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Manmachine plays Jazz ~MIO2~: Difference between revisions
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(New English translations for Song Production Information (original Japanese source: beatmania Append GOTTAMIX official website)) |
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== Song Production Information == | == Song Production Information == | ||
=== Toshiyuki Kakuta aka L.E.D. Light === | === [[Toshiyuki Kakuta]] aka L.E.D. Light === | ||
Hello to all of you visiting the KCEJ homepage. | Hello to all of you visiting the KCEJ homepage.<br> | ||
Are you enjoying GOTTAMIX? | Are you enjoying GOTTAMIX? | ||
Recorded for GOTTAMIX, the song 'Manmachine plays Jazz ~MIO2~' was made by Mikio Endo, a member of the world-renowned DJ creator group U.F.O (United Future Organization). I would like to provide a commentary this time, from my own perspective, on 'JAZZ ELECTRO', or 'Manmachine plays Jazz ~MIO2~'. | Recorded for GOTTAMIX, the song 'Manmachine plays Jazz ~MIO2~' was made by Mikio Endo, a member of the world-renowned DJ creator group U.F.O (United Future Organization). I would like to provide a commentary this time, from my own perspective, on 'JAZZ ELECTRO', or 'Manmachine plays Jazz ~MIO2~'. | ||
In recent years, there's been a movement to actively incorporate jazz tastes into club music. | In recent years, there's been a movement to actively incorporate jazz tastes into club music.<br> | ||
Such forms range from hip-hop artists sampling jazz songs in their own tracks, to DJs and mixers remixing past jazz music with their own interpretations, to drum'n bass musicians incorporating lots of jazz tastes to create "future jazz," among many, many other examples. | Such forms range from hip-hop artists sampling jazz songs in their own tracks, to DJs and mixers remixing past jazz music with their own interpretations, to drum'n bass musicians incorporating lots of jazz tastes to create "future jazz," among many, many other examples.<br> | ||
But to me (and this is just my own opinion), this song feels like it was composed with an approach from the opposite vector, i.e. fusing jazz with techno. | But to me (and this is just my own opinion), this song feels like it was composed with an approach from the opposite vector, i.e. fusing jazz with techno.<br> | ||
I can't say for certain whether this was Mikio Endo's intention, as I didn't ask the creator himself about it. | I can't say for certain whether this was Mikio Endo's intention, as I didn't ask the creator himself about it.<br> | ||
It's merely my own personal impression. | It's merely my own personal impression. | ||
The vocoder voice in the song's background is set to a "robotic song" mode, which is very retrofuturistic and brings tears to my eyes. While the sound quality is definitely that of a synthesizer, am I the only one who feels some kind of warm, fuzzy attachment? | The vocoder voice in the song's background is set to a "robotic song" mode, which is very retrofuturistic and brings tears to my eyes. While the sound quality is definitely that of a synthesizer, am I the only one who feels some kind of warm, fuzzy attachment?<br> | ||
From a sound hardware perspective, vocoders themselves are now in the realm of "vintage" technology, but as of late, there are more artists starting to reuse its peculiar sound qualities. | From a sound hardware perspective, vocoders themselves are now in the realm of "vintage" technology, but as of late, there are more artists starting to reuse its peculiar sound qualities. | ||