INFINITE PRAYER: Difference between revisions

From RemyWiki
Jump to navigation Jump to search
No edit summary
 
(13 intermediate revisions by 3 users not shown)
Line 9: Line 9:
Length: 1:58<br>
Length: 1:58<br>
Genre: OCEANIAN TRIBAL TRANCE<br>
Genre: OCEANIAN TRIBAL TRANCE<br>
VJ: ? (beatmania), [[Gyo Eguchi|VJ GYO]] (beatmania IIDX)<br>
Movie: ? (beatmania), [[Gyo Eguchi|VJ GYO]] (beatmania IIDX)<br>
First Music Game Appearance: [[CS bm GOTTA 2|beatmania APPEND GOTTAMIX2 ~Going Global~]]<br>
First Music Game Appearance: [[CS bm GOTTA 2|beatmania APPEND GOTTAMIX2 ~Going Global~]]<br>
Other Music Game Appearances:
Other Music Game Appearances:
Line 19: Line 19:


== Song Connections / Remixes ==
== Song Connections / Remixes ==
* A long version of INFINITE PRAYER, titled ''INFINITE PRAYER (long mix)'', can be found on the ''beatmania GOTTAMIX2 ~Going Global~ Original Soundtracks'' album.
* A long version of INFINITE PRAYER, titled ''INFINITE PRAYER (long mix)'', can be found in the ''beatmania GOTTAMIX2 ~Going Global~ Original Soundtracks'' album.
* An ambient remix of INFINITE PRAYER, titled [[INFINITE PRAYER -floating flock style-]], can be found in [[CS bm Club|beatmania APPEND ClubMIX]].
* An ambient remix of INFINITE PRAYER, titled [[INFINITE PRAYER -floating flock style-]], can be found in [[CS bm Club|beatmania APPEND ClubMIX]].
* A remix of INFINITE PRAYER, titled [[THE BIG VOYAGER -INFINITE PRAYER REINTERPRETATION-]], can be found in [[CS 4th style|beatmania IIDX 4th style -new songs collection-]].
* A self-remix of INFINITE PRAYER, titled [[THE BIG VOYAGER -INFINITE PRAYER REINTERPRETATION-]], can be found in [[CS 4th style|beatmania IIDX 4th style -new songs collection-]].
* A remix of INFINITE PRAYER by [[Ryutaro Nakahara|Ryu☆]], titled ''INFINITE PRAYER -Ryu☆Remix-'', can be found on L.E.D.'s first album, [[Denjin K|電人K]].
* A remix of INFINITE PRAYER by [[Ryutaro Nakahara|Ryu☆]], titled ''INFINITE PRAYER -Ryu☆Remix-'', can be found in L.E.D.'s first album, [[Denjin K|電人K]].


== Trivia ==
== Trivia ==
* In DanceDanceRevolution ULTRAMIX, INFINITE PRAYER was credited to '''LED. LIGHT feat. Goro'''.
* INFINITE PRAYER's DanceDanceRevolution graphics were created by [[Christopher Won|Chris Won]].
* In DanceDanceRevolution ULTRAMIX and [[CS DS Unleashed|Dancing Stage Unleashed]], INFINITE PRAYER is credited to '''LED. LIGHT feat. Goro''' in the songwheel only.
* INFINITE PRAYER received a new Single EXPERT chart in [[CS DDR FESTIVAL|DDR FESTIVAL -DanceDanceRevolution-]]. This chart was used as the CHALLENGE chart in [[CS DDR EXTREME2|DanceDanceRevolution EXTREME2]].
* INFINITE PRAYER received a new Single EXPERT chart in [[CS DDR FESTIVAL|DDR FESTIVAL -DanceDanceRevolution-]]. This chart was used as the CHALLENGE chart in [[CS DDR EXTREME2|DanceDanceRevolution EXTREME2]].
** This chart was also used in [[CS DDR UNIVERSE|DanceDanceRevolution UNIVERSE]], but with the original EXPERT chart's foot rating.
** This chart was also used in [[CS DDR UNIVERSE|DanceDanceRevolution UNIVERSE]], but with the original EXPERT chart's foot rating.
* INFINITE PRAYER received a unique video in DanceDanceRevolution EXTREME2.
* INFINITE PRAYER received a unique video in DanceDanceRevolution EXTREME2.
** Also, INFINITE PRAYER's artist was changed to '''L.E.D. Light feat. Goro''' in DanceDanceRevolution EXTREME2.
** Also, INFINITE PRAYER's artist was changed to '''L.E.D. Light feat. Goro''' in DanceDanceRevolution EXTREME2.
* INFINITE PRAYER received new graphics and a new Single BEGINNER chart in DanceDanceRevolution UNIVERSE.
* INFINITE PRAYER received new graphics and BEGINNER charts in DanceDanceRevolution UNIVERSE.
** This chart was previously found unused in the DDR FESTIVAL -DanceDanceRevolution- data.
** The Single BEGINNER chart was previously found unused in the DDR FESTIVAL -DanceDanceRevolution- data.


