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Talk:Akhuta: Difference between revisions
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I think what helps sell this though is [[Natsuiro DIARY yuunagi nostalgia|the NOSTALGIA arrangement of 夏色DIARY]], a song that has only been arranged and remixed each by the sound directors of their respective games (with the obvious exception of SOUND VOLTEX given that arranging/remixing is not something that Cody is actively engaged in). I'd argue that [[virkato no shudai ni yoru person09 fuu chouzetsu gikou hensoukyoku|virkatoの主題によるperson09風超絶技巧変奏曲]] is also worth mentioning given that this is the second instance of the same two in-house artists collaborating within a year and that this was used as The 8th KAC finals song for NOSTALGIA, but there have been [[RINNE|two prior]] [[KAMUY|occurrences]] in which Ahkuta was involved in a KAC finals song for a series that he was not a sound director for. -Divinity | I think what helps sell this though is [[Natsuiro DIARY yuunagi nostalgia|the NOSTALGIA arrangement of 夏色DIARY]], a song that has only been arranged and remixed each by the sound directors of their respective games (with the obvious exception of SOUND VOLTEX given that arranging/remixing is not something that Cody is actively engaged in). I'd argue that [[virkato no shudai ni yoru person09 fuu chouzetsu gikou hensoukyoku|virkatoの主題によるperson09風超絶技巧変奏曲]] is also worth mentioning given that this is the second instance of the same two in-house artists collaborating within a year and that this was used as The 8th KAC finals song for NOSTALGIA, but there have been [[RINNE|two prior]] [[KAMUY|occurrences]] in which Ahkuta was involved in a KAC finals song for a series that he was not a sound director for. -Divinity | ||
* I think this is plausible, but given how little info is Konami giving us about the BEMANI staff nowadays, we might never know. --[[User:FinalOffset|FinalOffset]] ([[User talk:FinalOffset|talk]]) 02:45, 23 May 2019 (UTC) | * I think this is plausible, but given how little info is Konami giving us about the BEMANI staff nowadays, we might never know. --[[User:FinalOffset|FinalOffset]] ([[User talk:FinalOffset|talk]]) 02:45, 23 May 2019 (UTC) | ||
== Nazzo-Non-Heat == | |||
A long time ago I made an edit saying it was speculated that Nazzo-Non-Heat was an alias of S-C-U mostly because he has been recognizable for whimisical melody lines at a breakneck pace. Since then, I've changed my mind and now think it is Akhuta. The more I think about it, the more blatantly obvious it seems. Here is the evidence I've personally collected: | |||
* Nazzo-Non-Heat is credited for most of the BGM for jubeat Qubell. We already know Akhuta had a major role in Qubell's direction because of the G.F.S. and Fables of Akhuta events. Ahkuta was still credited as himself and not NNH for the BGM of the Fables event probably because, well, it was his event. | |||
* A couple other songs that sound like they might be written by Akhuta use aliases with the word "謎" (nazo): プログレなぞなぞクイズのテーマ, and DREAM OF SPACE UFO ABDUCTION | |||
* The 掘りすぎ dig RUSH Final BGM is somewhat reminiscent of 残日の聲. | |||
* Wander'''ing''' Grav'''ity''' -> Float'''ing''' Etern'''ity'''. Coincidence? | |||
Following this train of thought I suspected Akhuta may also have been involved in the creation of アガット rather than it being solo S-C-U, but this is a little less rigid of a theory. | |||
Would anyone else like to share their opinion? --[[User:ArrowsAndBeats|ArrowsAndBeats]] ([[User talk:ArrowsAndBeats|talk]]) 00:03, 7 December 2022 (UTC) | |||