uarr;2.50|&uarr;5.80|&uarr;7.15|-|&uarr;3.95|&uarr;5.35|&uarr;6.70|-}}
{{GFDM XG Chart|GITADORA Matixx|&uarr;2.55|&uarr;4.55|&uarr;6.65|-|&uarr;2.50|&uarr;5.80|&uarr;7.15|-|&uarr;3.95|&uarr;5.35|&uarr;6.70|-}}
{{GFDM XG Chart|GITADORA EXCHAIN|&darr;2.45|&uarr;4.75|&uarr;6.95|-|&uarr;2.75|&uarr;5.90|&uarr;7.45|-|&darr;3.85|&darr;5.30|&uarr;6.80|-}}
{{GFDM XG Chart|GITADORA NEX+AGE|&uarr;2.50|4.75|&uarr;7.00|-|&uarr;2.85|&uarr;5.95|7.45|-|&uarr;3.90|5.30|&uarr;6.85|-}}
{{GFDM XG Chart|GITADORA HIGH-VOLTAGE&rarr;FUZZ-UP|&darr;1.85|&darr;4.50|&darr;6.95|-|2.85|&uarr;6.25|&uarr;7.65|-|&uarr;4.30|&uarr;5.70|&uarr;7.05|-}}
{{GFDM XG Chart|GITADORA GALAXY WAVE&rarr;Present|1.85|4.50|6.95|-|&uarr;2.95|6.25|7.65|-|4.30|5.70|7.05|-}}
{{GFDM XG Chart|コナステ GITADORA|2.50|4.75|7.00|-|2.85|5.95|7.45|-|3.90|5.30|6.85|-}}
}}
}}


Line 156: Line 332:
{{pnm Chart|pop'n music 20 fantasia|18|22|36|41|18|28}}
{{pnm Chart|pop'n music 20 fantasia|18|22|36|41|18|28}}
{{pnm Chart|pop'n music Sunny Park&rarr;Present|-|28|&darr;40|47|18|28}}
{{pnm Chart|pop'n music Sunny Park&rarr;Present|-|28|&darr;40|47|18|28}}
{{pnm Chart|pop'n music Lively|-|28|40|47|-|-}}
}}
}}


Line 163: Line 340:
{{RB Chart|REFLEC BEAT groovin'!!&rarr;VOLZZA 2|3|7|10|-}}
{{RB Chart|REFLEC BEAT groovin'!!&rarr;VOLZZA 2|3|7|10|-}}
{{RB Chart|REFLEC BEAT plus|3|7|10|-}}
{{RB Chart|REFLEC BEAT plus|3|7|10|-}}
}}
=== ノスタルジア ===
{{NOSTALGIA Chart Header|
{{NOSTALGIA Chart Notecounts|286|600|1252|1901}}
{{NOSTALGIA Chart|コナステ ノスタルジア|4|7|11|◆2}}
{{NOSTALGIA Chart|ノスタルジア Op.3&rarr;Present|4|7|11|◆2}}
}}
}}


Line 175: Line 359:


[[Category:Songs]]
[[Category:Songs]]
[[Category:GFDM XG & GITADORA Songs]]
[[Category:GuitarFreaks & DrumMania XG & GITADORA Songs]]
[[Category:NOSTALGIA Songs]]
[[Category:NOSTALGIA BEMANI Songs]]
[[Category:NOSTALGIA CS Songs]]
[[Category:pop'n music Songs]]
[[Category:pop'n music Songs]]
[[Category:Pop'n Music 20]]
[[Category:pop'n music 20 Songs]]
[[Category:Pop'n Music BEMANI]]
[[Category:pop'n music BEMANI Songs]]
[[Category:REFLEC BEAT Songs]]
[[Category:REFLEC BEAT Songs]]
[[Category:REFLEC BEAT Cut Songs]]
[[Category:REFLEC BEAT Cut Songs]]
[[Category:REFLEC BEAT plus Songs]]
[[Category:REFLEC BEAT plus Songs]]

Latest revision as of 03:36, 25 September 2024

情操ディストピア

Song Information

情操ディストピア's pop'n music banner.
情操ディストピア's jacket.