== Song Production Information ==
== Song Production Information ==
=== Toshiyuki Kakuta aka L.E.D. LIGHT ===
=== beatmania ===
For this song, I started with the interpretation that modern trance and dance music is rooted in ethnic music, then conversely challenged myself to create a trance remix of ethnic music with a modern interpretation. As a result, what I completed was "Oceanian Tribal Trance" (I came up with the genre name on my own!), a trance track that features the didgeridoo, a folk instrument from the Aboriginal people native to Australia.
==== Toshiyuki Kakuta aka L.E.D. LIGHT ====
For this song, I started with the interpretation that modern trance and dance music is rooted in ethnic music, then conversely challenged myself to create a trance remix of ethnic music with a modern interpretation. As a result, what I completed was "OCEANIAN TRIBAL TRANCE" (I came up with the genre name on my own!), a trance track that features the didgeridoo, a folk instrument from the Aboriginal people native to Australia.


This musical instrument, the didgeridoo, is kind of like a large recorder that looks like a long, thin, hollowed-out tree, but how it's made is really unique! You stick a long, thin piece of wood through the top of a termite nest and wait. The termites then eat their way through the wood, and when it's hollowed out, it's complete! That's what they told me. That's apparently why the sounds it makes can vary wildly, depending on how the termites feel.
This musical instrument, the didgeridoo, is kind of like a large recorder that looks like a long, thin, hollowed-out tree, but how it's made is really unique! You stick a long, thin piece of wood through the top of a termite nest and wait. The termites then eat their way through the wood, and when it's hollowed out, it's complete! That's what they told me. That's apparently why the sounds it makes can vary wildly, depending on how the termites feel.


I was able to enlist the help of didgeridoo player Goro during the recording of this song. Goro is like a domestic authority on the didgeridoo, and as a musician has a lot of experience playing it in songs. Being my first time collaborating with such an influential figure, I initially went into the recording with a slight bit of nervousness, but Goro was very kind-hearted and gladly accomodated even my most unreasonable requests.
I was able to enlist the help of didgeridoo player GORO during the recording of this song. GORO is like a domestic authority on the didgeridoo, and as a musician has a lot of experience playing it in songs. Being my first time collaborating with such an influential figure, I initially went into the recording with a slight bit of nervousness, but Goro was very kind-hearted and gladly accomodated even my most unreasonable requests.


According to what Goro told me, he said that recently he's had a lot of opportunities to perform in dance music collaborations, and so the recording turned out very smoothly for me as well.
According to what GORO told me, he said that recently he's had a lot of opportunities to perform in dance music collaborations, and so the recording turned out very smoothly for me as well.


After the recording however, one of my coworkers happened to own a didgeridoo, so I borrowed it from them and tried playing it myself, and I found out that the instrument requires quite a lot of stamina. So much so, that not even five minutes after starting to play it, I ran out of breath, and when I tried to stand up, I got dizzy. I felt really bad about casually asking Goro to play long notes without having known how hard it is.
After the recording however, one of my coworkers happened to own a didgeridoo, so I borrowed it from them and tried playing it myself, and I found out that the instrument requires quite a lot of stamina. So much so, that not even five minutes after starting to play it, I ran out of breath, and when I tried to stand up, I got dizzy. I felt really bad about casually asking GORO to play long notes without having known how hard it is.


