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= ポン太と巡る世界の音楽 = | = ポン太と巡る世界の音楽 = | ||
'''''ポン太と巡る世界の音楽''''' | '''''ポン太と巡る世界の音楽''''' is [[Mutsuhiko Izumi]]'s second BEMANI album. The concept for the album is world music, mostly consisting of his earlier BEMANI songs, as well as three songs from his soundtrack to KONAMI's 1997 3D fighting game ''FIGHTING Wu-Shu'' (FIGHTING武術). | ||
== Album Information == | == Album Information == | ||
{{Album Header|ポン太と巡る世界の音楽|[[Mutsuhiko Izumi|泉 陸奥彦]]|[[Image:Ponta_no_meguru_sekai_no_ongaku.jpg|200px]]|04/20/2011|LC-2024|Konami Digital Entertainment Co., Ltd.|diff=2| | |||
{{Album Song2|01. Prelude|NEW}} | |||
{{Album Song2|02. [[PRIMAL SOUL]]|[[AC GF2|GUITARFREAKS 2ndMIX LINK KITマイギター対応]]}} | |||
{{Album Song2|03. [[YARA TUM KAHAN?]]|[[AC_GF11DM10|GUITARFREAKS 11thMIX & drummania 10thMIX]]}} | |||
{{Album Song2|04. [[Mei Li De Jia Xiang|美丽的家乡(Mei Li De Jia Xiang)]]|[[AC_GF8DM7|GUITARFREAKS 8thMIX & drummania 7thMIX]]}} | |||
{{Album Song2|05. [[TIERRA BUENA]]|[[AC_GF9DM8|GUITARFREAKS 9thMIX & drummania 8thMIX]]}} | |||
{{Album Song2|06. [[In Scottish Highlands]]|[[AC jb|jubeat]]}} | |||
{{Album Song2|07. [[Russian Snowy Dance]]|[[AC jb ripples|jubeat ripples]]}} | |||
{{Album Song2|08. [[Sandogasa Ponta wa kyou mo iku|三度笠ポン太は今日も行く]]|[[AC GFDM V|GuitarFreaks V & DrumMania V]]}} | |||
{{Album Song2|09. [[O JIYA|O Jiya]]|[[AC_GF7DM6|GUITARFREAKS 7thMIX & drummania 6thMIX]]}} | |||
{{Album Song2|10. [[CARNIVAL DAY]]|[[AC_GF4DM3|GUITARFREAKS 4thMIX & drummania 3rdMIX]]}} | |||
{{Album Song2|11. [[Honolulu Loco Boy]]|[[AC_GF10DM9|GUITARFREAKS 10thMIX & drummania 9thMIX]]}} | |||
{{Album Song2|12. [[BALALAIKA,CARRIED WITH THE WIND]]|[[AC_GF6DM5|GUITARFREAKS 6thMIX & drummania 5thMIX]]}} | |||
{{Album Song2|13. [[Ai to yuuki no Sandogasa Ponta|愛と勇気の三度笠ポン太]]|[[AC jb knit APPEND|jubeat knit APPEND]]}} | |||
{{Album Song2|14. [[Green Green Dance]]|[[AC jb knit|jubeat knit]]}} | |||
{{Album Song2|15. [[Red Roses]]|[[AC pnm 19|pop'n music 19 TUNE STREET]]}} | |||
{{Album Song2|16. [[Chinese Snowy Dance]]|[[AC GFDM XG2|GuitarFreaksXG2 & DrumManiaXG2 Groove to Live]]}} | |||
{{Album Song2|17. [[Talatta dance|タラッタダンス]]|[[AC GFDM V|GuitarFreaks V & DrumMania V]]}} | |||
{{Album Song2|18. [[Andes no taiyou|アンデスの太陽]]|[[AC pnm 15|pop'n music 15 ADVENTURE]]}} | |||
{{Album Song2|19. THE SPIRIT DANCE|FIGHTING武術}} | |||
{{Album Song2|20. [[ROOPA|Roopa]]|[[AC GF8DM7 power-up|GUITARFREAKS 8thMIX & drummania 7thMIX power-up ver.]]}} | |||
{{Album Song2|21. [[CRIES IN THE WILDERNESS]]|[[AC_GF9DM8|GUITARFREAKS 9thMIX & drummania 8thMIX]]}} | |||
