Tokyo shinwa: Difference between revisions

Vocals: [[Uchu kurage|Uchu★kurage]], DJ TECHNORCH<br>

BPM: 196 (beatmania IIDX), 98-196 (DanceDanceRevolution)<br>

Movie: [[Nagisa Nakamoto|BEMANI Designers]]<br>

Other Music Game Appearances:  

docchi ga kami da               (socchi ga kami ka)

** From February 7th, 2019, its charts can be purchased in [[AC Rootage|beatmania IIDX 26 Rootage]] via [[AC Rootage/Tenshi no madousho|Tenshi no madousho]] (天使の魔導書).

** It is also the first BEMANI song to credit Uchu★kurage on the artist. She previously did the vocals for the songs [[Nijuuichi no mae|廿]] and [[Tenjou tenge|Ｘ↑Ｘ↓]].

<center>It is said that God will fight with that God.<br>

None of this will ever be fine.</center>

When I was a freshman in high school, I had already been baptized by the [[HELL SCAPER|GABBAH]] shock of [[CS bm GOTTA|beatmania GOTTA MIX]], but after clearing the [[CS DDR 1st JP|first PS DDR]] nearly 100 times at home, I was able to do the hidden song "2MB / [[PARANOiA KCET ~clean mix~]]", an unusually clean hardcore techno track that appeared there, and it once again blew me away.

 

 

This song of yours, when I was in school, I was so amazed at how beautiful hardcore techno was in the world.<br>

 

"No. There's no music in the world in that style."<br>

 

Yes... there is none...<br>

There's no other place in the world where you can find this kind of music but in music games.<br>

It was only in a few of your songs, especially when it came to that style.<br>

I've made a lot of efforts to do this. It's gabber, but I put in some solemn sounds, and if that doesn't work, I'll take music theory and try to make it a little more melodic.<br>

Oh, and by the way, the reason why my songs often consist of "song title A ~song title B~" is probably because of your music.<br>

Oh, and by the way, your music may have influenced my basic rhythm structure, which is a two-bar loop with a lot of bass drum...<br>

But there's no point in trying to imitate everything that's on the surface...<br>

It's too different in its innate ability and direction.<br>

 

"When it comes to your charms, there's rave stubs, gabber kicks, and... odd voices...? That's what I thought it was supposed to be, though."<br>

That's right. I've stopped obsessing about what I can't do. I don't have the same talent as you.<br>

 

"Yeah, well, let's get it all out this time."<br>

Huh?<br>

"All of them. We've stopped doing what we can't, haven't we? Then we'll do everything we can."

 

 

 

 

 

Later, as I handed him my side of the music, I told him this.<br>

"It's done. How about this way? But... if I may say so myself... there's too much sound...<br>

Um, change it with enough force to erase about half of it. I mean... please turn off all the stuff... sorry..."<br>

He then said.<br>

 

I was immensely stunned with the sound source that was sent back to me later.<br>

"The sounds! You increased them! What's going on? ( ‘ᾠ’ ;)"<br>

"HAHAHA, there's more. Also, a few seconds of female voice are halfway through, so increase it tenfold."<br>

"Tenfold!!?? You're not going to make any more noise, do you!!?? I wasn't thinking of the lyrics or anything like that in the first place!?"<br>

"Once upon a time, there was a god of technology, a Technouchi god, who was loved by all."<br>

"What's going on!?"<br>

"One day, the ancient god Yaoyorozubit, whom the god himself had revered since he was a child, suddenly descended on the village of the god Technouchi."<br>

"That..."<br>

"At first, he just prostrated, but now the Technouchi god is a God. One God is enough for one person. So the Technouchi god had a change of heart, the ancient god responded, and the battle began."<br>

"That..."<br>

"It's like, "Close the eyes of the young and strike a stake through the heart"."<br>

"Let's go with that."<br>

"I knew you'd understand."<br>

"I'll take care of it. Now I've also come up with a straightforward spell to disperse the gods and evil spirits."<br>

"It's going to be a good song."<br>

 

The production itself was right after I finished working on [[Junshin karen desire]], so I remember I was struggling to switch my mind to the opposite world for about a week.<br>

I just loved the song so much and I really wanted to be a part of it, so once the transition was made, I was very immersed in it.<br>

It's like you can't turn a rhetorical line, your eyes are swimming in the air, and your brain isn't coming back... that's what it feels like, this song.<br>

It really is "alive!" It was a tremendously fun process that gave me that feeling.<br>

It was.<br>

I'm on my back.<br>

Maybe it's not just because of the emotions, but because I was physically in the front of it all along....<br>

beatmania IIDX difficulty rated from 1 to 12.<br>

DanceDanceRevolution difficulty rated from 1 to 20 from X onwards. (Ratings and notecounts obtained from [http://www.bemaniwiki.com BEMANIWiki 2nd].)

{{IIDX Chart Notecounts|235|528|914|1505|1903|500|906|1533|1861}}

{{IIDX Chart|beatmania IIDX 25 CANNON BALLERS&rarr;27 HEROIC VERSE|-|6|9|12|-|6|9|12|-}}

{{IIDX Chart|beatmania IIDX 28 BISTROVER&rarr;Present|'''2'''|6|9|12|-|6|9|12|-}}

{{IIDX Chart|beatmania IIDX ULTIMATE MOBILE|2|6|9|12|-|-|-|-|-}}

{{IIDX Chart|beatmania IIDX INFINITAS (2020)|2|6|9|12|'''12'''|6|9|12|'''12'''}}

 

{{DDR Chart Notecounts|134 / 9|296 / 7|504 / 13|696 / 15|- / - / -|284 / 7|489 / 13|659 / 13|- / - / -}}

{{DDR Chart|DanceDanceRevolution A20 PLUS&rarr;Present|5|9|13|17|-|9|13|17|-}}

{{DDR Chart|DanceDanceRevolution GRAND PRIX|5|9|13|17|-|9|13|17|-}}