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== Song Production Information == | == Song Production Information == | ||
=== BEMANI Sound Team "U1-ASAMi" === | === BEMANI Sound Team "U1-ASAMi" === | ||
It is said that God will fight with that God. | <center>It is said that God will fight with that God.<br> | ||
<br> | None of this will ever be fine.</center> | ||
None of this will ever be fine. | |||
=== DJ TECHNORCH === | === DJ TECHNORCH === | ||
When I was a freshman in high school, I had already been baptized | When I was a freshman in high school, I had already been baptized by the [[HELL SCAPER|GABBAH]] shock of [[CS bm GOTTA|beatmania GOTTA MIX]], but after clearing the [[CS DDR 1st|first PS DDR]] nearly 100 times at home, I was able to do the hidden song "2MB / [[PARANOiA KCET ~clean mix~]]", an unusually clean hardcore techno track that appeared there, and it once again blew me away. | ||
I was able to do the hidden song "2MB / PARANOiA KCET ~clean mix~", an unusually clean hardcore techno track that appeared there, once again blew me away. | |||
This is a room at KONAMI, and the composer, U1-ASAMi himself, aka 2MB, is right in front of me. | This is a room at KONAMI, and the composer, U1-ASAMi himself, aka 2MB, is right in front of me. | ||
This song of yours, when I was in school, I was so amazed at how beautiful hardcore techno was in the world.<br> | This song of yours, when I was in school, I was so amazed at how beautiful hardcore techno was in the world.<br> | ||
Later on, I started scouring CD and record stores for similar styles of music. But... | Later on, I started scouring CD and record stores for similar styles of music. But... | ||
"No. There's no music in the world in that style."<br> | |||
"No. There's no music in the world in that style." | It was said to me. | ||
<br> | Yes... there is none...<br> | ||
There's no other place in the world where you can find this kind of music but in music games.<br> | |||
Yes... | |||
There's no other place in the world where you can find this kind of music but in | |||
It was only in a few of your songs, especially when it came to that style.<br> | It was only in a few of your songs, especially when it came to that style.<br> | ||
I've made a lot of efforts to do this. It's | I've made a lot of efforts to do this. It's gabber, but I put in some solemn sounds, and if that doesn't work, I'll take music theory and try to make it a little more melodic.<br> | ||
Oh, and by the way, the reason why my songs often consist of "song title A ~song title B~" is probably because of your music.<br> | |||
Oh, and by the way, the reason why my songs often consist of "song title A | |||
Oh, and by the way, your music may have influenced my basic rhythm structure, which is a two-bar loop with a lot of bass drum...<br> | Oh, and by the way, your music may have influenced my basic rhythm structure, which is a two-bar loop with a lot of bass drum...<br> | ||
But there's no point in trying to imitate everything that's on the surface...<br> | But there's no point in trying to imitate everything that's on the surface...<br> | ||
It's too different in its innate ability and direction.<br> | It's too different in its innate ability and direction.<br> | ||
That song is just too awesome... | That song is just too awesome... | ||
"When it comes to your charms, there's rave stubs, gabber kicks, and... odd voices...? That's what I thought it was supposed to be, though."<br> | |||
"When it comes to your charms, there's rave | That's right. I've stopped obsessing about what I can't do. I don't have the same talent as you.<br> | ||
That's right. I've stopped obsessing about what I can't do. I don't have the same talent as | |||
So what you just said is in fact part of my fascination. | So what you just said is in fact part of my fascination. | ||
"Yeah, well, let's get it all out this time."<br> | "Yeah, well, let's get it all out this time."<br> | ||
Huh?<br> | Huh?<br> | ||
"All of them. We've stopped doing what we can't, haven't we? Then we'll do everything we can." | "All of them. We've stopped doing what we can't, haven't we? Then we'll do everything we can." | ||
The collaboration has begun. | The collaboration has begun. | ||
Later, as I handed him my side of the music, I told him this.<br> | Later, as I handed him my side of the music, I told him this.<br> | ||
"It's done. How about this way? But... if I may say so myself... there's too much sound... | "It's done. How about this way? But... if I may say so myself... there's too much sound...<br> | ||
Um, change it with enough force to erase about half of it. I mean... please turn off all the stuff... sorry..." | Um, change it with enough force to erase about half of it. I mean... please turn off all the stuff... sorry..."<br> | ||
He then said.<br> | |||
"I'll take care of it." | "I'll take care of it." | ||
I was immensely | |||
" | I was immensely stunned with the sound source that was sent back to me later.<br> | ||
"HAHAHA, there's more. Also, a few seconds of female voice | "The sounds! You increased them! What's going on? ( ‘ᾠ’ ;)"<br> | ||
"Tenfold? You're not going to make any more noise? I wasn't thinking of the lyrics or anything like that in the first place!"<br> | "HAHAHA, there's more. Also, a few seconds of female voice are halfway through, so increase it tenfold."<br> | ||
"Once upon a time, there was a god of technology, | "Tenfold!!?? You're not going to make any more noise, do you!!?? I wasn't thinking of the lyrics or anything like that in the first place!?"<br> | ||
"What's | "Once upon a time, there was a god of technology, a Technouchi god, who was loved by all."<br> | ||
"One day, the ancient god | "What's going on!?"<br> | ||
" | "One day, the ancient god Yaoyorozubit, whom the god himself had revered since he was a child, suddenly descended on the village of the god Technouchi."<br> | ||
"At first | "That..."<br> | ||
So the | "At first, he just prostrated, but now the Technouchi god is a God. One God is enough for one person. So the Technouchi god had a change of heart, the ancient god responded, and the battle began."<br> | ||
" | "That..."<br> | ||
"It's like, | "It's like, "Close the eyes of the young and strike a stake through the heart"."<br> | ||
"Let's go with that."<br> | "Let's go with that."<br> | ||
"I knew you'd understand."<br> | "I knew you'd understand."<br> | ||
| Line 239: | Line 232: | ||
"It's going to be a good song."<br> | "It's going to be a good song."<br> | ||
"Yes, I'm sure." | "Yes, I'm sure." | ||
Such a song. | Such a song. | ||
== Video Production Information == | == Video Production Information == | ||
=== BEMANI Designers === | === BEMANI Designers === | ||
The production itself was right after I finished working on | The production itself was right after I finished working on [[Junshin karen desire]], so I remember I was struggling to switch my mind to the opposite world for about a week.<br> | ||
I just loved the song so much and I really wanted to be a part of it, so once the transition was made, I was very immersed in it. | I just loved the song so much and I really wanted to be a part of it, so once the transition was made, I was very immersed in it.<br> | ||
It's like you can't turn a rhetorical line, your eyes are swimming in the air, and your brain isn't coming back... that's what it feels like, this song. | It's like you can't turn a rhetorical line, your eyes are swimming in the air, and your brain isn't coming back... that's what it feels like, this song.<br> | ||
It really is "alive!" It was a tremendously fun process that gave me that feeling. | It really is "alive!" It was a tremendously fun process that gave me that feeling.<br> | ||
It was. | It was.<br> | ||
I'm on my back. | I'm on my back.<br> | ||
Maybe it's not just because of the emotions, but because I was physically in the front of it all along.... | Maybe it's not just because of the emotions, but because I was physically in the front of it all along....<br> | ||
I was so surprised that I couldn't move for days, so please be careful with your back, everyone. | I was so surprised that I couldn't move for days, so please be careful with your back, everyone. | ||