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INSERTiON: Difference between revisions
Added English translations to song production section; feel free to make any necessary changes [NAOKI comments from https://vgmsite.com/soundtracks/dance-dance-revolution-5th-mix-original-soundtrack/Booklet%2006.jpg, DDR 5th liner notes from https://vgmsite.com/soundtracks/dance-dance-revolution-5th-mix-original-soundtrack/Booklet%2010.jpg]
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Angryjoe1111 (talk | contribs) (Added English translations to song production section; feel free to make any necessary changes [NAOKI comments from https://vgmsite.com/soundtracks/dance-dance-revolution-5th-mix-original-soundtrack/Booklet%2006.jpg, DDR 5th liner notes from https://vgmsite.com/soundtracks/dance-dance-revolution-5th-mix-original-soundtrack/Booklet%2010.jpg]) |
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== Trivia == | == Trivia == | ||
{{Gallery}} | {{Gallery}} | ||
* Extended comments for INSERTiON appear in [[BeForU]]'s [https://web.archive.org/web/20010416022933/http://www.konami.co.jp/am/AM/beforu/naoki.html official website]. | |||
* INSERTiON's BPM changes go as it follows: 139.5→129.5→110→112→114→116→118→120→122→124→126→128→130→132→134→136→138→140→138→136→134→132→130→126→122→118→122→126→<br>130→134→138→142→146→150→139.5→165→170→180→185→190→195→200→205→210→215→220→225. | * INSERTiON's BPM changes go as it follows: 139.5→129.5→110→112→114→116→118→120→122→124→126→128→130→132→134→136→138→140→138→136→134→132→130→126→122→118→122→126→<br>130→134→138→142→146→150→139.5→165→170→180→185→190→195→200→205→210→215→220→225. | ||
* INSERTiON received a BEGINNER chart in [[AC DDR EXTREME|DanceDanceRevolution EXTREME]]. | * INSERTiON received a BEGINNER chart in [[AC DDR EXTREME|DanceDanceRevolution EXTREME]]. | ||
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The tempo changes throughout the song make you feel like you're being shaken, and although the ending becomes fast towards the climax, I want you to keep playing it like you're addicted, especially those who experienced "such situations". | The tempo changes throughout the song make you feel like you're being shaken, and although the ending becomes fast towards the climax, I want you to keep playing it like you're addicted, especially those who experienced "such situations". | ||
=== | === BeForU Official Website === | ||
==== NAOKI ==== | ==== NAOKI ==== | ||
I've recently been addicted to trance, so I naturally wanted to include it in my music, and "INSERTiON" is the result of my interpretation of that. I never really liked techno music in the past, but in the last few years, I've been immersed with digital music to this day. Actually, I play and create everything in real time, from the drums to the keyboard, whether it's techno or Euro music. | I've recently been addicted to trance, so I naturally wanted to include it in my music, and "INSERTiON" is the result of my interpretation of that. I never really liked techno music in the past, but in the last few years, I've been immersed with digital music to this day. Actually, I play and create everything in real time, from the drums to the keyboard, whether it's techno or Euro music. | ||
Furthermore, INSERTiON is a song that's conscious of DDR's gameplay, so it has a few new tricks. The shifting tempo of this song will make you feel "something", especially when it reaches | Furthermore, INSERTiON is a song that's conscious of DDR's gameplay, so it has a few new tricks. The shifting tempo of this song will make you feel "something", especially when it reaches the climax at the end of the song. | ||
=== DanceDanceRevolution === | |||
==== NAOKI MAEDA ==== | |||
This song is strongly conscious of D.D.R.'s gameplay. To those who felt "something" increase in the shifting tempo, which makes you feel like you're being shaken, and although the ending becomes fast towards the climax, I want you to keep playing it like you're addicted. | |||
==== Liner Notes ==== | |||
To those who like programmed sounds, you'll definitely be addicted to this number. The unique drifting sensation created from digital sounds crowded together in space, is a feeling that can only be experienced in trance music. Furthermore, the extreme tempo changes resulted in a D.D.R.-like unique number. If you're confused by the irregular tempo from beginning to end, you'll be mysteriously wrapped in a sense of exaltation when it becomes one at the end. | |||
== CS Information Data == | == CS Information Data == | ||