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Talk:Op.31 jojou: Difference between revisions
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== akiko's identity == | == akiko's identity == | ||
[https://www.yamanemichiru.com/works Yamane]'s website doesn't list op.31 叙情 as one of her songs. I know said website isn't comprehensive (i.e. [[Forever Sunshine]] is absent), but I think that maybe being grouped alongside [[Camilo Una Mendes|カミロ・ウナ・メンデス]] meant that it was a "KONAMI Kukeiha Club" slot, and that op.31 叙情 was arranged by someone else from said group? --[[User:FinalOffset|FinalOffset]] ([[User talk:FinalOffset|talk]]) 15:20, 11 October 2018 (UTC) | [https://www.yamanemichiru.com/works Yamane]'s website doesn't list op.31 叙情 as one of her songs. I know said website isn't comprehensive (i.e. [[Forever Sunshine]] is absent), but I think that maybe being grouped alongside [[Camilo Una Mendes|カミロ・ウナ・メンデス]] meant that it was a "KONAMI Kukeiha Club" slot, and that op.31 叙情 was arranged by someone else from said group? --[[User:FinalOffset|FinalOffset]] ([[User talk:FinalOffset|talk]]) 15:20, 11 October 2018 (UTC) | ||
* Very possible; I've been always in the idea that it wasn't made by wac because, didn't the latter always ended up revealing his aliases back in the day? PIANO CONCERTO as a name seems generic compared to the genres of wac's songs around that time, the arrangement style differs a lot (virkato's stuff has always breather parts, op 31 has a relentless flow), lvl 10 seemed and no DPA for a song made by the guy who at that time did Sasoribi around two years ago? One thing that could explain op 31's absence from Yamane's works is because op 31 is a classical arrangement, not a new song. Song comments also mention an orchestra, so probably some multiple people were involved. Either way, the way that both op 31 and Camilo were removed in the year she left Konami (2008) is quite the big clue. All I can say is that if it was wac, most certainly we'd know about it by now for ages. --[[User:UBerserker|UBerserker]] ([[User talk:UBerserker|talk]]) 16:11, 11 October 2018 (UTC) | |||