By the way, I happened to think about this when I was creating songs for GOTTAMIX2, but I can't hide the fact that I still haven't been outside of Japan even once. Man, I want to travel abroad after GOTTAMIX2 is done. Togo-chef, can I get a one-month break?
By the way, I happened to think about this when I was creating songs for GOTTAMIX2, but I can't hide the fact that I still haven't been outside of Japan even once. Man, I want to travel abroad after GOTTAMIX2 is done. [[Hiroyuki Togo|Togo-chef]], can I get a one-month break?


"Let me take a break first!" ... Ah, I see, darn. (Staring off into the distance)
"Let me take a break first!" ... Ah, I see, darn. (Staring off into the distance)


Until next time, have a happy "Beat Play Life"!
Until next time, have a happy "BEAT PLAY LIFE"!
 
=== beatmania IIDX ===
==== L.E.D.LIGHT ====
For this song, I started with the interpretation that modern trance and dance music is rooted in ethnic music, then conversely challenged myself to create a trance remix of ethnic music with a modern interpretation.<br>
As a result, what I completed was "OCEANIAN TRIBAL TRANCE" (I came up with the genre name on my own!), a trance track that features the didgeridoo, a folk instrument from the Aboriginal people native to Australia.
 
This musical instrument, the didgeridoo, is kind of like a large recorder that looks like a long, thin, hollowed-out tree, but how it's made is really unique!<br>
You stick a long, thin piece of wood through the top of a termite nest and wait.<br>
The termites then eat their way through the wood, and when it's hollowed out, it's complete! That's what they told me.<br>
That's apparently why the sounds it makes can vary wildly, depending on how the termites feel.
 
I was able to enlist the help of didgeridoo player GORO during the recording of this song.<br>
GORO is like a domestic authority on the didgeridoo, and as a musician has a lot of experience playing it in songs.<br>
Being my first time collaborating with such an influential figure, I initially went into the recording with a slight bit of nervousness, but GORO was very kind-hearted and gladly accommodated even my most unreasonable requests.<br>
According to what GORO told me, he said that recently he's had a lot of opportunities to perform in dance music collaborations, and so the recording turned out very smoothly for me as well.<br>
After the recording however, one of my coworkers happened to own a didgeridoo, so I borrowed it from them and tried playing it myself, and I found out that the instrument requires quite a lot of stamina. So much so, that not even five minutes after starting to play it, I ran out of breath, and when I tried to stand up, I got dizzy.<br>
I felt really bad about casually asking GORO to "next time play more long notes" without having known how hard it was.<br>
Until then, have a wonderful "BEAT PLAY LIFE".


== Video Production Information ==
== Video Production Information ==
=== VJ GYO ===
=== VJ GYO ===
[[Hiroyuki Togo|Togo-chef]] and [[Tadao Kageyama|KAGE]] suggested we choose three songs from the popular Playstation game beatmania GOTTAMIX 2 to use for the 4th style recording process to tie the two together. This song is one of the three: "Infinite Prayer", the latest work from the man who kicked up the trance sensation in [[AC substream|IIDX substream]] with [[THE EARTH LIGHT]], L.E.D.LIGHT. "A trance remix interpreting ethnic music in modern styles." The trance sensation created by tapping into the rhythms of the natural world is incredible! It's somehow warm and nostalgic. I just can't put my appreciation for L.E.D.'s skill into words. By the way, it was a bit late in the process when [[Takayuki Ishikawa|dj TAKA]] told me that I should have fun making visuals for L.E.D.LIGHT-san's work ... My hands were full with just the new songs for 4th style. L.E.D.LIGHT, everyone, I'm sorry. Somehow, I'll redeem myself another time.
Togo-chef and [[Tadao Kageyama|KAGE]] discussed a tie-up with the now on sale PS game "beatmania APPEND GOTTAMIX2 ~Going Global~" to choose three songs for inclusion in 4th style, and one of them is "INFINITE PRAYER", the latest song from L.E.D.LIGHT, whose song "[[THE EARTH LIGHT]]" from [[AC substream|IIDX substream]] (which it's also included in 4th style, of course!), created a large trance sensation.<br>
It's "a trance-styled remix which interprets ethnic music in a modern style", where the trance sensations induced by the skillful use of vibrant energy, as if you're surrounded by Mother Nature, will send you to an unknown zone! And yet, it somehow feels nostalgic and warm.<br>
As expected of his skills... that's all I can say.<br>
By the way, when [[Takayuki Ishikawa|dj TAKA]] told me that L.E.D.LIGHT was looking forward to seeing the visuals, it was too late... I was very busy working on just the 4th style original songs.<br>
L.E.D.LIGHT, everyone, I'm sorry.<br>
If there's another opportunity... so please forgive me.


