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WE TWO ARE ONE: Difference between revisions
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Those are MIDI renditions.
No edit summary Tag: Reverted |
(Those are MIDI renditions.) Tag: Manual revert |
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* WE TWO ARE ONE marks both composer Kiyoshi Murai and vocalist Noriko Fukishima's debuts in BEMANI. | * WE TWO ARE ONE marks both composer Kiyoshi Murai and vocalist Noriko Fukishima's debuts in BEMANI. | ||
** WE TWO ARE ONE, along with [[birds]], [[ELECTRONISM]], [[POP-STEP-UP]], [[Quick Master Millennium mix]], [[TOON MANIAC]], [[Koi wa tennen|恋は天然]], [[Surechigau futari Millennium mix|すれちがう2人 Millennium mix]], and [[Toumeina manicure|透明なマニキュア]] being crossed over also mark Kiyoshi Murai's first appearance in the DanceDanceRevolution series. | ** WE TWO ARE ONE, along with [[birds]], [[ELECTRONISM]], [[POP-STEP-UP]], [[Quick Master Millennium mix]], [[TOON MANIAC]], [[Koi wa tennen|恋は天然]], [[Surechigau futari Millennium mix|すれちがう2人 Millennium mix]], and [[Toumeina manicure|透明なマニキュア]] being crossed over also mark Kiyoshi Murai's first appearance in the DanceDanceRevolution series. | ||
* WE TWO ARE ONE's 10-Switches ANOTHER chart has the record for the highest notecount of a pop'n stage chart, with 471 notes. | * WE TWO ARE ONE's 10-Switches ANOTHER chart has the record for the highest notecount of a pop'n stage chart, with 471 notes. | ||
* WE TWO ARE ONE is the first pop'n stage song to be crossed over to pop'n music. | * WE TWO ARE ONE is the first pop'n stage song to be crossed over to pop'n music. | ||