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Hiroki Koga: Difference between revisions
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Hiroki Koga has been with BEMANI since near the very beginning, starting off as a sound data anaylzer in [[AC bm 2nd|beatmania 2ndMIX]] back in 1998. In addition to doing notecharts for both beatmania and the early beatmania IIDX games, Hiroki was also the sound director of the first two KEYBOARDMANIA games (a position that [[Seiya Murai]] filled in for the third and final game). | Hiroki Koga has been with BEMANI since near the very beginning, starting off as a sound data anaylzer in [[AC bm 2nd|beatmania 2ndMIX]] back in 1998. In addition to doing notecharts for both beatmania and the early beatmania IIDX games, Hiroki was also the sound director of the first two KEYBOARDMANIA games (a position that [[Seiya Murai]] filled in for the third and final game). | ||
Starting with [[PnM_AC_4|pop'n music 4]], Hiroki also started contributing to the pop'n music series, which he has worked on near exclusively after '' | Starting with [[PnM_AC_4|pop'n music 4]], Hiroki also started contributing to the pop'n music series, which he has worked on near exclusively after ''KEYBOARDMANIA 2ndMIX'', writing music for the series up until [[PnM_AC_17|17 THE MOVIE]] (with the exception of [[PnM_AC_8|8]], though he did [[Minashigo hacchi|co-arrange a license]], as well as did notecharts). He also provided the soundtrack for ''QUIZ MAGIC ACADEMY IV'' and ''V'', as well as ''Busou Shinki Battle Rondo'' and ''OTOMEDIUS''. | ||
Hiroki's music tended to be instrumental, with a more full, orchestral sound than most other BEMANI artists, often containing several real instruments in his tracks. He also extensively worked in jazz and rock songs during his tenure, too. | Hiroki's music tended to be instrumental, with a more full, orchestral sound than most other BEMANI artists, often containing several real instruments in his tracks. He also extensively worked in jazz and rock songs during his tenure, too. | ||