Yeah, the overlays are said to be done by the "Charm Sisters" (チャーム・シスターズ), even though they look very VJ GYO-ish. Either way, I'll leave VJ GYO for his credit on his page for the overlays for DIAVOLO until I hear otherwise.--M.B. 09:00, 7 March 2012 (UTC)
In my opinion, Paganini's Caprice no. 24 sounds more like diavolo than Liszt's arrangement, what do you guys think? Caprice for reference - https://www.youtube.com/watch?v=gpnIrE7_1YA (up to 4:24, even has that tough ending) --Xylo (talk) 18:58, 16 December 2018 (UTC)
DIAVOLO, to me, indeed borrows more from Paganini's Caprice No. 24 than Liszt's Grandes etudes de Paganini No. 6. DIAVOLO borrows variations 3 (@ 0:30), 4 (@ 0:33), and 1 (@ 0:42) from Paganini's Caprice 24. There is also a unique variation @ 0:54 but I cannot tell for sure if it's Paganini's or Liszt's or it's a variation from another person who arranged Paganini's or an original variation. However, variation 11 (1:23) and the finale (1:35) are from Liszt's but it's not Grandes etudes de Paganini No. 6 but rather an earlier (and much harder) arrangement entitled Etudes d'execution transcendante d'apres Paganini No. 6. They are almost a one-to-one copy from the said earlier Liszt's arrangement. --F5XS.0000a (talk) 13:07, 26 June 2020 (UTC)