Into the battlefield: Difference between revisions
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== Trivia == | == Trivia == | ||
* into the battlefield is one of the songs of MAP DX-4 of the Qprogue event of beatmania IIDX 21 SPADA. | * into the battlefield is one of the songs of MAP DX-4 of the Qprogue event of beatmania IIDX 21 SPADA. | ||
* | * into the battlefield is the only non-CS transplant Qprogue unlock with its own video. | ||
** The video is connected to ''GranCrest'', a project related to the FujimiShobo (富士見書房) offbrand. | |||
*** FujimiShobo is also related to the [[HinaBitter|HinaBitter♪]] (ひなビタ♪) project, which Tomosuke Funaki is part of. | |||
== Song Production Information == | == Song Production Information == |
Revision as of 13:02, 1 May 2014
into the battlefield
Song Information
Artist: the wandering bard
Composition/Arrangement: the wandering bard
BPM: 180
Length: 1:56
Genre: SYMPHONIC BREAKS
VJ: Unknown
First Music Game Appearance: beatmania IIDX 21 SPADA
Other Music Game Appearances: None.
Lyrics
None.
Song Connections / Remixes
- The breakdown from 1:16-1:25 of into the battlefield sounds very similar to a section of ZETA〜素数の世界と超越者〜.
Trivia
- into the battlefield is one of the songs of MAP DX-4 of the Qprogue event of beatmania IIDX 21 SPADA.
- into the battlefield is the only non-CS transplant Qprogue unlock with its own video.
- The video is connected to GranCrest, a project related to the FujimiShobo (富士見書房) offbrand.
- FujimiShobo is also related to the HinaBitter♪ (ひなビタ♪) project, which Tomosuke Funaki is part of.
- The video is connected to GranCrest, a project related to the FujimiShobo (富士見書房) offbrand.
Song Production Information
Untranslated.
Video Production Information
Untranslated.
Difficulty & Notecounts
beatmania IIDX difficulty rated from 1 to 12. (Ratings and notecounts obtained from BEMANIWiki 2nd.)
Game | SP Difficulty | DP Difficulty | |||||
---|---|---|---|---|---|---|---|
Beginner | Normal | Hyper | Another | Normal | Hyper | Another | |
Notecounts | - | 374 | 734 | 1193 | ? | 760 | ? |
beatmania IIDX 21 SPADA→Present | - | 4 | 8 | 10 | 5 | 7 | 10 |
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