GET ON BEAT (WILD STYLE): Difference between revisions

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== Song Connections / Remixes ==
== Song Connections / Remixes ==
* GET ON BEAT (WILD STYLE) is a remix of [[Get on Beat]], from [[AC 2nd style|beatmania IIDX 2nd style]].
* GET ON BEAT (WILD STYLE) is a remix of [[Get on Beat]], from [[AC 2nd style|beatmania IIDX 2nd style]].
* Like [[THE SAFARI]], GET ON BEAT (WILD STYLE)'s tempo was increased to 150 BPM in [[AC 6th style|beatmania IIDX 6th style]] and subsequent versions.


== Trivia ==
== Trivia ==
* GET ON BEAT (WILD STYLE)'s notecharts were created by [[Tomoyuki Uchida|ucchie]].
* GET ON BEAT (WILD STYLE)'s notecharts were created by [[Tomoyuki Uchida|ucchie]].
* At the time of its release, GET ON BEAT (WILD STYLE) had the most notes of any LIGHT7 chart in beatmania IIDX, with 730 notes.
* At the time of its release, GET ON BEAT (WILD STYLE) had the most notes of any LIGHT7 chart in beatmania IIDX, with 730 notes.
** Unlike the previous holder [[TAKE ON ME]], GET ON BEAT (WILD STYLE)'s record wasn't beaten for two games, until [[AC 6th style|beatmania IIDX 6th style]].
** Unlike the previous holder [[TAKE ON ME]], GET ON BEAT (WILD STYLE)'s record wasn't beaten for two games, until beatmania IIDX 6th style.
* In [[AC 5th style|beatmania IIDX 5th style]], GET ON BEAT (WILD STYLE)'s title is capitalized as '''Get on Beat (WILD STYLE)'''.
* In [[AC 5th style|beatmania IIDX 5th style]], GET ON BEAT (WILD STYLE)'s title is capitalized as '''Get on Beat (WILD STYLE)'''.
* Like [[THE SAFARI]], GET ON BEAT (WILD STYLE)'s tempo was increased to 150 BPM on beatmania IIDX 6th style and subsequent versions.
* GET ON BEAT (WILD STYLE)'s overlays were removed in [[AC 10th style|beatmania IIDX 10th style]].
* GET ON BEAT (WILD STYLE)'s overlays were removed in [[AC 10th style|beatmania IIDX 10th style]].


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=== ucchie ===
=== ucchie ===
GRR, GRR, it's somehow ON, GRR!<br>
GRR, GRR, it's somehow ON, GRR!<br>
That's right, this is a remix of Get on Beat, which was included in 2nd style.<br>
That's right, this is a remix of Get on Beat, originally from 2nd style.<br>
This is the first song created for 4th style. It feels solid and nice, doesn't it?<br>
This was the first song created for 4th style. It feels solid and nice, doesn't it?<br>
The notecharts mainly play the drum-styled parts, which were created for you to freely enjoy this solid groove.<br>
The notecharts mainly play the drum-styled parts, which I worked on so you can freely enjoy this solid groove.<br>
To those who want to play the previous song and not this difficult version, please play it to your heart's content on the [[CS 3rd style|home version]].
To those who want to play the previous song and not this difficult version, please play it to your heart's content on the [[CS 3rd style|home version]].


== Video Production Information ==
== Video Production Information ==
=== VJ GYO ===
=== VJ GYO ===
"Huh!? Isn't this a Lion Musashi song? But, why is ucchie commenting on this song introduction... can it be???"
"Huh!? Isn't this a Lion Musashi song? But, why is ucchie doing this song introduction... can it be???"


No no, he's a completely different person.<br>
No no, he's a completely different person.<br>
This time, Lion Musashi's comments weren't written in time, so the lovely mustache man ucchie, a.k.a. the ○○ notechart creator in charge of adapting it in the game, commented on this song introduction.<br>
This time, Lion Musashi's comments weren't written in time, so the lovely mustache man ucchie, a.k.a. the ○○ notechart creator in charge of adapting it in the game, commented on this song introduction.<br>
This is a hard house track which is suitable for the dancefloor, with a thick four-beat bass, and an intense remix which boldly uses the delicious parts of the original song.<br>
This is a hard house track which is suitable for the dancefloor, with a thick four-beat bass, and is an intense remix which boldly uses the delicious parts of the original song.<br>
That being said, the vocal parts were edited as if the sounds escaped from another recording booth, as expected of Lion Musashi, who consciously attracted the listener's careful attention.
That being said, the vocal parts were edited as if the sounds came from another recording booth, as expected of Lion Musashi, who consciously attracted the listener's careful attention.


== Difficulty & Notecounts ==
== Difficulty & Notecounts ==

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