Foreplay: Difference between revisions
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== Song Connections / Remixes == | == Song Connections / Remixes == | ||
* According to | * According to Osamu Kubota, foreplay is a sequel to [[Presto]]. | ||
== Trivia == | == Trivia == | ||
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In the 1980s there was a certain keyboard player. While his hair - down to his hips! - would fly all about, he would skillfully control five keyboards, and was famous for freely switching between complicated 7/8 and 19/16 rhythms. However, he had one weakness. He couldn't play simple 4/4 rhythms! Whenever someone suggested he start playing a simple 4/4 tune, his hands would clench, his breathing would turn shallow, and he'd claim, "4/4 music is dying". He vigorously denied the right to existence of all dance music. Time passed, and now he has perfected the ultimate in 4-beat play. No matter how close you listen to it, it's 4-beat with no changing rhythms. That is this song. Along with the meaning(?) of the word, foreplay has the double meaning of being the ultimate 4/4 play song. | In the 1980s there was a certain keyboard player. While his hair - down to his hips! - would fly all about, he would skillfully control five keyboards, and was famous for freely switching between complicated 7/8 and 19/16 rhythms. However, he had one weakness. He couldn't play simple 4/4 rhythms! Whenever someone suggested he start playing a simple 4/4 tune, his hands would clench, his breathing would turn shallow, and he'd claim, "4/4 music is dying". He vigorously denied the right to existence of all dance music. Time passed, and now he has perfected the ultimate in 4-beat play. No matter how close you listen to it, it's 4-beat with no changing rhythms. That is this song. Along with the meaning(?) of the word, foreplay has the double meaning of being the ultimate 4/4 play song. | ||
It's a one minute twenty second ode to my beloved, the piano, practically without a break once it begins. What do you think? This is the second coming of | It's a one minute twenty second ode to my beloved, the piano, practically without a break once it begins. What do you think? This is the second coming of Presto. | ||
== Video Production Information == | == Video Production Information == | ||
Revision as of 06:38, 6 November 2014
foreplay
Song Information
Artist: Osamu Kubota
Composition/Arrangement: Osamu Kubota
BPM: 140
Length: 1:27
Genre: PROGRESSIVE JAZZ
VJ: VJ GYO (overlays by shiro)
First Music Game Appearance: beatmania IIDX 7th style
Other Music Game Appearances: None.
Lyrics
None.
Song Connections / Remixes
- According to Osamu Kubota, foreplay is a sequel to Presto.
Trivia
None.
Song Production Information
Osamu Kubota
In the 1980s there was a certain keyboard player. While his hair - down to his hips! - would fly all about, he would skillfully control five keyboards, and was famous for freely switching between complicated 7/8 and 19/16 rhythms. However, he had one weakness. He couldn't play simple 4/4 rhythms! Whenever someone suggested he start playing a simple 4/4 tune, his hands would clench, his breathing would turn shallow, and he'd claim, "4/4 music is dying". He vigorously denied the right to existence of all dance music. Time passed, and now he has perfected the ultimate in 4-beat play. No matter how close you listen to it, it's 4-beat with no changing rhythms. That is this song. Along with the meaning(?) of the word, foreplay has the double meaning of being the ultimate 4/4 play song.
It's a one minute twenty second ode to my beloved, the piano, practically without a break once it begins. What do you think? This is the second coming of Presto.
Video Production Information
shiro
I did the animation for this song. The scenery I used was from the neighbourhood where shio and I grew up - "Secret Local Photography Special Technique!" .. And so, the climactic, personal finish.
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