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== Song Information == | == Song Information == | ||
Artist: [[Naoki Maeda| | Artist: STONE BROS.<br> | ||
Composition/Arrangement: [[Naoki Maeda|NM Sequence Unlimited]]<br> | |||
BPM: 110<br> | BPM: 110<br> | ||
Length: 1:21<br> | Length: 1:21<br> | ||
Genre: MIAMI BASS<br> | |||
VJ: [[VJ GYO]] (overlays by [[GOLI]])<br> | |||
First Music Game Appearance: [[AC 2nd style|beatmania IIDX 2nd style]]<br> | |||
Other Music Game Appearances: | |||
* DanceDanceRevolution Solo 2000 | |||
== Lyrics == | == Lyrics == | ||
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</pre> | </pre> | ||
==Song Connections/Remixes== | == Song Connections / Remixes == | ||
* LET THE BEAT HIT EM! (BASS MIX) is an arrangement of | * LET THE BEAT HIT EM! (BASS MIX) is an arrangement of ''Let the beat hit em!'', from ''DanceDanceRevolution Solo BASSMIX'' | ||
== Trivia == | == Trivia == | ||
Despite dj TAKA's comments for this song being the "Another" version, LET THE BEAT HIT EM! (BASS MIX) only had | * Despite [[Takayuki Ishikawa|dj TAKA]]'s comments for this song being the "Another" version, LET THE BEAT HIT EM! (BASS MIX) only had 7Keys/14Keys charts in beatmania IIDX 2nd style. | ||
* On the ''DanceDanceRevolution'' series, LET THE BEAT HIT EM! (BASS MIX) is known as '''Let the beat hit em! (BM IIDX version)'''. | |||
style. | |||
== | == Song Production Information == | ||
=== dj TAKA === | |||
Originally produced by STONE BROS. for " | Originally produced by STONE BROS. for "DanceDanceRevolution Solo BASSMIX", I provide you with the Another version of this song. The scratches of "Hey" sound very much like that of something from beatmania. When I think about this song, I imagine myself rolling down the coast of the American road, an image further enhanced with GOLI's illustrations for this song. | ||
== Video Production | == Video Production Information == | ||
=== GOLI === | |||
The Miami-based sound in this song features some kind of kazoo (or at least I think it does), which I noticed in pictures I found of the music producer. If I were given the chance to draw the illustrations for this song again, I would've done it more resilient, smoother, and dirtier, in addition to drawing the bottom portions of the people I drew. | The Miami-based sound in this song features some kind of kazoo (or at least I think it does), which I noticed in pictures I found of the music producer. If I were given the chance to draw the illustrations for this song again, I would've done it more resilient, smoother, and dirtier, in addition to drawing the bottom portions of the people I drew. |