== Difficulty & Notecounts ==
== Difficulty & Notecounts ==
Line 79: Line 104:
{{DDR Chart Notecounts|133 / 0|146 / 5|201 / 36|309 / 20|450 / 18 / 0|143 / 0|201 / 36|309 / 20|- / - / -}}
{{DDR Chart Notecounts|133 / 0|146 / 5|201 / 36|309 / 20|450 / 18 / 0|143 / 0|201 / 36|309 / 20|- / - / -}}
{{DDR Chart|DanceDanceRevolution ULTRAMIX / Dancing Stage Unleashed|-|2|6|7|-|2|6|7|-}}
{{DDR Chart|DanceDanceRevolution ULTRAMIX / Dancing Stage Unleashed|-|2|6|7|-|2|6|7|-}}
{{DDR Chart|DanceDanceRevolution EXTREME 2 / Dancing Stage Max|'''1'''|2|6|7|'''9'''|2|6|7|-}}
{{DDR Chart|DanceDanceRevolution EXTREME2 / Dancing Stage Max|'''1'''|2|6|7|'''9'''|2|6|7|-}}
}}
}}


Line 85: Line 110:
{{DDR Chart Header|
{{DDR Chart Header|
{{DDR Chart Notecounts|96 / 0|146 / 5|201 / 36|450 / 18|- / - / -|143 / 0|201 / 36|309 / 20|- / - / -}}
{{DDR Chart Notecounts|96 / 0|146 / 5|201 / 36|450 / 18|- / - / -|143 / 0|201 / 36|309 / 20|- / - / -}}
{{DDR Chart|DanceDanceRevolution FESTIVAL|⁑N/A|2|6|'''9'''|-|2|6|7|-}}
{{DDR Chart|DDR FESTIVAL|⁑N/A|2|6|'''9'''|-|2|6|7|-}}
{{DDR Chart|DanceDanceRevolution / Dancing Stage UNIVERSE|N/A|3|6|7|-|3|6|8|-}}
{{DDR Chart|DanceDanceRevolution / Dancing Stage UNIVERSE|N/A|3|6|7|-|3|6|8|-}}
}}
}}
⁑ Denotes chart is unused and cannot be accessed through normal gameplay.  
⁑ Denotes chart is unused and cannot be accessed through normal gameplay.  
Other charts not shown on the above table:
* DanceDanceRevolution / Dancing Stage UNIVERSE Double BEGINNER chart: Total notes: 96 / 0.


[[Category:Songs]]
[[Category:Songs]]
[[Category:Beatmania Songs]]
[[Category:Beatmania Songs]]
[[Category:Beatmania CS Exclusives]]
[[Category:Beatmania CS Exclusives]]
[[Category:DDR Songs]]
[[Category:DanceDanceRevolution Songs]]
[[Category:DDR CS Exclusives]]
[[Category:DanceDanceRevolution CS Exclusives]]
[[Category:DDR Songs with Unique Videos]]
[[Category:DanceDanceRevolution Songs with Unique Videos]]
[[Category:beatmania IIDX Songs]]
[[Category:beatmania IIDX Songs]]
[[Category:Beatmania IIDX Cut Songs]]
[[Category:Beatmania IIDX Cut Songs]]

Latest revision as of 22:21, 11 June 2024

INFINITE PRAYER

Song Information

INFINITE PRAYER's banner.

Artist: L.E.D. LIGHT feat. GORO
Composition/Arrangement: Toshiyuki Kakuta
Didgeridoo: GORO
BPM: 137
Length: 1:58
Genre: OCEANIAN TRIBAL TRANCE
Movie: ? (beatmania), VJ GYO (beatmania IIDX)
First Music Game Appearance: beatmania APPEND GOTTAMIX2 ~Going Global~
Other Music Game Appearances:

Lyrics

None.

