Tokyo shinwa: Difference between revisions
Morning Blue (talk | contribs) (Please stop erasing/incorrectly placing video production information.) |
No edit summary |
||
(39 intermediate revisions by 13 users not shown) | |||
Line 2: | Line 2: | ||
== Song Information == | == Song Information == | ||
[[Image:Tokyo shinwa.png|thumb|東京神話's jacket.]] | |||
Artist: DJ TECHNORCH feat.宇宙★海月 vs BEMANI Sound Team "U1-ASAMi"<br> | Artist: DJ TECHNORCH feat.宇宙★海月 vs BEMANI Sound Team "U1-ASAMi"<br> | ||
Composition/Arrangement: [[Yutaka Yamashita|DJ TECHNORCH]] / Konami Amusement([[Yuichi Asami|U1-ASAMi]])<br> | Composition/Arrangement: [[Yutaka Yamashita|DJ TECHNORCH]] / Konami Amusement([[Yuichi Asami|U1-ASAMi]])<br> | ||
Lyrics: DJ TECHNORCH<br> | Lyrics: DJ TECHNORCH<br> | ||
Vocals: [[ | Vocals: [[Uchu kurage|Uchu★kurage]], DJ TECHNORCH<br> | ||
BPM: 196<br> | BPM: 196 (beatmania IIDX), 98-196 (DanceDanceRevolution)<br> | ||
Length: 1:56<br> | Length: 1:56<br> | ||
Genre: ORBITALIC GABBER STEP<br> | Genre: ORBITALIC GABBER STEP<br> | ||
Movie: [[Nagisa Nakamoto|BEMANI Designers]]<br> | |||
First Music Game Appearance: [[AC CANNON BALLERS|beatmania IIDX 25 CANNON BALLERS]]<br> | First Music Game Appearance: [[AC CANNON BALLERS|beatmania IIDX 25 CANNON BALLERS]]<br> | ||
Other Music Game Appearances: | Other Music Game Appearances: | ||
* [[AC DDR A20 PLUS|DanceDanceRevolution A20 PLUS]] | |||
== Lyrics == | == Lyrics == | ||
Line 60: | Line 62: | ||
nihashira ariki no Tokyo shinwa | nihashira ariki no Tokyo shinwa | ||
docchi ga kami da | docchi ga kami da (socchi ga kami ka) | ||
muku na shoujo ga anata wo sashita | muku na shoujo ga anata wo sashita | ||
Line 157: | Line 159: | ||
== Trivia == | == Trivia == | ||
* 東京神話 is one of the unlocks of beatmania IIDX 25 CANNON BALLERS' ''Gekisou! Cannon racer'' (激走!キャノンレーサー) event. It can be unlocked from March 1st, 2018 by finishing the second continent. | * 東京神話 is one of the unlocks of beatmania IIDX 25 CANNON BALLERS' ''Gekisou! Cannon racer'' (激走!キャノンレーサー) event. It can be unlocked from March 1st, 2018 by finishing the second continent. | ||
** From February 7th, 2019, its charts can be purchased in [[AC Rootage|beatmania IIDX 26 Rootage]] via [[AC Rootage/Tenshi no madousho| | ** From February 7th, 2019, its charts can be purchased in [[AC Rootage|beatmania IIDX 26 Rootage]] via [[AC Rootage/Tenshi no madousho|Tenshi no madousho]] (天使の魔導書). | ||
** From [[AC HEROIC VERSE|beatmania IIDX 27 HEROIC VERSE]] onwards, it is available by default. | ** From [[AC HEROIC VERSE|beatmania IIDX 27 HEROIC VERSE]] onwards, it is available by default. | ||
* 東京神話 marks the first collaboration between Yutaka Yamashita and Yuichi Asami in BEMANI. | * 東京神話 marks the first collaboration between Yutaka Yamashita and Yuichi Asami in BEMANI. | ||
** It is also the first BEMANI song to credit | ** It is also the first BEMANI song to credit Uchu★kurage on the artist. She previously did the vocals for the songs [[Nijuuichi no mae|廿]] and [[Tenjou tenge|X↑X↓]]. | ||
** It is also the first BEMANI song to feature Yutaka's vocals. | ** It is also the first BEMANI song to feature Yutaka's vocals. | ||
* 東京神話 ranked #1 in the BEMANI Fan Site CHECK!SONGS Monthly Ranking list for March 2018. | * 東京神話 ranked #1 in the BEMANI Fan Site CHECK!SONGS Monthly Ranking list for March 2018. | ||
* NAGI is uncredited on the official CANNON BALLERS website page for 東京神話's video. | * NAGI is uncredited on the official CANNON BALLERS website page for 東京神話's video. | ||