{{Album Song2|22. [[Kaze ni fukarete Sandogasa Ponta|風に吹かれて三度笠ポン太]]|[[AC GFDM V2|GuitarFreaks V2 & DrumMania V2]]}} | |||
{{Album Song2|23. THE CODE OF SILENCE|FIGHTING武術}} | |||
{{Album Song2|24. THE TEMPLE OF STEEL|FIGHTING武術}} | |||
{{Album Song2|25. Ululu|NEW}} | |||
{{Album Song2|26. [[Haha ni dakarete Sandogasa Ponta|母に抱かれて三度笠ポン太]]|[[CS GFDM V2|GuitarFreaks V2 & DrumMania V2 CS]]}} | |||
{{Album Song2|27. Mother Africa|NEW}} | |||
{{Album Credits| | |||
'''STAFF'''<br> | |||
All Composed by [[Mutsuhiko Izumi]]<br> | |||
Recording & Mix Engineer: Shigeki Kashii (I to I communications, Inc.)<br> | |||
Recording Studio: Wonder Station<br> | |||
Mastering Engineer: Kazuya Sato (Wonder Station)<br> | |||
Recording Coordination: Miho Toyoda<br> | |||
Assistant Engineer: Katsunori Seki, Masami Kanda (Wonder Station)<br> | |||
Supervisor: Yumi Izumi | |||
Illustration: [[Erina Takeda|T_da (Erina Takeda)]]<br> | |||
Design: Kenzo Yamada (Creat*res)<br> | |||
Design Coordination: Risa Sato (T&M CREATIVE)<br> | |||
Artwork Coordination: Yukie Yamazaki, Hiroshi Banno | |||
Promotion: Shunsaku Shimizu<br> | |||
Sales Promotion: Hideki Chosokabe, Chika Uchihara<br> | |||
License Management: Takako Nagahora | |||
Producer: Junichi Kamei<br> | |||
Label Assistant: Tomomi Iitaka<br> | |||
Label Producer: Tetsuya Osono | |||
Executive Producer: [[Fumiaki Tanaka]] | |||
'''Special Thanks''':<br> | |||
[[Yoshihiko Ota]]<br> | |||
[[Mitsuhiro Nozaki]]<br> | |||
[[Hiroyuki Masuda]]<br> | |||
[[Takayuki Ishikawa]]<br> | |||
Hideaki Shikama<br> | |||
Michio Arashi (Threeknowman Inc.)<br> | |||
Kotone Ishikawa<br> | |||
Noriaki Wakimoto<br> | |||
Atsushi Kawai<br> | |||
Misa Sochi<br> | |||
Yoshifumi Sochi<br> | |||
Hideyuki Yamagata (YAMAGIC)<br> | |||
And All BEMANI Fans!! | |||
{{hide text| | |||
'''Prelude'''<br> | |||
Guitar, Other Instruments & Programming: Mutsuhiko Izumi | |||
'''PRIMAL SOUL'''<br> | |||
Lyrics, Vocals & Chorus: [[Thomas Howard Lichtenstein]]<br> | |||
Guitars, Other Instruments & Programming: Mutsuhiko Izumi<br> | |||
Bass: [[Yoshihiko Koezuka]]<br> | |||
Drums & Percussion(Timbales, Conga, Bongo, Rattles, Agogo): Kozo Suganuma | |||
'''YARA TUM KAHAN?'''<br> | |||
Lyrics & Vocals: [[ASMAT]]<br> | |||
Chorus: ASMAT, Mohi, Noa<br> | |||
Guitars, Other Instruments & Programming: Mutsuhiko Izumi | |||
'''美丽的家乡(Mei Li De Jia Xiang)'''<br> | |||
Lyrics, Vocals & Er-Hu: [[Liu Feng|LIU FENG]]<br> | |||
A.Guitars, Mandolin, Other Instruments & Programming: Mutsuhiko Izumi | |||
'''TIERRA BUENA'''<br> | |||
Lyrics & Vocals: [[Wilma de Oliveira|Wilma De Oliveira]]<br> | |||
