DUE TOMORROW: Difference between revisions

From RemyWiki
Jump to navigation Jump to search
m (Reverted edits by TrdroNvarl (Talk) to last version by Tsuyoshi-kun)
Line 18: Line 18:
==Trivia==
==Trivia==


* This song is tied with [[Fascination MAXX]] for the highest tempo over the majority of the song in any beatmania IIDX game, despite the BPM change in the middle. However, the honor for highest overall tempo goes to [[Spooky]] for its single-note ending in which the tempo gradually increases to 455.
* This song is tied with [[Fascination MAXX]] for the highest tempo over the majority of the song in any beatmania IIDX game, despite the BPM change in the middle. However, the honor for highest tempo at any point goes to [[Y&Co. is dead or alive]] for its speed-up in which the tempo gradually increases to 876.


*Rumored to have tight and/or off-sync timing windows, similar to [[GAMBOL]], as nobody in Japan has AAA'd this song on Hyper or Another.
* Rumored to have tight and/or off-sync timing windows, similar to [[GAMBOL]], as nobody in Japan has AAA'd this song on Hyper or Another.


* The video marks the third appearance of the digital stick man.
* The video marks the third appearance of the digital stick man.

Revision as of 03:31, 22 February 2009

DUE TOMORROW

Song Information

Artist: Mr.T
BPM: 100-400
Genre: Techno
VJ: kjk@tksd (東京食堂)
First Appeared On: AC DistorteD
Length: 1:39

Lyrics

None

Song Connections/Remixes

None.

Trivia

  • This song is tied with Fascination MAXX for the highest tempo over the majority of the song in any beatmania IIDX game, despite the BPM change in the middle. However, the honor for highest tempo at any point goes to Y&Co. is dead or alive for its speed-up in which the tempo gradually increases to 876.
  • Rumored to have tight and/or off-sync timing windows, similar to GAMBOL, as nobody in Japan has AAA'd this song on Hyper or Another.
  • The video marks the third appearance of the digital stick man.

Song Production Information

Tomoyuki

What was I thinking, well, I started off with only the BPM.
The highest tempo the sequencing software I use now supports is 400 BPM.
Can you even make a song this fast. That's where the battle with myself began.
In the end, this song is what emerged after several days of close combat with my sequencer.
It's fast. It's dark. It's explosive. Well, you know, things have happened.
By the way, Hiroyuki gave me the song name.

Hiroyuki

When I listened to this song I got the image of someone chased by a deadline,
so I gave it the title DUE TOMORROW.

Video Production Information

Untranslated

This beatmania IIDX-related article is a stub. You can help complete this page by contributing to it.