Talk:DIAVOLO: Difference between revisions
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In my opinion, Paganini's Caprice no. 24 sounds more like diavolo than Liszt's arrangement, what do you guys think? Caprice for reference - https://www.youtube.com/watch?v=gpnIrE7_1YA (up to 4:24, even has that tough ending) --[[User:Xylo|Xylo]] ([[User talk:Xylo|talk]]) 18:58, 16 December 2018 (UTC) | In my opinion, Paganini's Caprice no. 24 sounds more like diavolo than Liszt's arrangement, what do you guys think? Caprice for reference - https://www.youtube.com/watch?v=gpnIrE7_1YA (up to 4:24, even has that tough ending) --[[User:Xylo|Xylo]] ([[User talk:Xylo|talk]]) 18:58, 16 December 2018 (UTC) | ||
DIAVOLO, to me, indeed borrows more from Paganini's Caprice No. 24 than Liszt's Grandes etudes de Paganini No. 6. DIAVOLO borrows variations 3 (@ 0:30), 4 (@ 0:33), and 1 (@ 0:42) from Paganini's Caprice 24. | |||
There is also a unique variation @ 0:54 but I cannot tell for sure if it's Paganini's or Liszt's or it's a variation from another person who arranged Paganini's or an original variation. | |||
The finale (1:17) is something that I do not know who inspired. My gut feeling says it's inspired more by Liszt than Paganini but I'll leave it for others to confirm. | |||
--[[User:F5XS.0000a|F5XS.0000a]] ([[User talk:F5XS.0000a|talk]]) 00:27, 25 May 2020 (UTC) | |||
Revision as of 00:28, 25 May 2020
Yeah, the overlays are said to be done by the "Charm Sisters" (チャーム・シスターズ), even though they look very VJ GYO-ish. Either way, I'll leave VJ GYO for his credit on his page for the overlays for DIAVOLO until I hear otherwise.--M.B. 09:00, 7 March 2012 (UTC)
In my opinion, Paganini's Caprice no. 24 sounds more like diavolo than Liszt's arrangement, what do you guys think? Caprice for reference - https://www.youtube.com/watch?v=gpnIrE7_1YA (up to 4:24, even has that tough ending) --Xylo (talk) 18:58, 16 December 2018 (UTC)
DIAVOLO, to me, indeed borrows more from Paganini's Caprice No. 24 than Liszt's Grandes etudes de Paganini No. 6. DIAVOLO borrows variations 3 (@ 0:30), 4 (@ 0:33), and 1 (@ 0:42) from Paganini's Caprice 24. There is also a unique variation @ 0:54 but I cannot tell for sure if it's Paganini's or Liszt's or it's a variation from another person who arranged Paganini's or an original variation. The finale (1:17) is something that I do not know who inspired. My gut feeling says it's inspired more by Liszt than Paganini but I'll leave it for others to confirm. --F5XS.0000a (talk) 00:27, 25 May 2020 (UTC)