* 東京神話 is one of DanceDanceRevolution A20 PLUS' ''EXTRA SAVIOR PLUS'' songs. It could be unlocked from July 16th, 2020. | |||
** From [[AC DDR A3|DanceDanceRevolution A3]] onwards, it is available by default. | |||
* Prior to [[AC DDR WORLD|DanceDanceRevolution WORLD]], 東京神話's music video is shown full screen, eliminating any on-screen dancers. | |||
* 東京神話 received a BEGINNER chart in [[AC BISTROVER|beatmania IIDX 28 BISTROVER]]. | |||
** This chart was added to beatmania IIDX ULTIMATE MOBILE on December 29th, 2021. | |||
* 東京神話 is available in [[CS INFINITAS 2020|beatmania IIDX INFINITAS (2020)]] as part of '''beatmania IIDX INFINITAS Start Up Selection Music Pack vol.2''' (beatmania IIDX INFINITAS スタートアップセレクション 楽曲パック vol.2). | |||
* 東京神話 received LEGGENDARIA charts in beatmania IIDX INFINITAS (2020) on April 24th, 2024. | |||
== Song Production Information == | == Song Production Information == | ||
=== BEMANI Sound Team "U1-ASAMi" === | === BEMANI Sound Team "U1-ASAMi" === | ||
It is said that God will fight with that God. | <center>It is said that God will fight with that God.<br> | ||
<br> | None of this will ever be fine.</center> | ||
None of this will ever be fine. | |||
=== DJ TECHNORCH === | === DJ TECHNORCH === | ||
When I was a freshman in high school, I had already been baptized | When I was a freshman in high school, I had already been baptized by the [[HELL SCAPER|GABBAH]] shock of [[CS bm GOTTA|beatmania GOTTA MIX]], but after clearing the [[CS DDR 1st JP|first PS DDR]] nearly 100 times at home, I was able to do the hidden song "2MB / [[PARANOiA KCET ~clean mix~]]", an unusually clean hardcore techno track that appeared there, and it once again blew me away. | ||
This is a room at KONAMI, and the composer, U1-ASAMi himself, aka 2MB, is right in front of me. | This is a room at KONAMI, and the composer, U1-ASAMi himself, aka 2MB, is right in front of me. | ||
This song of yours, when I was in school, I was so amazed at how beautiful hardcore techno was in the world.<br> | |||
This song of yours, when I was in school, I was so amazed at how beautiful hardcore techno was in the world. | |||
Later on, I started scouring CD and record stores for similar styles of music. But... | Later on, I started scouring CD and record stores for similar styles of music. But... | ||
"No. There's no music in the world in that style."<br> | |||
No. There's no music in the world in that style. | It was said to me. | ||
<br> | Yes... there is none...<br> | ||
There's no other place in the world where you can find this kind of music but in music games.<br> | |||
Yes... | It was only in a few of your songs, especially when it came to that style.<br> | ||
There's no other place in the world where you can find this kind of music but in | I've made a lot of efforts to do this. It's gabber, but I put in some solemn sounds, and if that doesn't work, I'll take music theory and try to make it a little more melodic.<br> | ||
It was only in a few of your songs, especially when it came to that style. | Oh, and by the way, the reason why my songs often consist of "song title A ~song title B~" is probably because of your music.<br> | ||
I've made a lot of efforts to do this. It's | Oh, and by the way, your music may have influenced my basic rhythm structure, which is a two-bar loop with a lot of bass drum...<br> | ||
But there's no point in trying to imitate everything that's on the surface...<br> | |||
Oh, and by the way, the reason why my songs often consist of "song title A | It's too different in its innate ability and direction.<br> | ||
