Kiyoshi Murai: Difference between revisions

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== Profile ==
== Profile ==
One of pop'n music's most frequent composers, Murai's history with Konami dates back to as early as the early 1990's, where he started off doing music for various Mega Drive games and music tracks for the then popular ''Tokimeki Memorial Vocal'' CDs, as well as the 1998 Red Company-developed RPG / dating simulation ''Mitsumete Knight''. His first project for BEMANI was the 1999 pop'n stage EX, a re-release of [[PnS_AC|pop'n stage]] with two new songs, one of them being his song [[WE TWO ARE ONE]] that was soon ported to [[PnM AC 4|pop'n music 4]]. Since [[PnM AC 4|pop'n music 4]] he has appeared in every arcade entry. His style of music tends to drift more into a 1980's synth sound (as seen in his V.C.O. and ALT songs), though he's also dabbled occasionally in rock and orchestral sounding music as well.
One of pop'n music's most frequent composers, Murai's history with Konami dates back to as early as the early 1990's, where he started off doing music for various Mega Drive games and music tracks for the then popular ''Tokimeki Memorial Vocal'' CDs, as well as the 1998 Red Company-developed RPG / dating simulation ''Mitsumete Knight''. His first project for BEMANI was the 1999 [[AC pns ex|pop'n stage ex]], an updated release of [[AC pns|pop'n stage]] with two new songs, one of them being his song [[WE TWO ARE ONE]] that was soon ported to [[PnM AC 4|pop'n music 4]]. Since [[PnM AC 4|pop'n music 4]] he has appeared in every arcade entry. His style of music tends to drift more into a 1980's synth sound (as seen in his V.C.O. and ALT songs), though he's also dabbled occasionally in rock and orchestral sounding music as well.


Murai also served as head sound director of [[PnM AC 4|4]] and [[PnM AC 5|5]], as well as being the co-director of [[AC KBM 2nd|KEYBOARDMANIA 2ndMIX]] with [[Hiroki Koga|Naya~n]] and head sound director of [[AC KBM 3rd|KEYBOARDMANIA 3rdMIX]], the final entry in the series. After pop'n music 5, fellow BEMANI composer [[Jun Wakita]] would handle the sound direction of pop'n music with [[PnM AC 6|pop'n music 6]], though he continued to sound direct various pop'n music entries up to [[PnM AC 16|PARTY♪]]. Murai also appeared regularly for years in beatmania IIDX as of [[AC DistorteD|DistorteD]], and was the sound producer of the ''ミライダガッキ FutureTomTom'' series.
Murai also served as head sound director of [[PnM AC 4|4]] and [[PnM AC 5|5]], as well as being the co-director of [[AC KBM 2nd|KEYBOARDMANIA 2ndMIX]] with [[Hiroki Koga|Naya~n]] and head sound director of [[AC KBM 3rd|KEYBOARDMANIA 3rdMIX]], the final entry in the series. After pop'n music 5, fellow BEMANI composer [[Jun Wakita]] would handle the sound direction of pop'n music with [[PnM AC 6|pop'n music 6]], though he continued to sound direct various pop'n music entries up to [[PnM AC 16|PARTY♪]]. Murai also appeared regularly for years in beatmania IIDX as of [[AC DistorteD|DistorteD]], and was the sound producer of the ''ミライダガッキ FutureTomTom'' series.
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| [[Susume! Onna no ko no march|進め!女の子のマーチ]] || [[NU-KO]] || [[PnM AC Usagi to neko to shounen no yume|pop'n music うさぎと猫と少年の夢]] || - || ✓ || ✓ || ✓ || -
| [[Susume! Onna no ko no march|進め!女の子のマーチ]] || [[NU-KO]] || [[PnM AC Usagi to neko to shounen no yume|pop'n music うさぎと猫と少年の夢]] || - || ✓ || ✓ || ✓ || -
|-
|-
| [[WE TWO ARE ONE]] || [[Noriko Fukushima|Lala Moore]] || [[PnS_AC|pop'n stage ex]] || SUPER EURO || ✓ || ✓ || - || -
| [[WE TWO ARE ONE]] || [[Noriko Fukushima|Lala Moore]] || [[AC pns ex|pop'n stage ex]] || SUPER EURO || ✓ || ✓ || - || -
|-
|-
| [[SHAKE'N SWING'N POP'N MUSIC!]] || seiya-murai || [[PnM CS Wii|ポップンミュージック]] || - || ✓ || ✓ || - || -
| [[SHAKE'N SWING'N POP'N MUSIC!]] || seiya-murai || [[PnM CS Wii|ポップンミュージック]] || - || ✓ || ✓ || - || -

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