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SOUND VOLTEX Information: Difference between revisions
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What makes SOUND VOLTEX differentiate from the other games is that regular BEMANI artists (either Konami in-house or commissioned ones) aren't involved in the songlist, with a few exceptions. It, instead, involves artists renowned in the doujin and beatmania simulation scene, plus licensed ''EXIT TUNES'' songs and ''Touhou Project'' arrangements. There are also remixes of original Konami songs.<br> | What makes SOUND VOLTEX differentiate from the other games is that regular BEMANI artists (either Konami in-house or commissioned ones) aren't involved in the songlist, with a few exceptions. It, instead, involves artists renowned in the doujin and beatmania simulation scene, plus licensed ''EXIT TUNES'' songs and ''Touhou Project'' arrangements. There are also remixes of original Konami songs.<br> | ||
While at first the songlist mostly consisted of original songs or licenses involving VOCALOID, later in the life-cycle of the first game the artist selection greatly expanded thanks to what it is supposed to be the most important part of the game - the | While at first the songlist mostly consisted of original songs or licenses involving VOCALOID, later in the life-cycle of the first game the artist selection greatly expanded thanks to what it is supposed to be the most important part of the game - the FLOOR section. | ||
SOUND VOLTEX FLOOR refers to the group of competitions posted in the website where Japanese-only artists can partecipate, in order to have their songs or remixes appearing on the playable game. Music contests have their own themes and rules, such as remixing a selection of an artist's songs or using synthesized vocals. There are also contests related to designing album arts to replace pre-existing ones in the game.<br> | ''SOUND VOLTEX FLOOR'' refers to the group of competitions posted in the website where Japanese-only artists can partecipate, in order to have their songs or remixes appearing on the playable game. Music contests have their own themes and rules, such as remixing a selection of an artist's songs or using synthesized vocals. There are also contests related to designing album arts to replace pre-existing ones in the game.<br> | ||
Thanks to the FLOOR contests (and also to the presence of Touhou arrangements), the game quickly gained a lot of success, suggesting the production team to focus as much as possible on these in the future. Also, contest winners may have a way to get involved in other BEMANI games. | Thanks to the FLOOR contests (and also to the presence of Touhou arrangements), the game quickly gained a lot of success, suggesting the production team to focus as much as possible on these in the future. Also, contest winners may have a way to get involved in other BEMANI games. | ||
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The effects in the songs are game-related and are caused by LONG notes (distortion effects) and ANALOG CHAINS (woosh effects).<br> | The effects in the songs are game-related and are caused by LONG notes (distortion effects) and ANALOG CHAINS (woosh effects).<br> | ||
Since | Since SOUND VOLTEX II -infinite infection-, new gameplay mechanics have been introduced: | ||
* SHORT note lanes can now have hold notes. | * SHORT note lanes can now have hold notes. | ||
* LONG note lanes can now short notes. | * LONG note lanes can now short notes. | ||
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= Difficulty = | = Difficulty = | ||
SOUND VOLTEX has three main difficulties: ''NOVICE'', ''ADVANCED'' and ''EXHAUST''.<br> | SOUND VOLTEX has three main difficulties: ''NOVICE'', ''ADVANCED'' and ''EXHAUST''.<br> | ||
SOUND VOLTEX II -infinite infection- introduces a fourth difficulty: ''INFINITE''. The INFINITE difficulty is very similar to the CHALLENGE one of ''DanceDanceRevolution'' and the MASTER one of ''GITADORA'', as it is only available for a few songs. It is now known yet if it will be available for songs that had easy EXHAUST charts, as seen in the current game. | |||
Difficulty ratings, so far, range from 1 (the easiest) to 15 (the hardest). | Difficulty ratings, so far, range from 1 (the easiest) to 15 (the hardest). | ||
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All notes are judged as CRITICAL (perfect), NEAR (good), or ERROR (miss). The maximum score in each stage or TRACK is 10,000,000 (10 million).<br> | All notes are judged as CRITICAL (perfect), NEAR (good), or ERROR (miss). The maximum score in each stage or TRACK is 10,000,000 (10 million).<br> | ||
If a player hits all notes (i.e. a full combo), it is an ULTIMATE CHAIN. If he/she hits all notes with a CRITICAL rating, it is a PERFECT ULTIMATE CHAIN. | If a player hits all notes (i.e. a full combo), it is an ULTIMATE CHAIN. If he/she hits all notes with a CRITICAL rating, it is a PERFECT ULTIMATE CHAIN. | ||
ULTIMATE CHAINS or PERFECT ULTIMATE CHAINS can be requirements that need to be fullfilled before you can buy certain charts for songs. | |||
= RANK System = | |||
'''NOTE: The following section is obsolete as the RANK system has been apparently removed in SOUND VOLTEX II -infinite infection-.''' | |||
The purpose of the RANK System in SOUND VOLTEX BOOTH is to gain the possibility for the players of buying new song charts from the SDVX Station. There 20 ranks in total, and you can raise them by accumulating Rank Points (RP). To accumulate RP you need to play songs and COMPLETE/ULTIMATE CHAIN/PERFECT ULTIMATE CHAIN Clear songs. Once you gain a new Rank, you need to accumulate a new amount of RP for the next one. (unfinished) | |||
= Trivia = | = Trivia = | ||
* The System BGM of SOUND VOLTEX BOOTH is a cut from [[VOLTEXES]]. | |||
* Commissioned BEMANI artists that have partecipated to the SOUND VOLTEX series so far are: [[Ryutaro Nakahara|Ryu☆]], [[Yusuke Ceo|Starving Trancer]], [[Mayumi Morinaga]], [[ARM]], [[Yoshikazu Nagai|REDALiCE]] and [[Hommarju]]. | |||
= External Links = | = External Links = | ||