Oh, and by the way, your music may have influenced my basic rhythm structure, which is a two-bar loop with a lot of bass drum... | |||
But there's no point in trying to imitate everything that's on the surface... | |||
It's too different in its innate ability and direction. | |||
That song is just too awesome... | That song is just too awesome... | ||
"When it comes to your charms, there's rave stubs, gabber kicks, and... odd voices...? That's what I thought it was supposed to be, though."<br> | |||
That's right. I've stopped obsessing about what I can't do. I don't have the same talent as you.<br> | |||
That's right. I've stopped obsessing about what I can't do. I don't have the same talent as | |||
So what you just said is in fact part of my fascination. | So what you just said is in fact part of my fascination. | ||
"Yeah, well, let's get it all out this time."<br> | |||
Yeah, well, let's get it all out this time. | Huh?<br> | ||
Huh? | "All of them. We've stopped doing what we can't, haven't we? Then we'll do everything we can." | ||
All of them. We've stopped doing what we can't, haven't we? Then we'll do everything we can. | |||
The collaboration has begun. | The collaboration has begun. | ||
<br> | |||
<br><br> | Later, as I handed him my side of the music, I told him this.<br> | ||
<br> | "It's done. How about this way? But... if I may say so myself... there's too much sound...<br> | ||
Um, change it with enough force to erase about half of it. I mean... please turn off all the stuff... sorry..."<br> | |||
He then said.<br> | |||
I was immensely | "I'll take care of it." | ||
Once upon a time, there was a god of technology, | |||
What's | I was immensely stunned with the sound source that was sent back to me later.<br> | ||
One day, the ancient god | "The sounds! You increased them! What's going on? ( ‘ᾠ’ ;)"<br> | ||
"HAHAHA, there's more. Also, a few seconds of female voice are halfway through, so increase it tenfold."<br> | |||
"Tenfold!!?? You're not going to make any more noise, do you!!?? I wasn't thinking of the lyrics or anything like that in the first place!?"<br> | |||
So the | "Once upon a time, there was a god of technology, a Technouchi god, who was loved by all."<br> | ||
"What's going on!?"<br> | |||
It's like, "Close the eyes of the young and strike a stake through the heart. | "One day, the ancient god Yaoyorozubit, whom the god himself had revered since he was a child, suddenly descended on the village of the god Technouchi."<br> | ||
Let's go with that. | "That..."<br> | ||
I knew you'd understand. | "At first, he just prostrated, but now the Technouchi god is a God. One God is enough for one person. So the Technouchi god had a change of heart, the ancient god responded, and the battle began."<br> | ||
I'll take care of it. Now I've also come up with a straightforward spell to disperse the gods and evil spirits. | "That..."<br> | ||
It's going to be a good song. | "It's like, "Close the eyes of the young and strike a stake through the heart"."<br> | ||
Yes, I'm sure. | "Let's go with that."<br> | ||
"I knew you'd understand."<br> | |||
"I'll take care of it. Now I've also come up with a straightforward spell to disperse the gods and evil spirits."<br> | |||
"It's going to be a good song."<br> | |||
"Yes, I'm sure." | |||
Such a song. | Such a song. | ||
== Video Production Information == | == Video Production Information == | ||
=== BEMANI Designers === | |||
The production itself was right after I finished working on [[Junshin karen desire]], so I remember I was struggling to switch my mind to the opposite world for about a week.<br> | |||