Song Connections / Remixes

Trivia

  • INFINITE PRAYER's DanceDanceRevolution graphics were created by Chris Won.
  • In DanceDanceRevolution ULTRAMIX and Dancing Stage Unleashed, INFINITE PRAYER is credited to LED. LIGHT feat. Goro in the songwheel only.
  • INFINITE PRAYER received a new Single EXPERT chart in DDR FESTIVAL -DanceDanceRevolution-. This chart was used as the CHALLENGE chart in DanceDanceRevolution EXTREME2.
  • INFINITE PRAYER received a unique video in DanceDanceRevolution EXTREME2.
    • Also, INFINITE PRAYER's artist was changed to L.E.D. Light feat. Goro in DanceDanceRevolution EXTREME2.
  • INFINITE PRAYER received new graphics and BEGINNER charts in DanceDanceRevolution UNIVERSE.
    • The Single BEGINNER chart was previously found unused in the DDR FESTIVAL -DanceDanceRevolution- data.

Song Production Information

beatmania

Toshiyuki Kakuta aka L.E.D. LIGHT

For this song, I started with the interpretation that modern trance and dance music is rooted in ethnic music, then conversely challenged myself to create a trance remix of ethnic music with a modern interpretation. As a result, what I completed was "OCEANIAN TRIBAL TRANCE" (I came up with the genre name on my own!), a trance track that features the didgeridoo, a folk instrument from the Aboriginal people native to Australia.

This musical instrument, the didgeridoo, is kind of like a large recorder that looks like a long, thin, hollowed-out tree, but how it's made is really unique! You stick a long, thin piece of wood through the top of a termite nest and wait. The termites then eat their way through the wood, and when it's hollowed out, it's complete! That's what they told me. That's apparently why the sounds it makes can vary wildly, depending on how the termites feel.

I was able to enlist the help of didgeridoo player GORO during the recording of this song. GORO is like a domestic authority on the didgeridoo, and as a musician has a lot of experience playing it in songs. Being my first time collaborating with such an influential figure, I initially went into the recording with a slight bit of nervousness, but Goro was very kind-hearted and gladly accomodated even my most unreasonable requests.

According to what GORO told me, he said that recently he's had a lot of opportunities to perform in dance music collaborations, and so the recording turned out very smoothly for me as well.

After the recording however, one of my coworkers happened to own a didgeridoo, so I borrowed it from them and tried playing it myself, and I found out that the instrument requires quite a lot of stamina. So much so, that not even five minutes after starting to play it, I ran out of breath, and when I tried to stand up, I got dizzy. I felt really bad about casually asking GORO to play long notes without having known how hard it is.

By the way, I happened to think about this when I was creating songs for GOTTAMIX2, but I can't hide the fact that I still haven't been outside of Japan even once. Man, I want to travel abroad after GOTTAMIX2 is done. Togo-chef, can I get a one-month break?

"Let me take a break first!" ... Ah, I see, darn. (Staring off into the distance)

Until next time, have a happy "BEAT PLAY LIFE"!

beatmania IIDX

L.E.D.LIGHT

For this song, I started with the interpretation that modern trance and dance music is rooted in ethnic music, then conversely challenged myself to create a trance remix of ethnic music with a modern interpretation.
As a result, what I completed was "OCEANIAN TRIBAL TRANCE" (I came up with the genre name on my own!), a trance track that features the didgeridoo, a folk instrument from the Aboriginal people native to Australia.

This musical instrument, the didgeridoo, is kind of like a large recorder that looks like a long, thin, hollowed-out tree, but how it's made is really unique!
You stick a long, thin piece of wood through the top of a termite nest and wait.
The termites then eat their way through the wood, and when it's hollowed out, it's complete! That's what they told me.
That's apparently why the sounds it makes can vary wildly, depending on how the termites feel.

