SOFT LANDING ON THE BODY: Difference between revisions
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BPM: 80 - 318<br> | BPM: 80 - 318<br> | ||
Genre: SPIRITUAL<br> | Genre: SPIRITUAL<br> | ||
VJ: [[VJ GYO]]<br> | VJ: [[VJ GYO]] (overlays by [[GOLI]])<br> | ||
First Appeared On: [[AC 2nd style]]<br> | First Appeared On: [[AC 2nd style]]<br> | ||
Length: 1:38<br> | Length: 1:38<br> | ||
Revision as of 04:53, 23 March 2011
SOFT LANDING ON THE BODY
Song Information
Artist: DJ SIMON
BPM: 80 - 318
Genre: SPIRITUAL
VJ: VJ GYO (overlays by GOLI)
First Appeared On: AC 2nd style
Length: 1:38
Lyrics
None.
Song Connections / Remixes
None.
Trivia
- This song samples voice clips from e-motion
- At the time of its release, SOFT LANDING ON THE BODY went up to the highest BPM of any song in IIDX. This would not be topped until AC 5th style, when tablets's Another chart would go up to 360 BPM.
Music Production Info
Commentary by dj TAKA:
I got comments from DJ SIMON for this song.
"With a flowing drum'n'bass rhythm, polished piano riffs, and listless female vocals all intertwined, it's kind of strange and has a mysterious feel to it. Since it's blessed with the genre 'spiritual', I tried to make it the best 'spiritual' game song I could. It's not an accident, so play it with peace of mind."
Hmm. Anyway, we've pulled a new trick or two to use on this song, so everyone play it!
Video Production Info
It looks like "spiritual" is a new genre for us. There's something suspicious about the great change in tempo, and a sort of melancholy image pervades the song. It's the most "problematic" song for 2nd style in terms of production. We really wanted to do an original video for this song, but this was never realized due to certain circumstances. Still, I even like this video. GOLI put some animations together especially for this song. Since it was a spiritual song, GOLI put lots of work into coming up with a good idea. He ended up giving me a rough sketch (almost a doodle) of a woman like the one that shouts "OH! Yeah!" throughout the song, brimming with a certain appealing maturity. However ... (Let's try playing it now.)