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* 風神雲龍伝 plays the song video in the background of the song select screen when accessed as ENCORE STAGE, marking the first time a non-PREMIUM ENCORE STAGE has done this. This was likely done to accommodate machines not connected to the [[eAMUSEMENT|e-AMUSEMENT]] network, as no other EXTRA/ENCORE STAGEs are unlocked. | * 風神雲龍伝 plays the song video in the background of the song select screen when accessed as ENCORE STAGE, marking the first time a non-PREMIUM ENCORE STAGE has done this. This was likely done to accommodate machines not connected to the [[eAMUSEMENT|e-AMUSEMENT]] network, as no other EXTRA/ENCORE STAGEs are unlocked. | ||
* 風神雲龍伝 also marks the first collaboration between Daisuke Kurosawa and Yoshihiko Koezuka in BEMANI. | * 風神雲龍伝 also marks the first collaboration between Daisuke Kurosawa and Yoshihiko Koezuka in BEMANI. | ||
** The alias used in 風神雲龍伝, 98 (read as "kuji"), is a combination of 96 ( | ** The alias used in 風神雲龍伝, 98 (read as "kuji"), is a combination of 96 ("kuro") and 02 ("ouji"). | ||
*** Kuji, when translated in English, is Japanese for "lottery" or "raffle". | *** Kuji, when translated in English, is Japanese for "lottery" or "raffle". | ||