Tokyo shinwa

東京神話

Song Information

Artist: DJ TECHNORCH feat.宇宙★海月 vs BEMANI Sound Team "U1-ASAMi"
Composition/Arrangement: DJ TECHNORCH / Konami Amusement(U1-ASAMi)
Lyrics: DJ TECHNORCH
Vocals: Uchuu★kurage, DJ TECHNORCH
BPM: 196 (beatmania IIDX), 98-196 (DanceDanceRevolution)
Length: 1:56
Genre: ORBITALIC GABBER STEP
VJ: BEMANI Designers
First Music Game Appearance: beatmania IIDX 25 CANNON BALLERS
Other Music Game Appearances:

• DanceDanceRevolution A20 PLUS

Lyrics

Game Size

Japanese

時は江戸　　　　　　　　八百万bit
光臨だ　　　　　　　　　(光臨だ)
技術の神が　　　　　　　慌てだす
二柱ありきの　　　　　　東京神話

どっちが神だ　　　　　　(そっちか神か)
無垢な少女があなたを指した

てをにかはるどんしもきたきちどめ
とるにきまるかなそのざまとれるの
のんなきまもればそのみちがったい
すなおなこころにはるかなときめき

二つも頭は要らないね　　ここらの神にゃ地域差あるのさ
腹も膨れりゃ災いか　　　二柱まとめて悪霊退散

あなたは神か　　　　　　私が神だ

てをにかはるどんしもきたきちどめ
とるにきまるかなそのざまとれるの
のんなきまもればそのみちがったい
すなおなこころにはるかなときめき

二つも頭は要らないね　　ここらの神にゃ地域差あるのさ
腹も膨れりゃ災いか　　　二柱まとめて悪霊退散

最初はただ音楽が好きなだけだったのに
臨兵闘者皆陣烈列前
若い芽を摘み　　　　　　出る杭も打つ

私じゃないよ　　　　　　私じゃないよ
私じゃないよ　　　　　　私じゃないよ
時間が全てを解決する
私じゃないよ　　　　　　私じゃないよ
悪霊退散　　　　　　　　ホントだよ

はい　引き分けです

Romaji

toki wa edo                      yaoyorozu bit
kourin da                        (kourin da)
gijutsu no kami ga               awatedasu
nihashira ariki no               Tokyo shinwa

docchi ga kami da                (socchi ga kami ka)
muku na shoujo ga anata wo sashita

tewonikaharudonshimokitakichidome
torunikimarukanasonozamatoreruno
nonnakimamorebasonomichigattai
sunaonakokoroniharukanatokimeki

futatsu mo atama ha iranaine     kokora no kami nya chiikisa arunosa
hara mo fururerya wazawai ka     nihashira matomete akuryoutaisan
anata wa kami ka                 watashi ga kami da

tewonikaharudonshimokitakichidome
torunikimarukanasonozamatoreruno
nonnakimamorebasonomichigattai
sunaonakokoroniharukanatokimeki

futatsu no atama wa iranai ne    kokora no kami nya chiikisa arunosa
hara mo fururerya wazawai ka     nihashira matomete akuryoutaisan

saisho wa tada ongaku ga suki na dake datta no ni
rin hyou tou sha kai jin retsu zai zen 
wakai me wo tsumi                deru kui mo utsu

watashi janai yo                 watashi janai yo
watashi janai yo                 watashi janai yo
jikan ga subete wo kaiketsu suru
watashi janai yo                 watashi janai yo
akuryoutaisan                    honto da yo

