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KONAMI itself was pretty busy, too. In addition to three new arcade beatmania titles, six new DanceDanceRevolution arcade titles, and two new pop'n music arcade titles, KONAMI also introduced two brand-new games: [[AC GF1|GUITARFREAKS]] and [[AC GF2DM1|drummania]]. Unlike their previous game series, though, these games originally featured music from almost entirely veteran KONAMI music composers. Original sound director [[Mutsuhiko Izumi]]'s hard rock sound from over 20 years of previous music experience helped develop a very rich sound the series has to this day. Together with veteran [[Yoshihiko Koezuka]]'s more mellow 80s sound, veteran [[Harumi Ueko|Jimmy Weckl]]'s jazz, and newcomers [[Hideyuki Ono]]'s ska inspired sound and [[Toshio Sakurai]]'s more rock pop sound, GUITARFREAKS and drummania quickly became hits, the former receiving a [[CS GF|PlayStation port]] by the end of the year. | KONAMI itself was pretty busy, too. In addition to three new arcade beatmania titles, six new DanceDanceRevolution arcade titles, and two new pop'n music arcade titles, KONAMI also introduced two brand-new games: [[AC GF1|GUITARFREAKS]] and [[AC GF2DM1|drummania]]. Unlike their previous game series, though, these games originally featured music from almost entirely veteran KONAMI music composers. Original sound director [[Mutsuhiko Izumi]]'s hard rock sound from over 20 years of previous music experience helped develop a very rich sound the series has to this day. Together with veteran [[Yoshihiko Koezuka]]'s more mellow 80s sound, veteran [[Harumi Ueko|Jimmy Weckl]]'s jazz, and newcomers [[Hideyuki Ono]]'s ska inspired sound and [[Toshio Sakurai]]'s more rock pop sound, GUITARFREAKS and drummania quickly became hits, the former receiving a [[CS GF|PlayStation port]] by the end of the year. | ||
But perhaps the biggest of the new games released that year was, ironically, a spin-off game; [[AC 1st style|beatmania IIDX]]. beatmania IIDX added two new buttons to the overall game design, and also re-positioned the 1P turntable to the left. But it also | But perhaps the biggest of the new games released that year was, ironically, a spin-off game; [[AC 1st style|beatmania IIDX]]. beatmania IIDX added two new buttons to the overall game design, and also re-positioned the 1P turntable to the left. But it also boasts something the original beatmania never had; full-motion video. For the first time, licensed tracks from the likes of [[m-flo]] and other artists featured their original videos. This game also marked the debuts of the hugely popular BEMANI artists [[Takayuki Ishikawa]] (dj TAKA) and [[Takehiko Fujii]] (SLAKE). Meanwhile, the original series continued on with [[AC bm 4th|beatmania 4thMIX -the beat goes on-]], which would introduce another staple BEMANI artist, [[Toshiyuki Kakuta]] (L.E.D.). Fujii in-particular went on to sound direct near every beatmania game from 1999 onward, while Ishikawa stayed on board with beatmania IIDX, inviting friends of his like [[Taku Sakakibara|TaQ]] and [[Osamu Kubota]] to help make a rich, more electronic counterpart to the more hip-hop/dance/techno tone that the original beatmania kept with Fujii. | ||
beatmania wasn't the only game with a spin-off, though. DanceDanceRevolution had the [[AC DDR Solo BASS|Solo BASS MIX]] and [[AC DDR Solo 2000|Solo 2000]] games, which transformed the usual four-panel style of DDR on its head. Now you had two extra arrows on the top left and right to work with, resulting in a far more difficult game overall. Both of these games contained almost completely brand-new songs never before in the series. | beatmania wasn't the only game with a spin-off, though. DanceDanceRevolution had the [[AC DDR Solo BASS|Solo BASS MIX]] and [[AC DDR Solo 2000|Solo 2000]] games, which transformed the usual four-panel style of DDR on its head. Now you had two extra arrows on the top left and right to work with, resulting in a far more difficult game overall. Both of these games contained almost completely brand-new songs never before in the series. | ||
pop'n music itself had [[ | pop'n music itself had [[PnS AC|pop'n stage]], which was a bit like ''Pump-It-Up'', but keysounded. This game also had an almost completely original songlist, and near all of its songs would pop up in the main series of pop'n music titles. It even got an upgrade later that year known as '''pop'n stage ex''', which added a new difficulty level, a few songs from the then current [[PnM AC 3|pop'n music 3]], and two brand-new songs. One of the new songs, [[WE TWO ARE ONE]], introduced [[Seiya Murai]] to BEMANI. Murai would be for years after one of the biggest names in pop'n music, and also a key staff member of KEYBOARDMANIA starting the following year. | ||
The Sony PlayStation became the new home for most of these new BEMANI arcade releases. DanceDanceRevolution games became huge hits on the system, and the beatmania games continued to sell quite well. KONAMI even dabbled with the Game Boy with their beatmania games, producing three games in all. | The Sony PlayStation became the new home for most of these new BEMANI arcade releases. DanceDanceRevolution games became huge hits on the system, and the beatmania games continued to sell quite well. KONAMI even dabbled with the Game Boy with their beatmania games, producing three games in all. | ||