I just loved the song so much and I really wanted to be a part of it, so once the transition was made, I was very immersed in it.<br> | |||
It's like you can't turn a rhetorical line, your eyes are swimming in the air, and your brain isn't coming back... that's what it feels like, this song.<br> | |||
It really is "alive!" It was a tremendously fun process that gave me that feeling.<br> | |||
It was.<br> | |||
I'm on my back.<br> | |||
Maybe it's not just because of the emotions, but because I was physically in the front of it all along....<br> | |||
I was so surprised that I couldn't move for days, so please be careful with your back, everyone. | |||
== Difficulty & Notecounts == | == Difficulty & Notecounts == | ||
beatmania IIDX difficulty rated from 1 to 12. (Ratings and notecounts obtained from [http://www.bemaniwiki.com BEMANIWiki 2nd].) | beatmania IIDX difficulty rated from 1 to 12.<br> | ||
DanceDanceRevolution difficulty rated from 1 to 20 from X onwards. (Ratings and notecounts obtained from [http://www.bemaniwiki.com BEMANIWiki 2nd].) | |||
=== beatmania IIDX === | |||
{{IIDX Chart Header| | {{IIDX Chart Header| | ||
{{IIDX Chart Notecounts| | {{IIDX Chart Notecounts|235|528|914|1505|1903|500|906|1533|1861}} | ||
{{IIDX Chart|beatmania IIDX 25 CANNON BALLERS→Present| | {{IIDX Chart|beatmania IIDX 25 CANNON BALLERS→27 HEROIC VERSE|-|6|9|12|-|6|9|12|-}} | ||
{{IIDX Chart|beatmania IIDX ULTIMATE MOBILE|-|6|9|12|-|-|-|-|-}} | {{IIDX Chart|beatmania IIDX 28 BISTROVER→Present|'''2'''|6|9|12|-|6|9|12|-}} | ||
{{IIDX Chart|beatmania IIDX ULTIMATE MOBILE|2|6|9|12|-|-|-|-|-}} | |||
{{IIDX Chart|beatmania IIDX INFINITAS (2020)|2|6|9|12|'''12'''|6|9|12|'''12'''}} | |||
}} | |||
=== DanceDanceRevolution === | |||
{{DDR Chart Header| | |||
{{DDR Chart Notecounts|134 / 9|296 / 7|504 / 13|696 / 15|- / - / -|284 / 7|489 / 13|659 / 13|- / - / -}} | |||
{{DDR Chart|DanceDanceRevolution A20 PLUS→Present|5|9|13|17|-|9|13|17|-}} | |||
{{DDR Chart|DanceDanceRevolution GRAND PRIX|5|9|13|17|-|9|13|17|-}} | |||
}} | }} | ||
{{Gekisou! Cannon racer}} | {{Gekisou! Cannon racer}} | ||
{{BEMANI Fan Site Number 1 songs}} | |||
[[Category:Songs]] | [[Category:Songs]] | ||
Line 272: | Line 282: | ||
[[Category:beatmania IIDX Songs Never Removed]] | [[Category:beatmania IIDX Songs Never Removed]] | ||
[[Category:beatmania IIDX Songs with Unique Videos]] | [[Category:beatmania IIDX Songs with Unique Videos]] | ||
[[Category:DanceDanceRevolution Songs]] | |||
[[Category:DanceDanceRevolution Songs with Unique Videos]] |
Latest revision as of 02:34, 20 August 2024
東京神話
Song Information
Artist: DJ TECHNORCH feat.宇宙★海月 vs BEMANI Sound Team "U1-ASAMi"
Composition/Arrangement: DJ TECHNORCH / Konami Amusement(U1-ASAMi)
Lyrics: DJ TECHNORCH
Vocals: Uchu★kurage, DJ TECHNORCH
BPM: 196 (beatmania IIDX), 98-196 (DanceDanceRevolution)
Length: 1:56
Genre: ORBITALIC GABBER STEP
Movie: BEMANI Designers
First Music Game Appearance: beatmania IIDX 25 CANNON BALLERS
Other Music Game Appearances:
Lyrics
Game Size
Japanese
時は江戸 八百万bit 光臨だ (光臨だ) 技術の神が 慌てだす 二柱ありきの 東京神話 どっちが神だ (そっちか神か) 無垢な少女があなたを指した てをにかはるどんしもきたきちどめ とるにきまるかなそのざまとれるの のんなきまもればそのみちがったい すなおなこころにはるかなときめき 二つも頭は要らないね ここらの神にゃ地域差あるのさ 腹も膨れりゃ災いか 二柱まとめて悪霊退散 あなたは神か 私が神だ てをにかはるどんしもきたきちどめ とるにきまるかなそのざまとれるの のんなきまもればそのみちがったい すなおなこころにはるかなときめき 二つも頭は要らないね ここらの神にゃ地域差あるのさ 腹も膨れりゃ災いか 二柱まとめて悪霊退散 最初はただ音楽が好きなだけだったのに 臨兵闘者皆陣烈列前 若い芽を摘み 出る杭も打つ 私じゃないよ 私じゃないよ 私じゃないよ 私じゃないよ 時間が全てを解決する 私じゃないよ 私じゃないよ 悪霊退散 ホントだよ はい 引き分けです
