48,848
edits
Soldier's waltz: Difference between revisions
→Song Production Information
Morning Blue (talk | contribs) |
Morning Blue (talk | contribs) |
||
| Line 22: | Line 22: | ||
==Song Production Information== | ==Song Production Information== | ||
GOLD continues to "go to war" (meaning TROOPER), with DAJI | GOLD continues to "go to war" (meaning TROOPER), with I, DAJI, the apex. | ||
"The soldier's waltz", and the triumphant return of the soldiers from the battle scene, is an important theme to have to keep in mind as a composer. Instead of fightng each other and try to limit one's belief of what they can do, it's more like how far you can deal with the inner battle inside of you and its many elements. | "The soldier's waltz", and the triumphant return of the soldiers from the battle scene, is an important theme to have to keep in mind as a composer. Instead of fightng each other and try to limit one's belief of what they can do, it's more like how far you can deal with the inner battle inside of you and its many elements. | ||
| Line 28: | Line 28: | ||
So every day you're alive in the present as a TROOPER, are you not? | So every day you're alive in the present as a TROOPER, are you not? | ||
The waltz beat of MATTARI is likely the "attack force" the silent stalker strikes with | The waltz beat of MATTARI is likely the "attack force" the silent stalker strikes with: his music. | ||
==Video Production Information== | ==Video Production Information== | ||