hai hikiwake desu

Long Version

Japanese

そうね　　　　　　　　　　　今度はどこまで遡りましょうか 刎　　　　　　　　　　　　　ソレはいい選択ですね 私も好きですよ　　　　　　　ソレ ところで　　　　　　　　　　私は前々から一つ御尋ねしたいことがあったのですよ 貴方　　　　　　　　　　　　イイですか? 時は江戸　　　　　　　　　　八百万bit 光臨だ　　　　　　　　　　　(光臨だ) 技術の神が　　　　　　　　　慌てだす 二柱ありきの　　　　　　　　東京神話 どっちが神だ　　　　　　　　(そっちが神か) 無垢な少女があなたを指した てをにかはるどんしもきたきちどめ とるにきまるかなそのざまとれるの のんなきまもればそのみちがったい すなおなこころにはるかなときめき 二つも頭は要らないね　　　　ここらの神にゃ地域差あるのさ 腹も膨れりゃ災いか　　　　　二柱まとめて悪霊退散 あなたは神か　　　　　　　　私が神だ すこしがらくしょうなかめでみちどめ とるにきまるかなこのままとれるも どんなにたのめばゆるしてたもるか すなおなこころにみわくのときめき 二つも頭は要らないね　　　　カミが溢れりゃ贄も足りぬさ 母はカミより童かね　　　　　懐かためて悪霊退散 最初はただ音楽が好きなだけだったのに 臨兵闘者皆陣烈列前　　　　　若い芽を摘み 出る杭も打つ 私じゃないよ 私じゃないよ 私じゃないよ 私じゃないよ 私じゃないよ 私じゃないよ本当だよ 時間が全てを解決する 何の為に だから言ったじゃない 何の為に 私達 何の為に(何の為に) 煩　　　　　　　　　　　　　勝てる訳無いじゃん

Song Connections / Remixes

• An extended version of 東京神話, titled 真説・東京神話, can be found on the beatmania IIDX 26 Rootage ORIGINAL SOUNDTRACK album.

Trivia

• 東京神話 is one of the unlocks of beatmania IIDX 25 CANNON BALLERS' Gekisou! Cannon racer (激走！キャノンレーサー) event. It can be unlocked from March 1st, 2018 by finishing the second continent.
  • From February 7th, 2019, its charts can be purchased in beatmania IIDX 26 Rootage via 天使の魔導書.
  • From beatmania IIDX 27 HEROIC VERSE onwards, it is available by default.
• 東京神話 marks the first collaboration between Yutaka Yamashita and Yuichi Asami in BEMANI.
  • It is also the first BEMANI song to credit Uchuu★kurage on the artist. She previously served as vocals in 廿 and Ｘ↑Ｘ↓.
  • It is also the first BEMANI song to feature Yutaka's vocals.
• 東京神話 ranked #1 in the BEMANI Fan Site CHECK!SONGS Monthly Ranking list for March 2018.
• NAGI is uncredited on the official CANNON BALLERS website page for 東京神話's video.
• 東京神話 is one of DanceDanceRevolution A20's EXTRA SAVIOR PLUS songs. It can be unlocked from July 16th, 2020.
  • It features its beatmania IIDX video in DanceDanceRevolution, which is full-screen and eliminates any on-screen dancers.

Song Production Information

BEMANI Sound Team "U1-ASAMi"

It is said that God will fight with that God.
None of this will ever be fine.

DJ TECHNORCH

When I was a freshman in high school, I had already been baptized by the GABBAH shock of beatmania GOTTA MIX, but after clearing the first PS DDR nearly 100 times at home, I was able to do the hidden song "2MB / PARANOiA KCET ~clean mix~", an unusually clean hardcore techno track that appeared there, and it once again blew me away.

This is a room at KONAMI, and the composer, U1-ASAMi himself, aka 2MB, is right in front of me.

This song of yours, when I was in school, I was so amazed at how beautiful hardcore techno was in the world.
Later on, I started scouring CD and record stores for similar styles of music. But...

"No. There's no music in the world in that style."
It was said to me.

