GET ON BEAT (WILD STYLE)

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GET ON BEAT (WILD STYLE)

Song Information

Artist: Lion Musashi
Composition/Arrangement/Lyrics: Takayuki Ishikawa
Vocals: MAKO, NORI
BPM: 134 (4th style), 150 (6th style→DJ TROOPERS)
Length: 2:01 (4th style), 1:43 (6th style→DJ TROOPERS)
Genre: HARD HOUSE
VJ: VJ GYO
First Music Game Appearance: beatmania IIDX 4th style
Other Music Game Appearances: None.

Lyrics

Taken from the original song; also includes the sample "split the track".

Japanese

woo get on！woo get on！

髮切った 昨日から
なにかかわった気がしてる

朝の光感じて めざめた私の目の前ひろがっている

地下室から誰かのこえ それは本当の心のこえ
何もかわらない日常 押しつぶされて行く

woo get on！

動けない 座りこんだまま
普通になれない わからないままただ繰り返して
あの時間の向こうへget on beat！
woo get on！Ah！

Romaji

woo get on! woo get on!

kami kitta kinou kara
nani ka kawatta kigashiteru

asa no hikari kanjite mezameta watashi no me no mae hirogatteiru

chikashitsu kara dare ka no koe sore wa hontou no kokoro no koe
nanimo kawaranai nichijou oshi tsubusarete yuku

woo get on!

ugokenai suwari konda mama
futsuu ni narenai wakaranai mama tada kurikaeshite
ano jikan no mukou he get on beat!

woo get on! Ah!

Song Connections / Remixes

Trivia

  • Like THE SAFARI, GET ON BEAT (WILD STYLE)'s tempo was increased to 150 BPM on beatmania IIDX 6th style and subsequent versions.
  • At the time of its release, GET ON BEAT (WILD STYLE) had the most notes of any LIGHT7 chart in beatmania, with 730 notes.
    • Unlike previous holder TAKE ON ME, GET ON BEAT (WILD STYLE)'s record wasn't beaten for two games, until beatmania IIDX 6th style.

Song Production Information

ucchie

Grr, grr, it's ON! This is a remix of Get on Beat from 2nd style. This is the first song we worked on for 4th style. It should have a definite hard feeling to it. We arranged the music and drum lines to give it a hard and free feeling. If you think it's too hard, please enjoy it freely on the CS version.

Video Production Information

VJ GYO

"Huh!? Isn't this a Lion Musashi song? Why is ucchie doing the introduction? ... can it be???"

Nono, they're totally different people. Since Lion Musashi's submission didn't make it in time, we have an introduction written by the super-cool ucchie, who directed the effort to make game data for this song. This is an intensely remixed hard-house track that adds to the great parts of the original song and runs a heavy bass beat through them. Even so, it's just like Lion Musashi to be able to take a song from a completely different point of view and bring it in to line with a totally different vision so well that people listening can feel it.

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