I was able to enlist the help of didgeridoo player GORO during the recording of this song.
GORO is like a domestic authority on the didgeridoo, and as a musician has a lot of experience playing it in songs.
Being my first time collaborating with such an influential figure, I initially went into the recording with a slight bit of nervousness, but GORO was very kind-hearted and gladly accommodated even my most unreasonable requests.
According to what GORO told me, he said that recently he's had a lot of opportunities to perform in dance music collaborations, and so the recording turned out very smoothly for me as well.
After the recording however, one of my coworkers happened to own a didgeridoo, so I borrowed it from them and tried playing it myself, and I found out that the instrument requires quite a lot of stamina. So much so, that not even five minutes after starting to play it, I ran out of breath, and when I tried to stand up, I got dizzy.
I felt really bad about casually asking GORO to "next time play more long notes" without having known how hard it was.
Until then, have a wonderful "BEAT PLAY LIFE".

Video Production Information

VJ GYO

Togo-chef and KAGE discussed a tie-up with the now on sale PS game "beatmania APPEND GOTTAMIX2 ~Going Global~" to choose three songs for inclusion in 4th style, and one of them is "INFINITE PRAYER", the latest song from L.E.D.LIGHT, whose song "THE EARTH LIGHT" from IIDX substream (which it's also included in 4th style, of course!), created a large trance sensation.
It's "a trance-styled remix which interprets ethnic music in a modern style", where the trance sensations induced by the skillful use of vibrant energy, as if you're surrounded by Mother Nature, will send you to an unknown zone! And yet, it somehow feels nostalgic and warm.
As expected of his skills... that's all I can say.
By the way, when dj TAKA told me that L.E.D.LIGHT was looking forward to seeing the visuals, it was too late... I was very busy working on just the 4th style original songs.
L.E.D.LIGHT, everyone, I'm sorry.
If there's another opportunity... so please forgive me.

Difficulty & Notecounts

beatmania difficulty rated from 1 to 9.
beatmania IIDX difficulty rated from 1 to 7 in 4th style, and from 1 to 7+ in 5th style.
DanceDanceRevolution difficulty rated from 1 to 10 from DDRMAX2 to SuperNOVA2. (Ratings and notecounts obtained from KANI KANI CRAB.)

beatmania

Game SP Difficulty DP Difficulty
Normal Hard Another Normal Hard Another
Notecounts 552 - - 879 - -
beatmania APPEND GOTTAMIX2 6 - - 6 - -

beatmania IIDX

Game SP Difficulty DP Difficulty
BEGINNER NORMAL HYPER ANOTHER LEGGENDARIA NORMAL HYPER ANOTHER LEGGENDARIA
Notecounts - 483 555 739 - 562 752 880 -
beatmania IIDX 4th style - 4 5 N/A - 4 5 N/A -
beatmania IIDX 5th style - 4 5 N/A - ↑5 ↑7 N/A -
beatmania IIDX 4th style CS - 4 5 5 - 4 5 5 -

DanceDanceRevolution

ULTRAMIX Charts

Game Single Double
Beginner Basic Difficult Expert Challenge Basic Difficult Expert Challenge
Notecounts / Freeze Arrows / Shock Arrows 133 / 0 146 / 5 201 / 36 309 / 20 450 / 18 / 0 143 / 0 201 / 36 309 / 20 - / - / -
DanceDanceRevolution ULTRAMIX / Dancing Stage Unleashed - 2 6 7 - 2 6 7 -
DanceDanceRevolution EXTREME2 / Dancing Stage Max 1 2 6 7 9 2 6 7 -

FESTIVAL Charts

Game Single Double
Beginner Basic Difficult Expert Challenge Basic Difficult Expert Challenge
Notecounts / Freeze Arrows / Shock Arrows 96 / 0 146 / 5 201 / 36 450 / 18 - / - / - 143 / 0 201 / 36 309 / 20 - / - / -
DDR FESTIVAL ⁑N/A 2 6 9 - 2 6 7 -
DanceDanceRevolution / Dancing Stage UNIVERSE N/A 3 6 7 - 3 6 8 -

⁑ Denotes chart is unused and cannot be accessed through normal gameplay.

Other charts not shown on the above table:

  • DanceDanceRevolution / Dancing Stage UNIVERSE Double BEGINNER chart: Total notes: 96 / 0.
Retrieved from "https://remywiki.com/index.php?title=INFINITE_PRAYER&oldid=641402"