Yes... there is none...
There's no other place in the world where you can find this kind of music but in music games.
It was only in a few of your songs, especially when it came to that style.
I've made a lot of efforts to do this. It's gabber, but I put in some solemn sounds, and if that doesn't work, I'll take music theory and try to make it a little more melodic.
Oh, and by the way, the reason why my songs often consist of "song title A ~song title B~" is probably because of your music.
Oh, and by the way, your music may have influenced my basic rhythm structure, which is a two-bar loop with a lot of bass drum...
But there's no point in trying to imitate everything that's on the surface...
It's too different in its innate ability and direction.
That song is just too awesome...

"When it comes to your charms, there's rave stubs, gabber kicks, and... odd voices...? That's what I thought it was supposed to be, though."
That's right. I've stopped obsessing about what I can't do. I don't have the same talent as you.
So what you just said is in fact part of my fascination.

"Yeah, well, let's get it all out this time."
Huh?
"All of them. We've stopped doing what we can't, haven't we? Then we'll do everything we can."

The collaboration has begun.

Later, as I handed him my side of the music, I told him this.
"It's done. How about this way? But... if I may say so myself... there's too much sound...
Um, change it with enough force to erase about half of it. I mean... please turn off all the stuff... sorry..."
He then said.
"I'll take care of it."

I was immensely stunned with the sound source that was sent back to me later.
"The sounds! You increased them! What's going on? ( ‘ᾠ’ ;)"
"HAHAHA, there's more. Also, a few seconds of female voice are halfway through, so increase it tenfold."
"Tenfold!!?? You're not going to make any more noise, do you!!?? I wasn't thinking of the lyrics or anything like that in the first place!?"
"Once upon a time, there was a god of technology, a Technouchi god, who was loved by all."
"What's going on!?"
"One day, the ancient god Yaoyorozubit, whom the god himself had revered since he was a child, suddenly descended on the village of the god Technouchi."
"That..."
"At first, he just prostrated, but now the Technouchi god is a God. One God is enough for one person. So the Technouchi god had a change of heart, the ancient god responded, and the battle began."
"That..."
"It's like, "Close the eyes of the young and strike a stake through the heart"."
"Let's go with that."
"I knew you'd understand."
"I'll take care of it. Now I've also come up with a straightforward spell to disperse the gods and evil spirits."
"It's going to be a good song."
"Yes, I'm sure."

Such a song.

Video Production Information

BEMANI Designers

The production itself was right after I finished working on Junshin karen desire, so I remember I was struggling to switch my mind to the opposite world for about a week.
I just loved the song so much and I really wanted to be a part of it, so once the transition was made, I was very immersed in it.
It's like you can't turn a rhetorical line, your eyes are swimming in the air, and your brain isn't coming back... that's what it feels like, this song.
It really is "alive!" It was a tremendously fun process that gave me that feeling.
It was.
I'm on my back.
Maybe it's not just because of the emotions, but because I was physically in the front of it all along....
I was so surprised that I couldn't move for days, so please be careful with your back, everyone.

Difficulty & Notecounts

beatmania IIDX difficulty rated from 1 to 12.
DanceDanceRevolution difficulty rated from 1 to 20 from X onwards. (Ratings and notecounts obtained from BEMANIWiki 2nd.)

beatmania IIDX

Game	SP Difficulty					DP Difficulty
	BEGINNER	NORMAL	HYPER	ANOTHER	LEGGENDARIA	NORMAL	HYPER	ANOTHER	LEGGENDARIA
Notecounts	-	528	914	1505	-	500	906	1533	-
beatmania IIDX 25 CANNON BALLERS→Present	-	6	9	12	-	6	9	12	-
beatmania IIDX ULTIMATE MOBILE	-	6	9	12	-	-	-	-	-

DanceDanceRevolution

Game	Single					Double
	Beginner	Basic	Difficult	Expert	Challenge	Basic	Difficult	Expert	Challenge
Notecounts / Freeze Arrows / Shock Arrows	134 / 9	296 / 7	504 / 13	696 / 15	- / - / -	? / ?	489 / 13	659 / 13	- / - / -
DanceDanceRevolution A20 PLUS→Present	5	9	13	17	-	9	13	17	-

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