Wonder Bullfighter: Difference between revisions

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=== matsu@tksd / TOKYO SYOKUDO ===  
=== matsu@tksd / TOKYO SYOKUDO ===  
Hello, nice to meet all of you for the first time.  My name is Matsushita from Tokyo Skyudo.<br>
Hello, nice to meet all of you for the first time.  My name is Matsushita from Tokyo Syokudo.<br>


When I first listened to Twin AmadeuS' song, I was a bit fearful that I could not make a suitable movie for it.<br>
When I first listened to Twin AmadeuS' song, I was a bit fearful that I could not make a suitable movie for it.<br>

Revision as of 00:54, 4 February 2015

Wonder Bullfighter

Song Information

Artist: Twin AmadeuS
Composition/Arrangement: Takeo Miratsu
BPM: 126
Length: 2:03
Genre: NATURAL SOUND
VJ: matsu@tksd / 東京食堂
First Music Game Appearance: beatmania IIDX 11 IIDX RED
Other Music Game Appearances: None.

Lyrics

None.

Song Connections/Remixes

None.

Trivia

  • Wonder Bullfighter is the only one of the Twin AmadeuS songs in IIDX whose video is not made by F-FLY.

Music Production Info

Twin AmadeuS

For my previous song Freezing atmosphere, I was inspired by the climates of Alaska and Northern Europe. After that, a new trip was called for, something considerably farther down in latitude.

Spain? Andalusia?
I decided to go there.

Spain and bullfighters go together.
I made a mellow atmospheric song in the key of B along with an odd timing signature. The guitar playing in the song was my inspiration in putting in the odd timing signature.
Hopefully, I think that the song timing is clear for the players and that you enjoy playing it.

Video Production Info

matsu@tksd / TOKYO SYOKUDO

Hello, nice to meet all of you for the first time. My name is Matsushita from Tokyo Syokudo.

When I first listened to Twin AmadeuS' song, I was a bit fearful that I could not make a suitable movie for it.
Quite by accident, I received inspiration for the movie walking around Akiba and seeing a bunch of marbles suspended at a corner candy shop.
I watched for an hour as the marbles moved around despite the late hour.
Next, I went around as time permitted, taking pictures of about 300 flowers, waiting weeks for some of them to bloom correctly at the right locations.
It was the analog part for the movie.

I remember watching a program on NHK, showing the maturation and blooming of a plant in days sped up to a few seconds, and admiring the patience of the person who stayed there the whole time filming the sequence.
He or she has to take into account the lighting, the direction of the wind, the elements, the focus of the camera, the direction at which the flowers faces, both day and night, all during three days.
I can also imagine the mosquitoes, bees, and other parts of nature that he or she had to contend with.

As for the large image of the chains, I drew that up a while ago.
I hope that you all enjoy this.
GOLI, F-FLY, VJ GYO, and all of the staff, I would like to thank you for letting me have this opportunity to work with this movie and for letting me work at the studio.

One other thing, I did buy those marbles at Akiba.