8 Strings Guitalele, Pan Flute, A.Guitars, Bass & Programming: Mutsuhiko Izumi | |||
'''In Scottish Highlands'''<br> | |||
Lyrics: Thomas Howard Lichtenstein<br> | |||
Guitars, Mandolin, Other Instruments & Programming: Mutsuhiko Izumi | |||
'''Russian Snowy Dance'''<br> | |||
Guitars, Other Instruments & Programming: Mutsuhiko Izumi | |||
'''三度笠ポン太は今日も行く'''<br> | |||
Lyrics: [[HEAVEN]]<br> | |||
Vocals: [[Yoko Aramaki]]<br> | |||
Guitars, Bass, Other Instruments & Programming: Mutsuhiko Izumi | |||
'''O Jiya'''<br> | |||
Lyrics: ASMAT<br> | |||
Vocals: ASMAT & [[Emiko Shioya|emi]]<br> | |||
A.Guitars, E.Guitars, 1 string Guitar, Bass, Other Instruments & Programming: Mutsuhiko Izumi | |||
'''CARNIVAL DAY'''<br> | |||
Lyrics: Misa Sochi, yumi<br> | |||
Vocals: [[Paula Terry]]<br> | |||
Chorus: Fu Fu's<br> | |||
Guitars, Other Instruments & Programming: Mutsuhiko Izumi<br> | |||
Bass: Yoshihiko Koezuka | |||
'''Honolulu Loco Boy'''<br> | |||
Lyrics & Vocals: Agnes Kimura<br> | |||
Steel Guitar: Kiyoshi Kobayashi<br> | |||
Ukulele, Guitars, Bass, Other Instruments & Programming: Mutsuhiko Izumi | |||
'''BALALAIKA, CARRIED WITH THE WIND'''<br> | |||
Lyrics: [[Yoshiko Uehara|Y.Uehara]], HEAVEN<br> | |||
Vocals: mira<br> | |||
Mandolin, A.Guitars, Other Instruments & Programming: Mutsuhiko Izumi<br> | |||
Bass: Yoshihiko Koezuka | |||
'''愛と勇気の三度笠ポン太'''<br> | |||
Lyrics: HEAVEN<br> | |||
Vocals: Yoko Aramaki<br> | |||
Guitars, Other Instruments & Programming: Mutsuhiko Izumi<br> | |||
Bass: Yoshihiko Koezuka<br> | |||
Drums: Kozo Suganuma | |||
'''Green Green Dance'''<br> | |||
Guitars, Other Instruments & Programming: Mutsuhiko Izumi | |||
'''Red Roses'''<br> | |||
Guitars, Other Instruments & Programming: Mutsuhiko Izumi<br> | |||
Piano: Yuriko Nakamura<br> | |||
KENBAN-Harmonica: Wolli<br> | |||
Bass: Yoshihiko Koezuka | |||
'''Chinese Snowy Dance'''<br> | |||
Guitars, Other Instruments & Programming: Mutsuhiko Izumi<br> | |||
Bass: Yoshihiko Koezuka<br> | |||
Drums: Takashi Yasuda | |||
'''タラッタダンス'''<br> | |||
Lyrics: HEAVEN<br> | |||
Vocals & Chorus: [[Kaori Kumamoto|Kumako Morino]]<br> | |||
Chorus: Bokujou Yagyuu Otoko<br> | |||
Guitars, Bass, Other Instruments & Programming: Mutsuhiko Izumi | |||
'''アンデスの太陽'''<br> | |||
8 Strings Guitalele, A.Guitars, Bass, Other Instruments & Programming: Mutsuhiko Izumi | |||
'''THE SPIRIT DANCE'''<br> | |||
12 Strings Guitars, 6 Strings Guitars, Mandolin, Other Instruments & Programming: Mutsuhiko Izumi<br> | |||
Bass: Hiroyuki Kondo | |||
'''Roopa'''<br> | |||
Lyrics: ASMAT<br> | |||
Vocals: ASMAT & emi<br> | |||
