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MVA: Difference between revisions
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* According to L.E.D., MVA was supposed to be [https://web.archive.org/web/20170623185338/http://www.konami.jp/bemani/popn/music19/mc/14/score.html 540BPM originally], but was immediately shot down by [[Daichi Watanabe|PON]], who, according to L.E.D., just silently stared at him, as if saying to him, "How many years have you been doing this job?". L.E.D. then toned it down accordingly to 270BPM. | * According to L.E.D., MVA was supposed to be [https://web.archive.org/web/20170623185338/http://www.konami.jp/bemani/popn/music19/mc/14/score.html 540BPM originally], but was immediately shot down by [[Daichi Watanabe|PON]], who, according to L.E.D., just silently stared at him, as if saying to him, "How many years have you been doing this job?". L.E.D. then toned it down accordingly to 270BPM. | ||
** Had MVA remained 540BPM, it would have held the record for highest constant BPM in any BEMANI series at its time of release. | ** Had MVA remained 540BPM, it would have held the record for highest constant BPM in any BEMANI series at its time of release. | ||
* MVA's charts were | * MVA's charts were created by sound director [[Jun Wakita|wac]]. | ||
** wac also notes he wanted to keep the song at 540 BPM, but also notes he considered making MVA go as high as ''1080'' BPM, but noted how "no one would play it" at that point. | ** wac also notes he wanted to keep the song at 540 BPM, but also notes he considered making MVA go as high as ''1080'' BPM, but noted how "no one would play it" at that point. | ||
*** He also thought of adding in a slowdown to 135/67.5 in the middle section of MVA, but decided against it after worry people would complain about it. | *** He also thought of adding in a slowdown to 135/67.5 in the middle section of MVA, but decided against it after worry people would complain about it. | ||