Artist: mami
Composition/Arrangement/Lyrics: Jun Wakita
Vocals: mami
Chorus: PON
Guitars: 96, Asaki
Bass: 96
BPM: 228
Length: 1:48
pop'n music Genre: AYAKASHI ROCK (あやかしロック)
pop'n music Character: Tenko [20]
pop'n CG designer: shio
Movie: ?
First Music Game Appearance: pop'n music 20 fantasia
Other Music Game Appearances:

Lyrics

Japanese

しどけない夏　ココロうらはら
チャイムまやかし　からからと鳴る
あぶく弾けて　ホコウゆらゆら
あたしあやかし　ベロ出し哂う
ほうら

風向きは笛任せ
放課後も暴風模様
背伸びした言葉　陽炎
洒落くさい　言いっこなしよ

情操妄想ディストピア　給食残しのカルマ
デカダン気取っちゃって　校内放送　滅びを謡う

健全交際パーティシペイション　東京までは何マイル？
待ち合わせ古戦場
うしろの正面だあれ？

急転直下　花一匁　ちゃんちゃらおかしい反抗期
へし折るフラグの果て
きつね　きつね　なにみてはねる？

ぎりぎり第四次成長　ばいばい　あたしの義務教育
まちぼうけ果たし状
ゆびきりげんまん　ゆびきった！

Romaji

shidokenai natsu kokoro urahara
CHIME mayakashi karakara to naru
abuku hajikete hokou yurayura
atashi ayakashi bero dashi warau
houra

kazamuki wa fue makase
houkago mo boufuu moyou
senobishita kotoba kagerou
sharekusai gen ikkonashiyo

jousou mousou DYSTOPIA kyuushoku nokoshi no KARMA
DECADENT kidocchatte kounai housou horobi wo utau

kenzen kousai PARTICIPATION Tokyo made wa nan MILE?
machiawase kosenjou
ushironoshoumendaare?

kyuutenchokka hana ichimonme chancharaokashii hankouki
heshioru FLAG no hate
kitsune kitsune nani mite haneru?

girigiri dai shiji seichou baibai atashi no gimukyouiku
machi bouke hatashijou
yubikiri genman yubikitta!

English

My heart doesn’t quite fit in with this dishevelled summer
Something that’s supposed to sound like a bell rings out
Bubbles burst as I drift through classes
I’m just a ghost, sticking my tongue out and laughing
Look out!

The sound of a whistle floats on the wind
It’ll probably still be storming after school
It’s exerting to say anything, it’s getting too hot
Don’t even start to joke like that!

An illusion of rationality in this dystopia, bad karma for leaving behind your school lunch
Singing over the school broadcast, I tear down these facades of fulfilment 

If we all participate in proper friendships, how long until we reach Tokyo?
A meeting is held over a battlefield
Who will fall to the back?

Playing a quick round of hana-ichi-monme, I’m in this pointless rebellious phase
The flag of destruction is finally lowered
A fox! A fox! Where is it trying to run?

It’s almost time to graduate, I’ll be happy to leave behind my education
I was waiting for something to finally challenge me
Don’t break your pinky promise!

Song Connections / Remixes

  • The shout at the beginning of 情操ディストピア is different on the NORMAL ("gakukatsu", 学活), HYPER ("koutei", 校庭), and EX ("chuusan", 中三) versions.

Trivia

This song has different backgrounds, banners, jackets, or other related images. For more information, please see this page.
  • mami is one of the winner vocalists of the Anata mo★ pop'n vocalist! (アナタも★ポップンボーカリスト!) contest.
  • 情操ディストピア was added to pop'n music 20 fantasia on October 1st, 2012.
  • According to wac, PON provided vocals to an early version of 情操ディストピア. These vocals were used in the chorus on the final version.
  • 情操ディストピア was one of the preliminary round songs in the KONAMI Arcade Championship 2012 for pop'n music 20 fantasia.
  • Despite debuting in pop'n music 20 fantasia, 情操ディストピア did not appear in a pop'n music soundtrack until the pop'n music Sunny Park original soundtrack vol.1 album.
  • 情操ディストピア is one of the very few post-pop'n music 16 PARTY♪ songs whose song page features comments by Seiya Murai in the Staff Comments.
  • Ayakashi is the collective name of yokai (supernatural monsters) that appear above water.
  • 情操ディストピア was added to GITADORA on February 3rd, 2014, as part of the Nettou! BEMANI Stadium (熱闘！BEMANIスタジアム) event.
  • 情操ディストピア is one of the unlockable crossover songs for REFLEC BEAT groovin'!! on the 発見！よみがえったBEMANI遺跡 event.
  • 情操ディストピア was performed at the BEMANI ROCK FES'16 concert in 2016.
  • 情操ディストピア also appears in KONAMI's VR rhythm game BEAT ARENA.
  • 情操ディストピア is available in pop'n music Lively as part of the pop'n music Lively Music Pack vol.4 (pop'n music Lively 楽曲パック vol.4).
  • 情操ディストピア is available in コナステ ノスタルジア as part of Konasute NOSTALGIA pop'n music Selection Music Pack vol.1 (コナステ ノスタルジア pop'n music セレクション楽曲パック vol.1).
  • 情操ディストピア is one of the unlocks of ノスタルジア Op.3's Goudou ongaku-sai pop'n music selection (合同音楽祭 pop'n music セレクション) event. It could be unlocked from September 29th to November 17th, 2022.
    • It can be unlocked again from March 16th to April 26th, 2023, from November 2nd to December 21st, 2023, and from September 26th, 2024 onwards.