Romaji
toki wa edo yaoyorozu bit kourin da (kourin da) gijutsu no kami ga awatedasu nihashira ariki no Tokyo shinwa docchi ga kami da (socchi ga kami ka) muku na shoujo ga anata wo sashita tewonikaharudonshimokitakichidome torunikimarukanasonozamatoreruno nonnakimamorebasonomichigattai sunaonakokoroniharukanatokimeki futatsu mo atama ha iranaine kokora no kami nya chiikisa arunosa hara mo fururerya wazawai ka nihashira matomete akuryoutaisan anata wa kami ka watashi ga kami da tewonikaharudonshimokitakichidome torunikimarukanasonozamatoreruno nonnakimamorebasonomichigattai sunaonakokoroniharukanatokimeki futatsu no atama wa iranai ne kokora no kami nya chiikisa arunosa hara mo fururerya wazawai ka nihashira matomete akuryoutaisan saisho wa tada ongaku ga suki na dake datta no ni rin hyou tou sha kai jin retsu zai zen wakai me wo tsumi deru kui mo utsu watashi janai yo watashi janai yo watashi janai yo watashi janai yo jikan ga subete wo kaiketsu suru watashi janai yo watashi janai yo akuryoutaisan honto da yo hai hikiwake desu
Long Version
Japanese
そうね 今度はどこまで遡りましょうか 刎 ソレはいい選択ですね 私も好きですよ ソレ ところで 私は前々から一つ御尋ねしたいことがあったのですよ 貴方 イイですか? 時は江戸 八百万bit 光臨だ (光臨だ) 技術の神が 慌てだす 二柱ありきの 東京神話 どっちが神だ (そっちが神か) 無垢な少女があなたを指した てをにかはるどんしもきたきちどめ とるにきまるかなそのざまとれるの のんなきまもればそのみちがったい すなおなこころにはるかなときめき 二つも頭は要らないね ここらの神にゃ地域差あるのさ 腹も膨れりゃ災いか 二柱まとめて悪霊退散 あなたは神か 私が神だ すこしがらくしょうなかめでみちどめ とるにきまるかなこのままとれるも どんなにたのめばゆるしてたもるか すなおなこころにみわくのときめき 二つも頭は要らないね カミが溢れりゃ贄も足りぬさ 母はカミより童かね 懐かためて悪霊退散 最初はただ音楽が好きなだけだったのに 臨兵闘者皆陣烈列前 若い芽を摘み 出る杭も打つ 私じゃないよ 私じゃないよ 私じゃないよ 私じゃないよ 私じゃないよ 私じゃないよ本当だよ 時間が全てを解決する 何の為に だから言ったじゃない 何の為に 私達 何の為に(何の為に) 煩 勝てる訳無いじゃん |
Song Connections / Remixes
- An extended version of 東京神話, titled 真説・東京神話, can be found on the beatmania IIDX 26 Rootage ORIGINAL SOUNDTRACK album.
Trivia
- 東京神話 is one of the unlocks of beatmania IIDX 25 CANNON BALLERS' Gekisou! Cannon racer (激走!キャノンレーサー) event. It can be unlocked from March 1st, 2018 by finishing the second continent.
- From February 7th, 2019, its charts can be purchased in beatmania IIDX 26 Rootage via Tenshi no madousho (天使の魔導書).
- From beatmania IIDX 27 HEROIC VERSE onwards, it is available by default.
- 東京神話 marks the first collaboration between Yutaka Yamashita and Yuichi Asami in BEMANI.
- 東京神話 ranked #1 in the BEMANI Fan Site CHECK!SONGS Monthly Ranking list for March 2018.
- NAGI is uncredited on the official CANNON BALLERS website page for 東京神話's video.
- 東京神話 is one of DanceDanceRevolution A20 PLUS' EXTRA SAVIOR PLUS songs. It could be unlocked from July 16th, 2020.
- From DanceDanceRevolution A3 onwards, it is available by default.
- Prior to DanceDanceRevolution WORLD, 東京神話's music video is shown full screen, eliminating any on-screen dancers.
- 東京神話 received a BEGINNER chart in beatmania IIDX 28 BISTROVER.
- This chart was added to beatmania IIDX ULTIMATE MOBILE on December 29th, 2021.
- 東京神話 is available in beatmania IIDX INFINITAS (2020) as part of beatmania IIDX INFINITAS Start Up Selection Music Pack vol.2 (beatmania IIDX INFINITAS スタートアップセレクション 楽曲パック vol.2).
- 東京神話 received LEGGENDARIA charts in beatmania IIDX INFINITAS (2020) on April 24th, 2024.
Song Production Information
BEMANI Sound Team "U1-ASAMi"
None of this will ever be fine.
DJ TECHNORCH
When I was a freshman in high school, I had already been baptized by the GABBAH shock of beatmania GOTTA MIX, but after clearing the first PS DDR nearly 100 times at home, I was able to do the hidden song "2MB / PARANOiA KCET ~clean mix~", an unusually clean hardcore techno track that appeared there, and it once again blew me away.
