Era (nostalmix): Difference between revisions

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= Era (nostalmix) =
= era (nostalmix) =


== Song Information ==
== Song Information ==
 
Artist: TaQ<br>
Artist: [[IIDX:Taku_Sakakibara|TaQ]]<br>
Composition/Arrangement: [[Taku Sakakibara|TaQ Sakakibara]]<br>
BPM: 90-180<br>
BPM: 90-180<br>
Genre: Drum'n Bass<br>
Length: 1:51<br>
Genre: DRUM'N BASS<br>
VJ: [[VJ GYO]]<br>
VJ: [[VJ GYO]]<br>
First Appeared On: [[AC 3rd style]]<br>
First Music Game Appearance: [[AC 3rd style|beatmania IIDX 3rd style]]<br>
Length: 1:51<br>
Other Music Game Appearances:
* DanceDanceRevolution 4thMIX


== Lyrics ==  
== Lyrics ==  
Line 16: Line 18:
== Song Connections / Remixes ==
== Song Connections / Remixes ==


* Another version of the song, [[era (step mix)]], appears on [[AC 4th style]]
* A different version of era (nostalmix), titled [[era (step mix)]], appears on [[AC 4th style|beatmania IIDX 4th style]].
* A live version of this song appears on TaQ's album, bounce connected
* A live version of era (nostalmix) appears on TaQ's ''bounce connected'' album.
* The another for this song sounds significantly different from the 7k/14k and L7/L14 charts, and it is entitled ''era (step remix)''.
* era (nostalmix)'s ANOTHER charts sounds significantly different from other Single/Doubles charts, and it is entitled ''era (step remix)''.


== Trivia ==
== Trivia ==


* This song appears on Dance Dance Revolution 4th Mix.
* Prior to [[AC 9th style|beatmania IIDX 9th style]], era (nostalmix)'s BPM was displayed as 89-179. However, its actual BPM is 90-180.
* Prior to [[AC 9th style]], the BPM was displayed as 89-179. However, its actual BPM was 90-180.
* Prior to [[AC Lincle|beatmania IIDX 19 Lincle]], era (nostalmix) is one of the few songs where its HYPER chart (12) is rated higher than the ANOTHER chart (11) in Doubles.
* Prior to [[AC Lincle]], this is one of the few songs where its Hyper chart (12) is rated higher than the Another chart (11) in Doubles.


== Music Production Notes ==
== Song Production Information ==


Commentary by [[Takayuki Ishikawa|dj TAKA]]:
Commentary by [[Takayuki Ishikawa|dj TAKA]]:
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This track always makes me feel some sort of maddening, incredibly overwhelming energy. Only a song where the artist poured his all into production can give listeners that sort of experience. To say it frankly, I didn't really appreciate this song that much when I first heard it, but the first time I heard it come from the machine, it sent shivers down my spine. It's kind of hard on 7KEYS, but I hope you'll practice it on LIGHT7 so you can pass it some time.
This track always makes me feel some sort of maddening, incredibly overwhelming energy. Only a song where the artist poured his all into production can give listeners that sort of experience. To say it frankly, I didn't really appreciate this song that much when I first heard it, but the first time I heard it come from the machine, it sent shivers down my spine. It's kind of hard on 7KEYS, but I hope you'll practice it on LIGHT7 so you can pass it some time.


== Video Production Notes ==
== Video Production Information ==


era. Ages, epochs.
era. Ages, epochs.
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In the end, I decided to visually symbolize the various sounds and phrases that occur throughout the song.  
In the end, I decided to visually symbolize the various sounds and phrases that occur throughout the song.  
I wasn't really pleased with certain elements of the video, but I was relieved to hear TaQ's response to it. He had told me in an email earlier that he really liked blue, so he seemed pleased with the fact that I used it as the base color throughout the video. He also seemed pleased with things like the passages where the woman was falling (doesn't she look like a sculpture filled with water?).
I wasn't really pleased with certain elements of the video, but I was relieved to hear TaQ's response to it. He had told me in an email earlier that he really liked blue, so he seemed pleased with the fact that I used it as the base color throughout the video. He also seemed pleased with things like the passages where the woman was falling (doesn't she look like a sculpture filled with water?).
{{IIDX-stub}}


[[Category:Songs]]
[[Category:Songs]]

Revision as of 20:18, 22 December 2012

era (nostalmix)

Song Information

Artist: TaQ
Composition/Arrangement: TaQ Sakakibara
BPM: 90-180
Length: 1:51
Genre: DRUM'N BASS
VJ: VJ GYO
First Music Game Appearance: beatmania IIDX 3rd style
Other Music Game Appearances:

  • DanceDanceRevolution 4thMIX

Lyrics

None

Song Connections / Remixes

  • A different version of era (nostalmix), titled era (step mix), appears on beatmania IIDX 4th style.
  • A live version of era (nostalmix) appears on TaQ's bounce connected album.
  • era (nostalmix)'s ANOTHER charts sounds significantly different from other Single/Doubles charts, and it is entitled era (step remix).

Trivia

  • Prior to beatmania IIDX 9th style, era (nostalmix)'s BPM was displayed as 89-179. However, its actual BPM is 90-180.
  • Prior to beatmania IIDX 19 Lincle, era (nostalmix) is one of the few songs where its HYPER chart (12) is rated higher than the ANOTHER chart (11) in Doubles.

Song Production Information

Commentary by dj TAKA:

This track always makes me feel some sort of maddening, incredibly overwhelming energy. Only a song where the artist poured his all into production can give listeners that sort of experience. To say it frankly, I didn't really appreciate this song that much when I first heard it, but the first time I heard it come from the machine, it sent shivers down my spine. It's kind of hard on 7KEYS, but I hope you'll practice it on LIGHT7 so you can pass it some time.

Video Production Information

era. Ages, epochs. The expression of the passing of ages is what first started the spell. That is, I felt history spreading itself out from one point to another, following a catalog of "eras" in succession. But when I listened again, I felt it was more of a song that expressed the splendour of time and space that people always feel. In the end, I decided to visually symbolize the various sounds and phrases that occur throughout the song. I wasn't really pleased with certain elements of the video, but I was relieved to hear TaQ's response to it. He had told me in an email earlier that he really liked blue, so he seemed pleased with the fact that I used it as the base color throughout the video. He also seemed pleased with things like the passages where the woman was falling (doesn't she look like a sculpture filled with water?).

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