Guitars, Bass, Other Instruments & Programming: Mutsuhiko Izumi<br> | |||
Drums: Takashi Yasuda | |||
'''CRIES IN THE WILDERNESS'''<br> | |||
Guitars, Other Instruments & Programming: Mutsuhiko Izumi<br> | |||
Vocal Samples: Debelar Morgan - MIDI MARK “VOCAL BYTES 1” | |||
'''風に吹かれて三度笠ポン太'''<br> | |||
Lyrics: HEAVEN<br> | |||
Vocals: Yoko Aramaki<br> | |||
Guitars, Bass, Other Instruments & Programming: Mutsuhiko Izumi<br> | |||
Drums: Takashi Yasuda | |||
'''THE CODE OF SILENCE'''<br> | |||
12 Strings Guitars, 6 Strings Guitars, 1 String Guitar, Mandolin, Other Instruments & Programming: Mutsuhiko Izumi<br> | |||
Bass: Hiroyuki Kondo | |||
'''THE TEMPLE OF STEEL'''<br> | |||
Zurna Programming, Guitars, Bass & Other Programming: Mutsuhiko Izumi | |||
'''Ululu'''<br> | |||
Guitars, Other Instruments & Programming: Mutsuhiko Izumi<br> | |||
Didgerldoo(Yidaki) & Percussion(Djembe, Kayamba, Rattles): Kozo Suganuma | |||
'''母に抱かれて三度笠ポン太'''<br> | |||
Lyrics: HEAVEN<br> | |||
Vocals: Yoko Aramaki<br> | |||
Guitars, Bass, Other Instruments & Programming: Mutsuhiko Izumi<br> | |||
Drums: Kozo Suganuma | |||
'''Mother Africa'''<br> | |||
Lyrics: HEAVEN<br> | |||
Guitars, Chorus, Other Instruments & Programming: Mutsuhiko Izumi<br> | |||
Chorus: Edokko-tao, mira<br> | |||
Ocarina: Wolli<br> | |||
Percussion(Djembe, Conga, Kesing Kesing, Rattles, Ankle Beads, Chajchas): Kozo Suganuma<br> | |||
Drums: Takashi Yasuda}}}}}} | |||
Lyrics: | |||
Chorus: | |||
== Trivia == | == Trivia == | ||
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* PRIMAL SONG is based on its long vocal version, and not the original instrumental game cut size. | * PRIMAL SONG is based on its long vocal version, and not the original instrumental game cut size. | ||
* CRIES IN THE WILDERNESS is based on the GuitarFreaks & DrumMania version of the song, despite having the same name as the original ''FIGHTING武術'' version of the song. | * CRIES IN THE WILDERNESS is based on the GuitarFreaks & DrumMania version of the song, despite having the same name as the original ''FIGHTING武術'' version of the song. | ||
* Much like [[Naoyuki Sato|猫叉Master]]'s first album [[Raindrops]], most of the songs in ポン太と巡る世界の音楽 are simply taken from their original BEMANI game soundtracks, with the following | * Much like [[Naoyuki Sato|猫叉Master]]'s first album [[Raindrops]], most of the songs in ポン太と巡る世界の音楽 are simply taken from their original BEMANI game soundtracks, with the following eleven exceptions: | ||
