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Osamu Kubota: Difference between revisions
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Osamu Kubota majored in linguistics at the French literature faculty of the University of Tokyo. His debut in music was a band keyboardist in 1989. Prior to that, he began piano lessons at the age of four. In 1999, he joined KONAMI at the recommendation of [[Taku Sakakibara|TaQ]], [[Tatsuya Furukawa|good-cool]] and [[Takayuki Ishikawa|dj TAKA]]. Being one of the most unique artists to step into BEMANI, Osamu provided the games with a variety of tunes, often incorporating sounds from all over the world. Unlike other artists in the series, Osamu was more driven to a more classical sound, offering jazz, classical and swing pieces. | Osamu Kubota majored in linguistics at the French literature faculty of the University of Tokyo. His debut in music was a band keyboardist in 1989. Prior to that, he began piano lessons at the age of four. In 1999, he joined KONAMI at the recommendation of [[Taku Sakakibara|TaQ]], [[Tatsuya Furukawa|good-cool]] and [[Takayuki Ishikawa|dj TAKA]]. Being one of the most unique artists to step into BEMANI, Osamu provided the games with a variety of tunes, often incorporating sounds from all over the world. Unlike other artists in the series, Osamu was more driven to a more classical sound, offering jazz, classical and swing pieces. | ||
Aside from BEMANI, he works extensively with both | Aside from BEMANI, he works extensively with both TaQ and [[Kennosuke Ono|onoken]] on TaQ's ''ongaq'' production company and recording studio. Osamu also participated in a range of video games, television and movie scores, albums, and band projects. Also, he provided ''L'episode'' for ''SEGA'''s rhythm game ''CHUNITHM air''. | ||
== Aliases == | == Aliases == | ||