Hiroki Koga: Difference between revisions

146 bytes removed ,  7 April 2017
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Hiroki Koga has been with BEMANI since near the very beginning, starting off as a sound data anaylzer in [[AC bm 2nd|beatmania 2ndMIX]] back in 1998. In addition to doing notecharts for both beatmania and the early beatmania IIDX games, Hiroki was also the sound director of the first two [[KBMicon|KEYBOARDMANIA]] games (a position that [[Seiya Murai]] filled in for the third and final game).
Hiroki Koga has been with BEMANI since near the very beginning, starting off as a sound data anaylzer in [[AC bm 2nd|beatmania 2ndMIX]] back in 1998. In addition to doing notecharts for both beatmania and the early beatmania IIDX games, Hiroki was also the sound director of the first two [[KBMicon|KEYBOARDMANIA]] games (a position that [[Seiya Murai]] filled in for the third and final game).


Starting with [[PnM_AC_4|pop'n music 4]], Hiroki also started contributing to the pop'n music series, which he has worked on near exclusively after [[KEYBOARDMANIA 2ndMIX]], writing music for the series up until [[PnM_AC_17|17 THE MOVIE]] (with the exception of [[PnM_AC_8|8]], though he did [[Minashigo hacchi|co-arrange a license]], as well as did notecharts). He also provided the soundtrack for ''QUIZ MAGIC ACADEMY IV'' and ''V'', as well as ''Busou Shinki Battle Rondo'' and ''OTOMEDIUS''.
Starting with [[PnM_AC_4|pop'n music 4]], Hiroki also started contributing to the pop'n music series, which he has worked on near exclusively after [[KEYBOARDMANIA 2ndMIX]], writing music for the series up until [[PnM_AC_17|17 THE MOVIE]] (with the exception of [[PnM_AC_8|8]], though he did [[Minashigo hacchi|みなしごハッチ]]'s notecharts). He also provided the soundtrack for ''QUIZ MAGIC ACADEMY IV'' and ''V'', as well as ''Busou Shinki Battle Rondo'' and ''OTOMEDIUS''.


Hiroki's music tended to be instrumental, with a more full, orchestral sound than most other BEMANI artists, often containing several real instruments in his tracks. He also extensively worked in jazz and rock songs during his tenure, too.
Hiroki's music tended to be instrumental, with a more full, orchestral sound than most other BEMANI artists, often containing several real instruments in his tracks. He also extensively worked in jazz and rock songs during his tenure, too.
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| [[Free pass|フリーパス]] || パンダバンダ || [[PnM AC 7|pop'n music 7]] || CIRCUS || ✓ || ✓ || -
| [[Free pass|フリーパス]] || パンダバンダ || [[PnM AC 7|pop'n music 7]] || CIRCUS || ✓ || ✓ || -
|-
| [[Minashigo hacchi|みなしごハッチ]] || [[Kaori Takada|高田香里]] || [[PnM AC 8|pop'n music 8]] || 8 || - || ✓ || -
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|-
| [[Requiem]] || St. Naya~n || [[PnM AC 9|pop'n music 9]] || MISSA || ✓ || ✓ || -
| [[Requiem]] || St. Naya~n || [[PnM AC 9|pop'n music 9]] || MISSA || ✓ || ✓ || -