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Pointaken47 (talk | contribs) (I'm curious why the sound-different category is there but not documented) |
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* 卑弥呼's genre, ESOTERIC SPEEDCORE, has no connections with the speedcore genre. Instead, it is a play on [[Ganymede]]'s genre, ESOTERIC SLOWCORE. | * 卑弥呼's genre, ESOTERIC SPEEDCORE, has no connections with the speedcore genre. Instead, it is a play on [[Ganymede]]'s genre, ESOTERIC SLOWCORE. | ||
* 卑弥呼 marks the first collaboration between Yoshitaka Nishimura and Jun Wakita in BEMANI. | * 卑弥呼 marks the first collaboration between Yoshitaka Nishimura and Jun Wakita in BEMANI. | ||
** It is also the first and only collaboration between two CARDINAL GATE artists from [[AC DistorteD|beatmania IIDX 13 DistorteD]]. | ** It is also the first and only collaboration between two ''CARDINAL GATE'' artists from [[AC DistorteD|beatmania IIDX 13 DistorteD]]. | ||
** It is also the first song under Yoshitaka's 朱雀 alias that is not linked to the story of Vanessa de Verdet. | ** It is also the first song under Yoshitaka's 朱雀 alias that is not linked to the story of Vanessa de Verdet. | ||
* The comments of videos featuring 卑弥呼 were considered an [[Inside Jokes#Himiko? FUCK THAT SHIT! PABST BLUE RIBBON|inside joke]]. | * The comments of videos featuring 卑弥呼 were considered an [[Inside Jokes#Himiko? FUCK THAT SHIT! PABST BLUE RIBBON|inside joke]]. |