** CARNIVAL DAY, Chinese Snowy Dance, 風に吹かれて三度笠ポン太, and the three ''FIGHTING武術'' songs were all remastered. | ** CARNIVAL DAY, Chinese Snowy Dance, 風に吹かれて三度笠ポン太, and the three ''FIGHTING武術'' songs were all remastered. | ||
** BALALAIKA, CARRIED WITH THE WIND, which is completely re-arranged with higher pitched instruments and features a different vocalist (mira instead of [[Julie ann Frost]]). | ** BALALAIKA,CARRIED WITH THE WIND, which is completely re-arranged with higher pitched instruments and features a different vocalist (mira instead of [[Julie ann Frost]]). | ||
** 愛と勇気の三度笠ポン太 and Red Roses are extended. | ** 愛と勇気の三度笠ポン太 and Red Roses are extended. | ||
** ROOPA, whose drums are completely re-arranged. | ** ROOPA, whose drums are completely re-arranged. | ||
** アンデスの太陽, which is given an acoustic re-arrangement. | ** アンデスの太陽, which is given an acoustic re-arrangement. | ||
* Song comments for [https://web.archive.org/web/20150624041952/http://mp.i-revo.jp/user.php/izumi/entry/76.html Prelude] and [https://web.archive.org/web/20150624041952/http://mp.i-revo.jp/user.php/izumi/entry/70.html Mother Africa] | * Song comments for [https://web.archive.org/web/20150624041952/http://mp.i-revo.jp/user.php/izumi/entry/76.html Prelude] and [https://web.archive.org/web/20150624041952/http://mp.i-revo.jp/user.php/izumi/entry/70.html Mother Africa] were posted on Izumi's blog. | ||
** Izumi revealed that Prelude is meant to be an | ** Izumi revealed that Prelude is meant to be an abridged re-arrangement of Mother Africa, and that he recorded the song in a morning and mixed it by himself. | ||
** Mother Africa was originally planned to be based on traditional African music, but he ended up using orchestral instruments in the end because he felt like it would stray away from his image of Africa. | ** Mother Africa was originally planned to be based on traditional African music, but he ended up using orchestral instruments in the end because he felt like it would stray away from his image of Africa. | ||
== External Link == | == External Link == | ||
* [https://web.archive.org/web/20150507102327/https://www.konamistyle.jp/sp/ponta/index.html Mutsuhiko Izumi ポン太と巡る世界の音楽 official album site] (archived) | * [https://web.archive.org/web/20150507102327/https://www.konamistyle.jp/sp/ponta/index.html Mutsuhiko Izumi ポン太と巡る世界の音楽 official album site] (archived) | ||
[[Category:Albums]] | [[Category:Albums]] |
Latest revision as of 04:22, 19 May 2024
ポン太と巡る世界の音楽
ポン太と巡る世界の音楽 is Mutsuhiko Izumi's second BEMANI album. The concept for the album is world music, mostly consisting of his earlier BEMANI songs, as well as three songs from his soundtrack to KONAMI's 1997 3D fighting game FIGHTING Wu-Shu (FIGHTING武術).
