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AC 7th style: Difference between revisions
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{{IIDX Song2|RAVE|[[2002]]|[[Reo_Nagumo|tiger YAMATO]]|132|4|5|✓|4|5|-}} | {{IIDX Song2|RAVE|[[2002]]|[[Reo_Nagumo|tiger YAMATO]]|132|4|5|✓|4|5|-}} | ||
{{IIDX Song2|FAKE JAZZ|[[9 o'clocks]]|[[Yasushi Kurobane|SYMPHONIC DEFOGGERS]]|95|4|7|✓|5|7|-}} | {{IIDX Song2|FAKE JAZZ|[[9 o'clocks]]|[[Yasushi Kurobane|SYMPHONIC DEFOGGERS]]|95|4|7|✓|5|7|-}} | ||
{{IIDX Song2|RENAISSANCE|[[A]]|[[Takayuki_Ishikawa|D.J.Amuro]]|93 | {{IIDX Song2|RENAISSANCE|[[A]]|[[Takayuki_Ishikawa|D.J.Amuro]]|93|6|7+|✓|6|7+|✓}} | ||
{{IIDX Song2|ALTERNATIVE HOUSE|[[AVE DE RAPINA]]|[[Shoichiro_Hirata|Shawn The Horny Master]]|130|6|7|✓|7|7+|-}} | {{IIDX Song2|ALTERNATIVE HOUSE|[[AVE DE RAPINA]]|[[Shoichiro_Hirata|Shawn The Horny Master]]|130|6|7|✓|7|7+|-}} | ||
{{IIDX Song2|FILTER HOUSE|[[Bad Routine]]|[[Shoichiro_Hirata|D.J.Spugna]]|130|5|7|-|5|7|-}} | {{IIDX Song2|FILTER HOUSE|[[Bad Routine]]|[[Shoichiro_Hirata|D.J.Spugna]]|130|5|7|-|5|7|-}} | ||
| Line 48: | Line 48: | ||
{{IIDX Song2|PROGRESSIVE JAZZ|[[foreplay]]|[[Osamu_Kubota|Osamu Kubota]]|140|4|7|✓|5|7|✓}} | {{IIDX Song2|PROGRESSIVE JAZZ|[[foreplay]]|[[Osamu_Kubota|Osamu Kubota]]|140|4|7|✓|5|7|✓}} | ||
{{IIDX Song2|UK GARAGE / 2 STEP|[[General Relativity]]|[[Yasushi Kurobane|SYMPHONIC DEFOGGERS]]|142|3|5|✓|6|7|✓}} | {{IIDX Song2|UK GARAGE / 2 STEP|[[General Relativity]]|[[Yasushi Kurobane|SYMPHONIC DEFOGGERS]]|142|3|5|✓|6|7|✓}} | ||
{{IIDX Song2|HIP HOP & SOUL|[[Glorious Days]]|[[Noria Shiraishi|Noria]]| | {{IIDX Song2|HIP HOP & SOUL|[[Glorious Days]]|[[Noria Shiraishi|Noria]]|82|3|5|✓|6|7|-}} | ||
{{IIDX Song2|BIG BEAT|[[Gravity]]|[[Taku_Sakakibara|TaQ]]|125|5|7|-|7|7+|-}} | {{IIDX Song2|BIG BEAT|[[Gravity]]|[[Taku_Sakakibara|TaQ]]|125|5|7|-|7|7+|-}} | ||
{{IIDX Song2|HOUSE|[[Happy Wedding]]|[[Takayuki_Ishikawa|ASKA]]|126|6|7|✓|5|7|✓}} | {{IIDX Song2|HOUSE|[[Happy Wedding]]|[[Takayuki_Ishikawa|ASKA]]|126|6|7|✓|5|7|✓}} | ||
| Line 60: | Line 60: | ||
{{IIDX Song2|POPS|[[Somebody Like You]]|[[Tatsuya_Furukawa|good-cool]]|125|5|7|✓|5|6|✓}} | {{IIDX Song2|POPS|[[Somebody Like You]]|[[Tatsuya_Furukawa|good-cool]]|125|5|7|✓|5|6|✓}} | ||
{{IIDX Song2|HOUSE|[[Spica]]|[[Jun_Wakita|D.JW]]|128|3|7+|✓|3|7|✓}} | {{IIDX Song2|HOUSE|[[Spica]]|[[Jun_Wakita|D.JW]]|128|3|7+|✓|3|7|✓}} | ||
{{IIDX Song2|HARD HOUSE|[[Spooky]]|[[Tatsuya_Furukawa|good-cool]]|140 | {{IIDX Song2|HARD HOUSE|[[Spooky]]|[[Tatsuya_Furukawa|good-cool]]|140|5|6|✓|7|7+|-}} | ||
{{IIDX Song2|TECHNO|[[stoic]]|[[Taku_Sakakibara|TaQ]]|155|7|7+|✓|7|7+|✓}} | {{IIDX Song2|TECHNO|[[stoic]]|[[Taku_Sakakibara|TaQ]]|155|7|7+|✓|7|7+|✓}} | ||
{{IIDX Song2|TRANCE|[[Tomorrow Perfume]]|[[Takayuki_Ishikawa|dj TAKA]]|144|6|7+|✓|6|7+|✓}} | {{IIDX Song2|TRANCE|[[Tomorrow Perfume]]|[[Takayuki_Ishikawa|dj TAKA]]|144|6|7+|✓|6|7+|✓}} | ||
| Line 92: | Line 92: | ||
{{IIDX Songlist Header2| | {{IIDX Songlist Header2| | ||
{{IIDX Songlist Category|EXTRA STAGE}} | {{IIDX Songlist Category|EXTRA STAGE}} | ||
{{IIDX Song2|HARDCORE TECHNO|[[MAX 300]]{{from|[[AC DDRMAX|DDRMAX DanceDanceRevolution 6thMIX]]}}|[[Naoki Maeda|Ω]]| | {{IIDX Song2|HARDCORE TECHNO|[[MAX 300]]{{from|[[AC DDRMAX|DDRMAX DanceDanceRevolution 6thMIX]]}}|[[Naoki Maeda|Ω]]|300|6|7+|-|6|7+|-}} | ||
{{IIDX Songlist Category|ONE MORE EXTRA STAGE}} | {{IIDX Songlist Category|ONE MORE EXTRA STAGE}} | ||
{{IIDX Song2|ORCHESTRAL|[[Kakumei|革命]]|[[Takayuki_Ishikawa|dj TAKA]] with [[Naoki_Maeda|NAOKI]]| | {{IIDX Song2|ORCHESTRAL|[[Kakumei|革命]]|[[Takayuki_Ishikawa|dj TAKA]] with [[Naoki_Maeda|NAOKI]]|148|6|7+|✓|6|7+|✓}} | ||
}} | }} | ||