Music Comment

Relax time is over! Middle school student specters rampage around Japan in the future! Let's strum and rock'n'roll!

Song Production Information

Anata mo★ pop'n vocalist! Official Website

wac

It's taken a very long time, but I can finally reveal it.
Once again, thank you to the many applicants who participated in the Minna de tsukutte 20 vocalist contest.
I was so surprised, yet so happy to receive applications until the final day, that I cried.
PON, Murai, and everyone worked together to make the selection, and during the second screening, everyone was quite great and charming, with really minor differences.
But now, when I listened to the 3 songs written for each of them, I realize we didn't make mistakes in choosing them.

Well, from mami we only received one song, which was a simple acapella track without being combined with an orchestra.
During the second screening, she sang that song in 1 take.
But, that was enough for her, right?

I hope you'll understand how good mami is by actually listening to this song.
During the second screening, there was a gap between her mature expression, as if she knew everything in this world, and an innocent character which suited her age, that we all said "huh".
The master thought saying "yes" was a very great response.

I wonder what kinds of songs this girl will sing in the future. I'm really looking forward to it.

To those who applied but were unfortunately not selected, and to those who waited to play without applying, please support the 3 new vocalists who joined pop'n!

pop'n music 20 fantasia

mami

Nice to meet you, I'm mami.
At this time, the song I sang will be included in pop'n, so......!
Among the public contestants, I had the shortest history with pop'n, and I felt unusually out-of-place. It's difficult. I'm very nervous about whether everyone will like it from now....
Anyways, this song is energetic! It's strong! I sang this motto while feeling nervous and my legs were trembling.
Although it was quick, difficult, and I thought my throat was going to tear, various things went well, and it resulted in a very cool song. KYO☆KU☆HA! It's cool!
In the opening, I'm shouting(?) "chuusan" and "koutei", but they weren't included in the early version.... after I finished recording the song, I was fully confused by the sudden "shouts". I also shouted "naishin!" with a half smile.
I sang and blew away various obligations such as having no free time and exams! I enjoyed it!
Isn't it great if everyone plays and blows away their various obligations?!
Boing boing!

wac

What's boing boing?

My impression of mami during the first screening was that her application comment was too gracious, and she had a clear voice with a unique singing style.
My impression of mami during the second screening was that she's a child. A child. I was surprised that a child really came here.
She was dazed and shy like a baby fox who was suddenly brought to the studio.
When I often think about it, she's almost about a year apart from pop'n.
I'm around the age where I could probably have a child around her age if my life somehow ended up differently. It's difficult. And dazzling.

mami's best highlight is her fresh voice.
And she expressed that voice using her own style.
Perhaps that's a stretch, but it's also nicer to stretch.
She was very interesting as a vocalist, including an innocent swaying unique to those around her age.
Before the applications started, I imagined many things like "it'd be interesting if this kind of vocalist came", and that one example came.
Her preferences in bands and interests were somehow quite similar to mine, so when I decided to select her, I only wanted to create this child's song.

"Jousou dystopia" considers current middle school situations as conveyed by mami, and as expected from my age, I made this song with the perspective that middle school students look like specters.
But when I often think about this, it matched my mental age, which I had a normal middle school mind when I wrote these lyrics, and we eventually formed a combination with a real middle school girl and an old man with a middle school student's mental age.
This song is dedicated to all middle school students, and I made it easy to understand with the thought that everyone can hum along with it, so I hope mami's classmates like it.
Though, the real middle school lifestyle is very valued, well, when I thought it was time to record it, I was busy with club activities, cram school, cultural festivals, and even holidays.
Middle school students are busy in a different way to adults.
Furthermore, how many miles was it to Tokyo from her hometown? Oh, well, I'll go from here.
In the end, it's quite difficult to just think about the composition, lyrics, and title, but this was the most difficult slot until I was able to record it.

