DUE TOMORROW: Difference between revisions
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* This song is tied with [[Fascination MAXX]] for the highest tempo over the majority of the song in any beatmania IIDX game, despite the BPM change in the middle. However, the honor for highest tempo at any point goes to [[Y&Co. is dead or alive]] for its speed-up in which the tempo gradually increases to 876. | * This song is tied with [[Fascination MAXX]] for the highest tempo over the majority of the song in any beatmania IIDX game, despite the BPM change in the middle. However, the honor for highest tempo at any point goes to [[Y&Co. is dead or alive]] for its speed-up in which the tempo gradually increases to 876. | ||
* Rumored to have tight and/or off-sync timing windows, similar to [[GAMBOL]] | * Rumored to have tight and/or off-sync timing windows, similar to [[GAMBOL]]. | ||
* The video marks the third appearance of the digital stick man. | * The video marks the third appearance of the digital stick man. | ||
* This is the first IIDX song to be a 12 on SPA to be removed from the arcade. | * This is the first IIDX song to be a 12 on SPA to be removed from the arcade. | ||
Revision as of 17:18, 10 January 2013
DUE TOMORROW
Song Information
Artist: Mr.T
BPM: 100-400
Genre: Techno
VJ: kjk@tksd (東京食堂)
First Appeared On: AC DistorteD
Length: 1:39
Lyrics
None
Song Connections/Remixes
None.
Trivia
- This song is tied with Fascination MAXX for the highest tempo over the majority of the song in any beatmania IIDX game, despite the BPM change in the middle. However, the honor for highest tempo at any point goes to Y&Co. is dead or alive for its speed-up in which the tempo gradually increases to 876.
- Rumored to have tight and/or off-sync timing windows, similar to GAMBOL.
- The video marks the third appearance of the digital stick man.
- This is the first IIDX song to be a 12 on SPA to be removed from the arcade.
Song Production Information
Tomoyuki
What was I thinking, well, I started off with only the BPM.
The highest tempo the sequencing software I use now supports is 400 BPM.
Can you even make a song this fast. That's where the battle with myself began.
In the end, this song is what emerged after several days of close combat with my sequencer.
It's fast. It's dark. It's explosive. Well, you know, things have happened.
By the way, Hiroyuki gave me the song name.
Hiroyuki
When I listened to this song I got the image of someone chased by a deadline,
so I gave it the title DUE TOMORROW.
Video Production Information
Untranslated
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