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Acid Pumper: Difference between revisions
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== Trivia == | == Trivia == | ||
* Acid Pumper marks Shigeyuki Niimura's debut in BEMANI. | * Acid Pumper marks Shigeyuki Niimura's debut in BEMANI. | ||
* According to | * According to Shigeyuki's song comments for Acid Pumper, he has never played beatmania IIDX. | ||
* The video for Acid Pumper was done by re-editing a generic video from [[AC Resort Anthem|beatmania IIDX 18 Resort Anthem]]. | * The video for Acid Pumper was done by re-editing a generic video from [[AC Resort Anthem|beatmania IIDX 18 Resort Anthem]]. | ||
* According to an interview with Shigeyuki Niimura, he named Acid Pumper as "it started with "A-C." So, I figure that if people look at the music from A to Z, my music would be first in line!" [https://www.bemanistyle.com/system-arcadias-%E7%81%BC%E7%86%B1summer-night-4-interview-w-ni-21/]. | |||
** He also mentions that "Pumper" is named after the brand of diapers ''Pampers''. | |||
== Song Production Information == | == Song Production Information == | ||
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Recently I have been working on songs featuring "acid" (a unique "biyobiyo unyounyo" sound played by Roland's legendary bass synth "TB-303"). The song that I produced this time, Acid Pumper, it is the introduction to "acid" sounds. I am proud of it, as probably it is considerably different among the songs recorded in beatmania this time. | Recently I have been working on songs featuring "acid" (a unique "biyobiyo unyounyo" sound played by Roland's legendary bass synth "TB-303"). The song that I produced this time, Acid Pumper, it is the introduction to "acid" sounds. I am proud of it, as probably it is considerably different among the songs recorded in beatmania this time. | ||
Actually, I almost never play games, so I have never played beatmania. (I | Actually, I almost never play games, so I have never played beatmania. (I'm sorry KONAMI!)<br> | ||
I am looking forward to how my song is played in your hands and how it sounds on the scene. | I am looking forward to how my song is played in your hands and how it sounds on the scene. | ||