Also, while I said I wanted this song to be easier to understand than usual and something everyone can hum along with, the finished result has no short break, a complicated melody, very fast to sing in the first place, and is more difficult than usual if you're unskilled at it.
Even PON, who sung the early version, said it was difficult.
As expected, I went to record it while thinking that a middle school student wouldn't be able to sing this song very well, but this girl somehow nonchalantly sang it.
Actually, she sang it so nonchalantly that I didn't notice she was nervous at all.
Furthermore, try to sing it in this style! When I requested this, she easily expressed it.
From the moment I listened to the "karakara to naru" part, it immediately surpassed my expectations, and I was confident that this project was a success.
After all, this child was an Ayakashi.
Also, I had her shout "naishin", but it wasn't used as expected. I'm sorry.

And I said this in the KAC Ust, but even though I made this song together with mami, it's also for everyone who applied this time.
I definitely can't create a half-hearted song.
I created a song that everyone who unfortunately weren't selected will think "that's what I wanted to sing!".
Of course, I put effort into every song, but this song unexpectedly pressured me more than usual.
If it becomes a good song, I don't need to worry about making it myself, so I was able to use PON's early version as the chorus, which is rare for me, and I had two people separately perform the guitar.
For the main guitar, I wanted a solid texture and sharpness, so I asked 96.
For the solo, I wanted having a strange Ayakashi feeling, so I asked Asaki, who is currently making an impossible album.
The schedule was tight, but I think I created this song without compromises.

mami is also taking entrance exams, so even though I think she'll be able to sing by next year at the earliest, I'm looking forward to seeing what kinds of songs she'll sing in the future.

Video Production Information

None.

Character Information

Anata mo★ pop'n vocalist! Official Website

shio

mami, congratulations!
Even though it's a difficult song, mami sang it at full force, and despite being young, she coolly and magnificently sang it!
When I first listened to the vocal version, it's not a metaphor that I suddenly got goosebumps. I hope everyone listens to it soon~.

The character is a fox-masked middle school student girl, as requested by wac. Fox masks are cool right?
Although the specter illustration appears strong and scary at a glance, I aimed for cute animations with emphasis on sharpness. Girls at this period are somewhat complicated. Perhaps.
I'll be happy if you enjoy hopping together with the singing voice.

pop'n music 20 fantasia

I passed by a fox girl in the school hallway. When I turned around, she was already gone.
That child is an after school Ayakashi girl.

shio

Huh? Before I knew it, I was lost in a different world than the other 2 songs filled with love. It's brutal!

For this design, I received a clear image of a middle school fox girl from wac, so I progressed smoothly.
However, after that, there was a situation where I created the animations in conjunction with the critically acclaimed lyrics, so its image wasn't very solidified and was rather fluffy, when I heard the version with mami's lyrics included in it, its worldview immediately came to my mind, and I became settled and moved. Her singing is amazing!

When people sing, they slightly breathe, sigh, and begin singing.
I once again found out that the world somehow~ includes all of them. Thank you for your lovely voice!
This masterpiece brings out mami's full individuality.
I'm glad everyone made it together! Welcome to pop'n ～+＋*

So, it feels like there's a child that everyone vaguely remembers, like in a school incinerator or after school arts room, but I can't remember... it was a clear Ayakashi girl. Is it a 1000 year old celestial fox (天狐), or 15 year old Tenko (点子)? Those vague things also fully disappeared and taunted me.
It tickled the mid-2nd grade minds!

And we received a comment from mami a few days ago, and I was surprised that her favorite character was KENJI (thanks!), but I didn't notice he had those eyes until she told me. It's unconsciously mysterious. This is probably the fox's mischief. Boing boing!

Staff Comments

TAMA

mami is the youngest of the 3 vocalists.

In the story I heard from her interview, she doesn't have a career.....
But her singing voice, natural character, and fearless personality left a very strong impact.

The master is also looking forward to the outstanding talent's future.

masaru

As expected from a wac-styled song. This fully pitched swing is really nice.
mami's innocent singing voice is hard to imagine. It's must-listen!!

Mameshiba

There's an amazing gap between mami and her singing voice.
For example, it's like a Shiba Inu puppy fighting and winning against a Tosa Inu. That's wrong.

