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Hiroki Koga: Difference between revisions
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Hiroki Koga has been with BEMANI since near the very beginning, starting off as a sound data anaylzer in [[AC bm 2nd|beatmania 2ndMIX]] back in 1998. In addition to doing notecharts for both beatmania and the early beatmania IIDX games, Hiroki was also the sound director of the first two [[KEYBOARDMANIA Information|KEYBOARDMANIA]] games (a position that [[Seiya Murai]] filled in for the third and final game). | Hiroki Koga has been with BEMANI since near the very beginning, starting off as a sound data anaylzer in [[AC bm 2nd|beatmania 2ndMIX]] back in 1998. In addition to doing notecharts for both beatmania and the early beatmania IIDX games, Hiroki was also the sound director of the first two [[KEYBOARDMANIA Information|KEYBOARDMANIA]] games (a position that [[Seiya Murai]] filled in for the third and final game). | ||
Starting with [[PnM_AC_4|pop'n music 4]], Hiroki also started contributing to the pop'n music series, which he has worked on near exclusively after [[AC KBM 2nd|KEYBOARDMANIA 2ndMIX]], writing music for the series up until [[PnM_AC_17|17 THE MOVIE]] (with the exception of [[PnM_AC_8|8]], though he did [[Minashigo | Starting with [[PnM_AC_4|pop'n music 4]], Hiroki also started contributing to the pop'n music series, which he has worked on near exclusively after [[AC KBM 2nd|KEYBOARDMANIA 2ndMIX]], writing music for the series up until [[PnM_AC_17|17 THE MOVIE]] (with the exception of [[PnM_AC_8|8]], though he did [[Minashigo Hutch|みなしごハッチ]]'s notecharts). He also provided the soundtrack for ''QUIZ MAGIC ACADEMY IV'' and ''V'', as well as ''Busou Shinki Battle Rondo'' and ''OTOMEDIUS''. | ||
Hiroki's music tended to be instrumental, with a more full, orchestral sound than most other BEMANI artists, often containing several real instruments in his tracks. He also extensively worked in jazz and rock songs during his tenure, too. | Hiroki's music tended to be instrumental, with a more full, orchestral sound than most other BEMANI artists, often containing several real instruments in his tracks. He also extensively worked in jazz and rock songs during his tenure, too. | ||