354,451
edits
No edit summary |
No edit summary |
||
Line 30: | Line 30: | ||
== Song Production Information == | == Song Production Information == | ||
=== [[Takayuki Ishikawa|dj TAKA]] === | === [[Takayuki Ishikawa|dj TAKA]] === | ||
I got comments from DJ SIMON for this song. | I got comments from DJ SIMON for this song. | ||
Line 40: | Line 38: | ||
== Video Production Information == | == Video Production Information == | ||
=== VJ GYO === | |||
It looks like "spiritual" is a new genre for us. There's something suspicious about the great change in tempo, and a sort of melancholy image pervades the song. It's the most "problematic" song for 2nd style in terms of production. We really wanted to do an original video for this song, but this was never realized due to certain circumstances. Still, I even like this video. GOLI put some animations together especially for this song. Since it was a spiritual song, GOLI put lots of work into coming up with a good idea. He ended up giving me a rough sketch (almost a doodle) of a woman like the one that shouts "OH! Yeah!" throughout the song, brimming with a certain appealing maturity. However ... (Let's try playing it now.) | It looks like "spiritual" is a new genre for us. There's something suspicious about the great change in tempo, and a sort of melancholy image pervades the song. It's the most "problematic" song for 2nd style in terms of production. We really wanted to do an original video for this song, but this was never realized due to certain circumstances. Still, I even like this video. GOLI put some animations together especially for this song. Since it was a spiritual song, GOLI put lots of work into coming up with a good idea. He ended up giving me a rough sketch (almost a doodle) of a woman like the one that shouts "OH! Yeah!" throughout the song, brimming with a certain appealing maturity. However ... (Let's try playing it now.) | ||