This song always plays in my mind.
And I can't clear it.

Ga~su~

She has a cool voice despite her appearance, so I'm surprised!
I'm impressed that wac couldn't decide on a song title.

tokky

It's cool! I was even more surprised when I heard that she's the youngest winner vocalist.
Also, there's an impression that wac is always obsessed with lyrics.

eimy

This song received big praise from senior Chihi. I'm also looking forward to the completed song after listening to mami's recorded version and how amazing it was.
Anyways, it has a cool impression! I was overwhelmed by the flowing sense and power. When everyone listened to it once, they listened carefully and quietly.

Chihi

From the moment I first listened... I fell in love with it///
Even though her voice has a young feeling, the way she sings!!! Even though this kind of song is short, there are key points in various places ,guo~ ＞o＜!! And I wanted to howl.
The lyrics are very good, and PON and I talked about how only wac can write these lyrics! School lunch leftovers... such words don't appear when you become an adult! I mean.
wac, who hasn't grown up totally (how rude!) and mami, who's young but strangely mature, perfectly mesh with their differences, and form a smooth circle... this interesting feeling doesn't make sense! He found a really great child (*^人^*） I'm pleased with myself.
PON's chorus heard in the background is also nice, and the throwing feeling (how rude!) is perfect for this song! I wonder if you can hear it in the game cabinet~
Even though I wasn't in charge of the animations, I can't stop writing what I want~! Afterwards, I'll murmur at home. Since I don't have Twitter, I'll softly whisper and murmur.

Seiya Murai

wac's slot is in full force! This song is like that. But as mentioned above, he formed a pair with mami, who just applied for the audition with an acapella of "MEGANE ROCK", and since he said "I like this kind of song", I didn't think this combination would fit like this.
This song somewhat has an impact that perhaps it could be summarized as 90% wac and 10% vocals, but I didn't really think mami is a middle school student, so she made it her own song, right? She fits well at such a young age....
When I met her during the interview, I thought "huh? Is she the same person singing?", she's a cheerful girl who appears to be the center of the class in any school, and when she sings such songs, I can't feel any sad atmosphere at all.
I still don't know what kind of adult she'll become in the future, and she doesn't need to decide yet, but she had a very cute feeling(?) like while wearing her pure white T-shirt.
Nevertheless, this is a difficult song... (I'm jealous).

PON

The wac and mami pair was quite unpredictable.
The tag between "the masked composer of the BEMANI world" and "the bouncing diva of the middle school student world" just gives it a fully unusual feeling.
However, I think this unpredictability makes this song interesting.
There were many difficulties during the production, but since I was part of this group, the sense of achievement when we completed it was tremendous!
Yes, like me!

Come to think of it, there's an earlier version of this song where I sang in it.
Was this the first time I sang in a wac early version song? It was, but it was a difficult song after all.
The song is fast and the notecharts are detailed, and furthermore, there are too many semitone movements that it's difficult to match the pitch.
You can sing it if you persevere and get used to the key points, but you need to pay attention to this melody from beginning to end.
mami sang this song 2~3 times, so she has true abilities after all.

Difficulty & Notecounts

GuitarFreaks & DrumMania XG and GITADORA difficulty rated from 0.00 to 9.99.
pop'n music difficulty rated from 1 to 43 through pop'n music 20 fantasia, and 1 to 50 from Sunny Park onwards.
REFLEC BEAT to groovin'!! Upper difficulty rated from 1 to 10+, and from 1 to 13 in VOLZZA/VOLZZA 2.
ノスタルジア difficulty rated from 1 to 12 for Normal to Expert charts. Real charts rated from 1 to 3 diamonds (◆).
ポップンリズミン difficulty rated from 1 to 10. (Ratings and notecounts obtained from BEMANIWiki 2nd and GITADORA Rating Sources.)