Album Information
ポン太と巡る世界の音楽 | ||||||||||
---|---|---|---|---|---|---|---|---|---|---|
Artist | 泉 陸奥彦 | |||||||||
Release Date | 04/20/2011 | |||||||||
Catalog Number | LC-2024 | |||||||||
Published by | Konami Digital Entertainment Co., Ltd. | |||||||||
Track List | ||||||||||
Title | From | |||||||||
01. Prelude | NEW | |||||||||
02. PRIMAL SOUL | GUITARFREAKS 2ndMIX LINK KITマイギター対応 | |||||||||
03. YARA TUM KAHAN? | GUITARFREAKS 11thMIX & drummania 10thMIX | |||||||||
04. 美丽的家乡(Mei Li De Jia Xiang) | GUITARFREAKS 8thMIX & drummania 7thMIX | |||||||||
05. TIERRA BUENA | GUITARFREAKS 9thMIX & drummania 8thMIX | |||||||||
06. In Scottish Highlands | jubeat | |||||||||
07. Russian Snowy Dance | jubeat ripples | |||||||||
08. 三度笠ポン太は今日も行く | GuitarFreaks V & DrumMania V | |||||||||
09. O Jiya | GUITARFREAKS 7thMIX & drummania 6thMIX | |||||||||
10. CARNIVAL DAY | GUITARFREAKS 4thMIX & drummania 3rdMIX | |||||||||
11. Honolulu Loco Boy | GUITARFREAKS 10thMIX & drummania 9thMIX | |||||||||
12. BALALAIKA,CARRIED WITH THE WIND | GUITARFREAKS 6thMIX & drummania 5thMIX | |||||||||
13. 愛と勇気の三度笠ポン太 | jubeat knit APPEND | |||||||||
14. Green Green Dance | jubeat knit | |||||||||
15. Red Roses | pop'n music 19 TUNE STREET | |||||||||
16. Chinese Snowy Dance | GuitarFreaksXG2 & DrumManiaXG2 Groove to Live | |||||||||
17. タラッタダンス | GuitarFreaks V & DrumMania V | |||||||||
18. アンデスの太陽 | pop'n music 15 ADVENTURE | |||||||||
19. THE SPIRIT DANCE | FIGHTING武術 | |||||||||
20. Roopa | GUITARFREAKS 8thMIX & drummania 7thMIX power-up ver. | |||||||||
21. CRIES IN THE WILDERNESS | GUITARFREAKS 9thMIX & drummania 8thMIX | |||||||||
22. 風に吹かれて三度笠ポン太 | GuitarFreaks V2 & DrumMania V2 | |||||||||
23. THE CODE OF SILENCE | FIGHTING武術 | |||||||||
24. THE TEMPLE OF STEEL | FIGHTING武術 | |||||||||
25. Ululu | NEW | |||||||||
26. 母に抱かれて三度笠ポン太 | GuitarFreaks V2 & DrumMania V2 CS | |||||||||
27. Mother Africa | NEW | |||||||||
STAFF Illustration: T_da (Erina Takeda) Promotion: Shunsaku Shimizu Producer: Junichi Kamei Executive Producer: Fumiaki Tanaka Special Thanks:
|
Trivia
- When ポン太と巡る世界の音楽 was first announced, the official website had the album listed as containing two CDs, with the second disc continuing from track 15. However, the final album is just one CD.
- PRIMAL SONG is based on its long vocal version, and not the original instrumental game cut size.
- CRIES IN THE WILDERNESS is based on the GuitarFreaks & DrumMania version of the song, despite having the same name as the original FIGHTING武術 version of the song.
- Much like 猫叉Master's first album Raindrops, most of the songs in ポン太と巡る世界の音楽 are simply taken from their original BEMANI game soundtracks, with the following eleven exceptions:
- CARNIVAL DAY, Chinese Snowy Dance, 風に吹かれて三度笠ポン太, and the three FIGHTING武術 songs were all remastered.
- BALALAIKA,CARRIED WITH THE WIND, which is completely re-arranged with higher pitched instruments and features a different vocalist (mira instead of Julie ann Frost).
- 愛と勇気の三度笠ポン太 and Red Roses are extended.
- ROOPA, whose drums are completely re-arranged.
- アンデスの太陽, which is given an acoustic re-arrangement.
- Song comments for Prelude and Mother Africa were posted on Izumi's blog.
- Izumi revealed that Prelude is meant to be an abridged re-arrangement of Mother Africa, and that he recorded the song in a morning and mixed it by himself.
- Mother Africa was originally planned to be based on traditional African music, but he ended up using orchestral instruments in the end because he felt like it would stray away from his image of Africa.