This is a room at KONAMI, and the composer, U1-ASAMi himself, aka 2MB, is right in front of me.
This song of yours, when I was in school, I was so amazed at how beautiful hardcore techno was in the world.
Later on, I started scouring CD and record stores for similar styles of music. But...
"No. There's no music in the world in that style."
It was said to me.
Yes... there is none...
There's no other place in the world where you can find this kind of music but in music games.
It was only in a few of your songs, especially when it came to that style.
I've made a lot of efforts to do this. It's gabber, but I put in some solemn sounds, and if that doesn't work, I'll take music theory and try to make it a little more melodic.
Oh, and by the way, the reason why my songs often consist of "song title A ~song title B~" is probably because of your music.
Oh, and by the way, your music may have influenced my basic rhythm structure, which is a two-bar loop with a lot of bass drum...
But there's no point in trying to imitate everything that's on the surface...
It's too different in its innate ability and direction.
That song is just too awesome...
"When it comes to your charms, there's rave stubs, gabber kicks, and... odd voices...? That's what I thought it was supposed to be, though."
That's right. I've stopped obsessing about what I can't do. I don't have the same talent as you.
So what you just said is in fact part of my fascination.
"Yeah, well, let's get it all out this time."
Huh?
"All of them. We've stopped doing what we can't, haven't we? Then we'll do everything we can."
The collaboration has begun.
Later, as I handed him my side of the music, I told him this.
"It's done. How about this way? But... if I may say so myself... there's too much sound...
Um, change it with enough force to erase about half of it. I mean... please turn off all the stuff... sorry..."
He then said.
"I'll take care of it."
I was immensely stunned with the sound source that was sent back to me later.
"The sounds! You increased them! What's going on? ( ‘ᾠ’ ;)"
"HAHAHA, there's more. Also, a few seconds of female voice are halfway through, so increase it tenfold."
"Tenfold!!?? You're not going to make any more noise, do you!!?? I wasn't thinking of the lyrics or anything like that in the first place!?"
"Once upon a time, there was a god of technology, a Technouchi god, who was loved by all."
"What's going on!?"
"One day, the ancient god Yaoyorozubit, whom the god himself had revered since he was a child, suddenly descended on the village of the god Technouchi."
"That..."
"At first, he just prostrated, but now the Technouchi god is a God. One God is enough for one person. So the Technouchi god had a change of heart, the ancient god responded, and the battle began."
"That..."
"It's like, "Close the eyes of the young and strike a stake through the heart"."
"Let's go with that."
"I knew you'd understand."
"I'll take care of it. Now I've also come up with a straightforward spell to disperse the gods and evil spirits."
"It's going to be a good song."
"Yes, I'm sure."
Such a song.
Video Production Information
BEMANI Designers
The production itself was right after I finished working on Junshin karen desire, so I remember I was struggling to switch my mind to the opposite world for about a week.
I just loved the song so much and I really wanted to be a part of it, so once the transition was made, I was very immersed in it.
It's like you can't turn a rhetorical line, your eyes are swimming in the air, and your brain isn't coming back... that's what it feels like, this song.
It really is "alive!" It was a tremendously fun process that gave me that feeling.
It was.
I'm on my back.
Maybe it's not just because of the emotions, but because I was physically in the front of it all along....
I was so surprised that I couldn't move for days, so please be careful with your back, everyone.
Difficulty & Notecounts
beatmania IIDX difficulty rated from 1 to 12.
DanceDanceRevolution difficulty rated from 1 to 20 from X onwards. (Ratings and notecounts obtained from BEMANIWiki 2nd.)