GuitarFreaks & DrumMania

XG & GITADORA Series

Game Drum Guitar Bass
Basic Advanced Extreme Master Basic Advanced Extreme Master Basic Advanced Extreme Master
Notecounts 174 495 812 - 259 468 468 - 259 296 413 -
GITADORA 2.25 5.00 6.40 - 2.90 5.80 7.00 - 3.80 5.00 6.60 -
GITADORA OverDrive→Tri-Boost 2.25 5.00 6.40 - 2.90 5.80 ↑7.20 - 3.80 5.00 ↑6.80 -
GITADORA Tri-Boost Re:EVOLVE ↓1.80 ↓4.35 6.40 - ↓2.30 ↓5.35 ↓6.80 - ↓3.60 ↓4.80 ↓6.35 -
GITADORA Matixx ↑2.55 ↑4.55 ↑6.65 - ↑2.50 ↑5.80 ↑7.15 - ↑3.95 ↑5.35 ↑6.70 -
GITADORA EXCHAIN ↓2.45 ↑4.75 ↑6.95 - ↑2.75 ↑5.90 ↑7.45 - ↓3.85 ↓5.30 ↑6.80 -
GITADORA NEX+AGE ↑2.50 4.75 ↑7.00 - ↑2.85 ↑5.95 7.45 - ↑3.90 5.30 ↑6.85 -
GITADORA HIGH-VOLTAGE→FUZZ-UP ↓1.85 ↓4.50 ↓6.95 - 2.85 ↑6.25 ↑7.65 - ↑4.30 ↑5.70 ↑7.05 -
GITADORA GALAXY WAVE→Present 1.85 4.50 6.95 - ↑2.95 6.25 7.65 - 4.30 5.70 7.05 -
コナステ GITADORA 2.50 4.75 7.00 - 2.85 5.95 7.45 - 3.90 5.30 6.85 -

pop'n music

Game Normal Mode Battle Mode
5-Buttons NORMAL HYPER EX NORMAL HYPER
Notecounts 306 445 905 1266 304 451
pop'n music 20 fantasia 18 22 36 41 18 28
pop'n music Sunny Park→Present - 28 ↓40 47 18 28
pop'n music Lively - 28 40 47 - -

REFLEC BEAT

Game Level
Basic Medium Hard Special
Notecounts 110 286 618 -
REFLEC BEAT groovin'!!→VOLZZA 2 3 7 10 -
REFLEC BEAT plus 3 7 10 -


ノスタルジア

Game Level
Normal Hard Expert Real
Notecounts 286 600 1252 1901
コナステ ノスタルジア 4 7 11 ◆2
ノスタルジア Op.3→Present 4 7 11 ◆2

ポップンリズミン

Game Difficulties
Normal Hyper EX
Notecounts 152 205 349
ポップンリズミン 3 6 9
熱闘！BEMANIスタジアム
Main Event Songs IX (GITADOROCK ver.) - Engraved Mark - HYENA (Live Edit feat. 96) - PUNISHER - Stella Sinistra
Squeeze (GITADORA Mix) - デッドボヲルdeホームラン - マインド・ゲーム
轟け！恋のビーンボール！！ (96バット砲炸裂！GITADORAシリーズMVP弾！) - 野球の遊び方　そしてその歴史　～決定版～
Crossover Songs DanceDanceRevolution: True Blue - 恋はどう？モロ◎波動OK☆方程式！！ - VEGA - Daily Lunch Special
GITADORA: いきもの失格 - 少年リップルズ - RAGNAROK - Never Look Back in Sorrow - 情操ディストピア - 愛は不死鳥の様に
jubeat: December Breeze - 恋愛観測 - 8 -eight- - Condor
pop'n music: 去る金合戦 - Sakura Sunrise - 7 Colors - 雷君
REFLEC BEAT: The Sealer ～ア・ミリアとミリアの民～ - フレッフレー♪熱血チアガール - Evans - sakura storm
発見！よみがえったBEMANI遺跡
Statue's Awakening Cleopatrysm - KHAMEN BREAK - 御千手メディテーション
Pyramid Building beatmania IIDX: KAISER PHOENIX - SCHWARZSCHILD FIELD - 海神
DanceDanceRevolution: Adularia - Follow Tomorrow - FUJIMORI -祭- FESTIVAL - JOMANDA - Nostalgia Is Lost - 嘆きの樹
GuitarFreaks & DrumMania: HYDRA - rage against usual - Re:GENERATION - 水鏡 - ポップミュージック論
魚氷に上り 耀よひて
jubeat: passionate fate - Resurrection - 猫侍の逆襲 - ポチコの幸せな日常
pop'n music: 532nm - Element of SPADA - 龍と少女とデコヒーレンス - つぼみ - 海神
REFLEC BEAT: Stand Alone Beat Masta - 情操ディストピア - 見習い天使と星降りの丘 - 旋律のドグマ～Misérables～
Retrieved from "https://remywiki.com/index.php?title=Jousou_dystopia&oldid=654823"