DUE TOMORROW: Difference between revisions

no edit summary
(Added English translation to video production section; feel free to make any necessary changes)
No edit summary
 
Line 7: Line 7:
Length: 1:39<br>
Length: 1:39<br>
Genre: TECHNO<br>
Genre: TECHNO<br>
Movie: [[TOKYO SYOKUDO|kjk@tksd (東京食堂)]]<br>
Movie: [[TOKYO SYOKUDO|東京食堂]]<br>
First Music Game Appearance: [[AC DistorteD|beatmania IIDX 13 DistorteD]]<br>
First Music Game Appearance: [[AC DistorteD|beatmania IIDX 13 DistorteD]]<br>
Other Music Game Appearances: None.
Other Music Game Appearances: None.
Line 28: Line 28:
== Song Production Information ==
== Song Production Information ==
=== Tomoyuki ===
=== Tomoyuki ===
I didn't know what I was thinking, but I just decided its BPM first.<br>
I don't know what I was thinking, but I just decided its BPM first.<br>
The maximum value I can currently assign in my sequencing software is BPM400.<br>
The maximum value I can currently assign in my sequencing software is BPM400.<br>
Can I make a song like this? It became a battle with myself from there.<br>
Can I make a song with this? It became a battle with myself from there.<br>
After struggling with the sequencing software, it turned out like this.<br>
After struggling with the sequencing software, it turned out like this.<br>
It's fast. It's distorted. And also explosive. It was from various things.<br>
It's fast. It's distorted. And also explosive. It was from various things.<br>
Line 36: Line 36:


=== [[Hiroyuki Uchida|Hiroyuki]] ===
=== [[Hiroyuki Uchida|Hiroyuki]] ===
When I listened to this song, I came up with someone working very hard against a deadline, so I gave it the title "DUE TOMORROW".
When I listened to this song, I thought about someone working very hard against a deadline, so I gave it the title "DUE TOMORROW".


== Video Production Information ==
== Video Production Information ==
=== kjk@tksd / TOKYO SYOKUDO ===
=== kjk@tksd / TOKYO SYOKUDO ===
Anyways, this song has a somewhat tremendous impact, and I think the key point is to follow that wave as is, so my first impression was to prepare several patterns of short loop videos.<br>
Anyways, this song has a huge impact, and I think the key point is to follow its wave, so my first impression was to prepare several patterns of short loop videos.<br>
Initially, I was thinking about using live-action footage of construction sites or four panel loops of city footage, but as I repeatedly listened to this song, I thought "this should be simpler", so I thought it might be good for it to appear like a clean and rough GIF animation. After I decided on that, I repeatedly thought about two panel animations with several variations, and arranged them with repeated adjustments.<br>
Initially, I was thinking about using live-action footage of construction sites or four panel loops of city footage, but as I repeatedly listened to this song, I thought "this should be simpler", so I thought it might be good for it to appear like clean and rough GIF animations. After I decided on that, I repeatedly thought about two panel animations with several variations, and arranged them with repeated adjustments.<br>
It was better than thinking of materials at TOKYO SYOKUDO and saying "this and that is good", but each material didn't have a particular meaning. It's just from momentum! That's right.<br>
I thought of many ideas at TOKYO SYOKUDO while saying "this and that is good", but each idea didn't have a particular meaning. It's just from momentum! That's right.<br>
There's quite a lot of materials that were too good to throw away.<br>
There's quite a lot of ideas that were too good to throw away.<br>
The TOKYO SYOKUDO team decisively agreed that "that" punchline was somehow "the only one" without any context.
The TOKYO SYOKUDO team decisively agreed that "that" punchline was somehow "the only one" without any context.