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DUE TOMORROW (view source)

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Length: 1:39<br>
Length: 1:39<br>
Genre: TECHNO<br>
Genre: TECHNO<br>
VJ: [[TOKYO SYOKUDO|kjk@tksd (東京食堂)]]<br>
Movie: [[TOKYO SYOKUDO|東京食堂]]<br>
First Music Game Appearance: [[AC DistorteD|beatmania IIDX 13 DistorteD]]<br>
First Music Game Appearance: [[AC DistorteD|beatmania IIDX 13 DistorteD]]<br>
Other Music Game Appearances: None.
Other Music Game Appearances: None.
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== Song Connections / Remixes ==
== Song Connections / Remixes ==
None.
* A remastered, extended version of DUE TOMORROW, titled ''DUE TOMORROW【2020 Re:build】'', was uploaded by Tomoyuki Uchida to his [https://www.youtube.com/watch?v=v7h3b73FFSI YouTube channel].


== Trivia ==
== Trivia ==
* DUE TOMORROW is rumored to have tight and/or off-sync timing windows, similar to [[GAMBOL]].
{{Gallery}}
* DUE TOMORROW's video marks the third appearance of the digital stick man (after [[Kecak]] and [[LESSON 5]]).
* DUE TOMORROW's video marks the third appearance of the digital stick man, following [[Kecak]] and [[LESSON 5]].
* DUE TOMORROW is the first beatmania IIDX song with a Level 12 Single ANOTHER chart to be removed from the arcades.
* DUE TOMORROW is the first beatmania IIDX song with a Level 12 Single ANOTHER chart to be removed from the arcades.
* DUE TOMORROW is an unlockable revival song in [[AC CANNON BALLERS|beatmania IIDX 25 CANNON BALLERS]]' ARENA MODE.
* DUE TOMORROW is an unlockable revival song in [[AC CANNON BALLERS|beatmania IIDX 25 CANNON BALLERS]]' ARENA MODE. It can be unlocked by collecting 50 ARENA CUBES.
** It received a brand-new Double ANOTHER chart upon its revival.
** It received a brand-new Double ANOTHER chart upon its revival.
** From February 7th, 2019, its charts can be purchased in [[AC Rootage|beatmania IIDX 26 Rootage]] via [[AC Rootage/Tenshi no madousho|Tenshi no madousho]] (天使の魔導書).
** From [[AC HEROIC VERSE|beatmania IIDX 27 HEROIC VERSE]] onwards, it is available by default.


== Song Production Information ==
== Song Production Information ==
=== Tomoyuki ===
=== Tomoyuki ===
What was I thinking, well, I started off with only the BPM.<br>
I don't know what I was thinking, but I just decided its BPM first.<br>
The highest tempo the sequencing software I use now supports is 400 BPM.<br>
The maximum value I can currently assign in my sequencing software is BPM400.<br>
Can you even make a song this fast. That's where the battle with myself began.<br>
Can I make a song with this? It became a battle with myself from there.<br>
In the end, this song is what emerged after several days of close combat with my sequencer.<br>
After struggling with the sequencing software, it turned out like this.<br>
It's fast. It's dark. It's explosive. Well, you know, things have happened.<br>
It's fast. It's distorted. And also explosive. It was from various things.<br>
By the way, Hiroyuki gave me the song name.
By the way, Hiroyuki named the song title.


=== [[Hiroyuki Uchida|Hiroyuki]] ===
=== [[Hiroyuki Uchida|Hiroyuki]] ===
When I listened to this song I got the image of someone chased by a deadline,<br>
When I listened to this song, I thought about someone working very hard against a deadline, so I gave it the title "DUE TOMORROW".
so I gave it the title DUE TOMORROW.


== Video Production Information ==
== Video Production Information ==
Untranslated.
=== kjk@tksd / TOKYO SYOKUDO ===
Anyways, this song has a huge impact, and I think the key point is to follow its wave, so my first impression was to prepare several patterns of short loop videos.<br>
Initially, I was thinking about using live-action footage of construction sites or four panel loops of city footage, but as I repeatedly listened to this song, I thought "this should be simpler", so I thought it might be good for it to appear like clean and rough GIF animations. After I decided on that, I repeatedly thought about two panel animations with several variations, and arranged them with repeated adjustments.<br>
I thought of many ideas at TOKYO SYOKUDO while saying "this and that is good", but each idea didn't have a particular meaning. It's just from momentum! That's right.<br>
There's quite a lot of ideas that were too good to throw away.<br>
The TOKYO SYOKUDO team decisively agreed that "that" punchline was somehow "the only one" without any context.


== Difficulty & Notecounts ==
== Difficulty & Notecounts ==
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{{IIDX Chart Header|
{{IIDX Chart Header|
{{IIDX Chart Notecounts|190|470|791|1073|470|791|?}}
{{IIDX Chart Notecounts|190|470|791|1073|-|470|791|1543|-}}
{{IIDX Chart|beatmania IIDX 13 DistorteD|-|6|9|11|6|11|-}}
{{IIDX Chart|beatmania IIDX 13 DistorteD|-|6|9|11|-|6|11|-|-}}
{{IIDX Chart|beatmania IIDX 14 GOLD|-|6|9|&uarr;12|6|11|-}}
{{IIDX Chart|beatmania IIDX 14 GOLD|-|6|9|&uarr;12|-|6|11|-|-}}
{{IIDX Chart|beatmania IIDX 15 DJ TROOPERS&rarr;17 SIRIUS|-|6|9|12|6|&darr;10|-}}
{{IIDX Chart|beatmania IIDX 15 DJ TROOPERS&rarr;17 SIRIUS|-|6|9|12|-|6|&darr;10|-|-}}
{{IIDX Chart|beatmania IIDX 25 CANNON BALLERS&rarr;Present|-|6|9|12|6|10|'''12'''}}
{{IIDX Chart|beatmania IIDX 25 CANNON BALLERS&rarr;Present|-|6|9|12|-|6|10|'''12'''|-}}
{{IIDX Chart|beatmania IIDX 13 DistorteD CS|'''3'''|6|9|12|6|10|-}}
{{IIDX Chart|beatmania IIDX 13 DistorteD CS|'''3'''|6|9|12|-|6|10|-|-}}
}}
}}
{{stub}}


[[Category:Songs]]
[[Category:Songs]]
[[Category:IIDX Songs]]
[[Category:beatmania IIDX Songs]]
[[Category:IIDX Songs with Unique Videos]]
[[Category:beatmania IIDX Songs with Unique Videos]]
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