564
edits
Ponta to meguru sekai no ongaku: Difference between revisions
Jump to navigation
Jump to search
m
→Trivia: whoops
(→Trivia: I only have the song file for this album. Also his blog, which is taken down by i-revo shutting down their blog site, reveals a bit more about his two new songs (no comments on Uluru)) |
m (→Trivia: whoops) |
||
| Line 113: | Line 113: | ||
** アンデスの太陽, which is given an acoustic re-arrangement. | ** アンデスの太陽, which is given an acoustic re-arrangement. | ||
* Song comments for [https://web.archive.org/web/20150624041952/http://mp.i-revo.jp/user.php/izumi/entry/76.html Prelude] and [https://web.archive.org/web/20150624041952/http://mp.i-revo.jp/user.php/izumi/entry/70.html Mother Africa] was posted on Izumi's blog. | * Song comments for [https://web.archive.org/web/20150624041952/http://mp.i-revo.jp/user.php/izumi/entry/76.html Prelude] and [https://web.archive.org/web/20150624041952/http://mp.i-revo.jp/user.php/izumi/entry/70.html Mother Africa] was posted on Izumi's blog. | ||
** Izumi revealed that Prelude is meant to be an abridge arrangement Mother Africa and said he recorded the song in the morning and mixed it by himself. | ** Izumi revealed that Prelude is meant to be an abridge re-arrangement of Mother Africa and said he recorded the song in the morning and mixed it by himself. | ||
** Mother Africa was originally planned to be based on traditional African music, but he ended up using orchestral instruments in the end because he felt like it would stray away from his image of Africa. | ** Mother Africa was originally planned to be based on traditional African music, but he ended up using orchestral instruments in the end because he felt like it would stray away from his image of Africa. | ||