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Scherzo: Difference between revisions
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Angryjoe1111 (talk | contribs) (Added English translations to song and video production sections; feel free to make any necessary changes) |
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It's back.<br> | It's back.<br> | ||
It's been four years since "[[presto]]". It's returned.<br> | It's been four years since "[[presto]]". It's returned.<br> | ||
Osamu's | Osamu's traditional piano ambient....<br> | ||
After I experienced and experimented with music around the world, I stared at the instrument called piano. | After I experienced and experimented with music around the world, I stared again at the instrument called piano. | ||
However, just as Mito from Mito Komon doesn't settle down, or Napoleon doesn't sleep in Paris, or a Peking duck doesn't remain in Beijing, I'll be departing once again. | However, just as Mito from Mito Komon doesn't settle down, or Napoleon doesn't sleep in Paris, or a Peking duck doesn't remain in Beijing, I'll be departing once again. | ||
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Spectators will enjoy its lovely melody, which seems to encompass all natural actions, such as elegance, loneliness, excitement, and silence.<br> | Spectators will enjoy its lovely melody, which seems to encompass all natural actions, such as elegance, loneliness, excitement, and silence.<br> | ||
Players will benefit from feeling not just its width or depth, but the actions of each note that | Players will benefit from feeling not just its width or depth, but the actions of each note that make up the melody. | ||
== Difficulty & Notecounts == | == Difficulty & Notecounts == | ||