13,967
edits
No edit summary |
No edit summary |
||
Line 6: | Line 6: | ||
Arrangement: Masato Nakamura<br> | Arrangement: Masato Nakamura<br> | ||
Lyrics: Miwa Yoshida<br> | Lyrics: Miwa Yoshida<br> | ||
Album: | Album: the Monster (1999)<br> | ||
BPM: 96<br> | BPM: 96<br> | ||
Length: 1:34 (beatmania), 1:28 (Dancing Stage)<br> | Length: 1:34 (beatmania), 1:28 (Dancing Stage)<br> | ||
Line 34: | Line 34: | ||
== Song Connections / Remixes == | == Song Connections / Remixes == | ||
* The version of 朝がまた来る used in the DanceDanceRevolution and beatmania series is actually a slightly different version which originates from DREAMS COME TRUE's tenth album, ''the Monster'', and has extended intro and outro sections compared to the single release. | |||
* The beatmania series uses a slightly longer cut of 朝がまた来る. | * The beatmania series uses a slightly longer cut of 朝がまた来る. | ||
* A remix of 朝がまた来る, titled [[Asa ga mata kuru Sci-fi analog slave Konami Remix|朝がまた来る Sci-fi analog slave Konami Remix]], can be found in beatmania featuring DREAMS COME TRUE. | * A remix of 朝がまた来る, titled [[Asa ga mata kuru Sci-fi analog slave Konami Remix|朝がまた来る Sci-fi analog slave Konami Remix]], can be found in beatmania featuring DREAMS COME TRUE. | ||
== Trivia == | == Trivia == | ||
* 朝がまた来る was used as the first main theme of the Japanese drama ''Kyuumei byoutou 24ji'' (救命病棟24時). | * 朝がまた来る was used as the first main theme of the Japanese drama ''Kyuumei byoutou 24ji'' (救命病棟24時). | ||
edits