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Hiroki's music tended to be instrumental, with a more full, orchestral sound than most other BEMANI artists, often containing several real instruments in his tracks. He also extensively worked in jazz and rock songs during his tenure, too. | Hiroki's music tended to be instrumental, with a more full, orchestral sound than most other BEMANI artists, often containing several real instruments in his tracks. He also extensively worked in jazz and rock songs during his tenure, too. | ||
Not unlike [[Asaki]], Hiroki Koga is a very reclusive person. No widely known pictures of him exist on the Internet, he almost never appeared in any BEMANI events, and he's barely ever given any interviews. | Not unlike [[Asaki]], Hiroki Koga is a very reclusive person. No widely known pictures of him exist on the Internet, he almost never appeared in any BEMANI events (only appearing in a ''single'' event), and he's barely ever given any interviews. | ||
Hiroki Koga left KONAMI around 2011-12. His last appearance for KONAMI was for the first two Tenkaichi Shogi Association (天下一将棋会) games in 2010 and 2011 respectively. In 2017 he was also listed as Special Thanks in ''Super Bomberman R (スーパーボンバーマンR)''. | Hiroki Koga left KONAMI around 2011-12. His last appearance for KONAMI was for the first two Tenkaichi Shogi Association (天下一将棋会) games in 2010 and 2011 respectively. In 2017 he was also listed as Special Thanks in ''Super Bomberman R (スーパーボンバーマンR)''. |
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