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  • the strings, classical timbre and dance music interwoven with a far-off divinity. In order to express that impression, I compared the player to ENDYMION
    9 KB (1,239 words) - 06:27, 20 March 2020
  • facebook.com/shigeyuki.niimura -Divinity Link's broken.--M.B. (talk) 23:18, 12 July 2018 (UTC) Have you tried logging in? -Divinity
    316 bytes (38 words) - 23:21, 12 July 2018
  • under the name of "ゆうや" in the interview. Video here. Speed up to 15:20. -Divinity Good find, that's the same Yuuya that made Fractus, as Koezuka pointed
    620 bytes (82 words) - 04:09, 3 February 2019
  • --ArrowsAndBeats (talk) 03:53, 7 November 2018 (UTC) Is this proof enough? -Divinity
    809 bytes (103 words) - 04:01, 7 November 2018
  • the live at JAEPO, I'd say it's definitely believable at this point. --Divinity He actually was at EDPxSDVX 2017 but only in the backstage alongside TOTTO
    2 KB (331 words) - 15:01, 22 March 2018
  • with all the other pages on this wiki, why not make one for GENERATOR? -Divinity Sure thing. --FinalOffset (talk) 02:25, 5 July 2018 (UTC)
    1 KB (198 words) - 02:25, 5 July 2018
  • VOLTEX FLOOR Asia contest, that might probably fit here. ーDivinity (talk) I agree with Divinity on this. --FinalOffset (talk) 02:06, 18 November 2017 (UTC)
    6 KB (864 words) - 20:54, 3 May 2020
  • in a KAC finals song for a series that he was not a sound director for. -Divinity I think this is plausible, but given how little info is Konami giving
    2 KB (345 words) - 02:45, 23 May 2019
  • could also work (though it might be kinda confusing). What do you think? --Divinity I think the first option is better. --FinalOffset (talk) 15:21, 19 June
    6 KB (863 words) - 10:23, 11 March 2020