beatmania IIDX
Game | SP Difficulty | DP Difficulty | |||||||
---|---|---|---|---|---|---|---|---|---|
BEGINNER | NORMAL | HYPER | ANOTHER | LEGGENDARIA | NORMAL | HYPER | ANOTHER | LEGGENDARIA | |
Notecounts | 235 | 528 | 914 | 1505 | 1903 | 500 | 906 | 1533 | 1861 |
beatmania IIDX 25 CANNON BALLERS→27 HEROIC VERSE | - | 6 | 9 | 12 | - | 6 | 9 | 12 | - |
beatmania IIDX 28 BISTROVER→Present | 2 | 6 | 9 | 12 | - | 6 | 9 | 12 | - |
beatmania IIDX ULTIMATE MOBILE | 2 | 6 | 9 | 12 | - | - | - | - | - |
beatmania IIDX INFINITAS (2020) | 2 | 6 | 9 | 12 | 12 | 6 | 9 | 12 | 12 |
DanceDanceRevolution
Game | Single | Double | |||||||
---|---|---|---|---|---|---|---|---|---|
Beginner | Basic | Difficult | Expert | Challenge | Basic | Difficult | Expert | Challenge | |
Notecounts / Freeze Arrows / Shock Arrows | 134 / 9 | 296 / 7 | 504 / 13 | 696 / 15 | - / - / - | 284 / 7 | 489 / 13 | 659 / 13 | - / - / - |
DanceDanceRevolution A20 PLUS→Present | 5 | 9 | 13 | 17 | - | 9 | 13 | 17 | - |
DanceDanceRevolution GRAND PRIX | 5 | 9 | 13 | 17 | - | 9 | 13 | 17 | - |
激走!キャノンレーサー | |
---|---|
First continent | Beast mode - Expanded !! - FIRE BALL - Son, not gabba now RED ZONE† - Usual Days-remix DEATH†ZIGOQ ~怒りの高速爆走野郎~ |
Second continent | Boomy and The Boost - encounter - バスルーム ロマンス - 命の標本 CONTRACT† - SHOX 東京神話 |
Third continent | City Never Sleeps (IIDX Edition) - n'pa pa BBQ - Rampage - Rise Circuit HYPE THE CORE - The Revolution (VIP Mix) シムルグの目醒め |
Final continent | ANAGMA - Fervidex - Life Is A Game ft.DD"ナカタ"Metal - STARLIGHT JUNCTION - バ→ビ→ブ→Bomb! 255 - Eine Haube ~聖地の果てにあるもの~ - From Time To Time Initiation |
BEMANI Fan Site スキ! MONTHLY RANKING Number 1 songs | |
---|---|
2015 | EGOISM 440 (April) - MAX.(period) (May) - Over The "Period" (June) - In The Breeze (July) - 天空の華 (August) - Towards the TOWER (September) カーテンコール・メモリーズ (October) - 紅蓮 (November) - フラッター現象の顛末と単一指向性の感情論 (December) |
2016 | Paradission (January) - Rebellio (February) - Disable Mark (March) - Mirage of the Mirror (April) - Glitter Flatter Scatter (May) Electric Dance System Music (June) - Help me, ERINNNNNN!! -VENUS mix- (July) - Triple Counter (August) - Come to Life (September) Anathema (October) - HADES (November) - НУМЛ (December) |
2017 | Eira (January) - MeteorA (February) - Fly far bounce (March) - Touch My Body (April) - BroGamer (May) - Theme of Ricerca (June) - ENDYMION (July) ACE FOR ACES (August) - シノビシノノメ (September) - 刃図羅 (October) - TWO-TORIAL (November) - SHOCKER BREAKER (December) |
2018 | DEATH†ZIGOQ ~怒りの高速爆走野郎~ (January) - K∀MUY (February) - 東京神話 (March) - Couleur=Blanche (April) - Rampage (May) TRUTH behind U (June) - Dream of You (July) - Midnight Amaretto (August) - o†o (September) - PM is Here! (October) - pedigree (November) 金野火織の金色提言 (December) |
2019 | 1116 (January) - virkatoの主題によるperson09風超絶技巧変奏曲 (February) - 少年と少女のためのラプソディア (March) - Vinculum stellarum (April) le mal du pays, numéro 1 (May) - BEYOND THE EARTH (STARDOM Remix) (June) - Splash Gold (July) - 星屑の夜果て (August) Afterimage d'automne (September) - Silly Love (October) - Voca Nostalgia (November) - Catapulted Arch (December) |
2020 | Shoot the Moon (January) - 666 (February) - Burn Burn Burning (March) - Petite Queen (April-June) - rough percussionythm (July) 魅惑のYUMMYスイーツ (August) - Stargazer (September) - Chewingood!!! (October) - MAYHEM (November) |
2021 | ここからよろしく大作戦143 (Winter) - Lava Flow (Spring) - DUAL STRIKER (Summer) - ただ、それだけの理由で (Autumn) |
2022 | kors k's How to make OTOGE CORE (Winter) - ANEMONE (Spring) - ピアノ独奏無言歌 "灰燼" (Summer) - VOLAQUAS (Autumn) |